desade

Indeed, one thing is to have a voice, another thing is knowing how to use it in a certain way and with specific songs...

Unfortunately, the screams that open the film terrified a friend of mine so much that we had to leave; I still carry the remorse for not having strongly opposed it, and this review has only increased that feeling. Paradoxically, I say to you: well done!

An album that I haven't listened to and that I will never listen to. Lenny Kravitz hasn't been able to innovate, ending up writing the same song over and over again. I stop at his chart songs and a few old tracks from his semi-anonymous period, then that's it. The review doesn't seem that bad to me, but precisely because the album doesn't add anything to what he's already said, why 4 stars?

"For me, who has never bought Madonna's albums and only appreciates a few songs, I find myself taken aback by this new collaboration; I was much more impressed "...just to mention a couple...

Prospectively, the anti-Madonna tirade, it seems strange to me that no other insults have surfaced; we just have to wait for the next half hour. When it comes to saying she was awful, I don't hold back. Starting with that "American life," politically positioned as was fashionable just four or five years ago with laughable results. However, it doesn't seem fair to entirely demote Madonna to the status of a last fool. Over twenty years of career without various crises and hysterics is quite remarkable, I believe. She certainly doesn't possess grandiose musical abilities, and most of the time her extravagances, especially in the religious field, were not motivated by an idea; they were empty, I agree, but knowing how to surround herself with great artists is equally noteworthy. William Orbit and "Ray of light" is the case everyone knows, but many are unaware of the collaboration with Bjork for "Bad time story." As long as she is criticized for an objective reason or because one can't stand the idea that a woman capable of being her own manager becomes an icon (because she is an icon) despite not shining as a singer, I agree. But spitting on her out of bias is not acceptable. I also prefer a Minogue and recognize other forms of pop that are far more decent, but at the same time, we must acknowledge that Mrs. Ciccone is a symbol. At least that's how I see it. The review is horrible; I must admit that I too "was struck" by the complete ineptitude of the reviewer when it comes to Italian grammar.

Comparing Lumet to Allen seems like total nonsense to me, regardless of the judgments that could arise from it. Among other things, the resemblance to "Sogni e Delitti" lies entirely in the theme of remorse, but the difference lies in how it is approached....

Not seen yet. There’s a bit of prejudice towards the category that the film belongs to, I can’t deny it, but if it actually matches the description you give in the review, then it could turn out to be nice, who knows. She’s talented and beautiful, I agree, but I hope she doesn’t end up like Meg Ryan given the direction her career is taking: a flood of mediocre American comedies, a few low-grade films, and an indie flick just dirty enough to reclaim her credibility... I don’t know.

A film that marked my childhood...she's amazing especially in "Ghost," a mediocre film but her performance is truly muy spassosa.

Horrible, they are.

I didn't understand.