Purpulan

DeRank : 2,92
DeAge™ : 6837 days • Here since 21 september 2007
The Austerity Program Black Madonna
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I'm troubled by the "drill-search", if I were moderately sMAGAte, I would opt for a "drill-CIRCE", but I suppose it's the wise outcome of an endogenous disgust for internal rhymes (the internal ones always detract from the value of those who work with fine sapience on the bodies). However, the floral theme would be more suited to the taste of a colorblind upholsterer or, alternatively, a Downish one.
Phil Ochs Greatest Hits
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Oh, mine was more of a joke than a reprimand... something that could implicitly be yours too, since I make ends meet in different fields despite (or, more properly, thanks to) my university background in DAMS (cinema), only to then squander part of the profits in cinephile contexts...(and I can't even cling to the illusion of making my small contribution to the food chain of small productions, as I am aware that the idea would belong to the purest of utopian thoughts...; ). Cheers!
Phil Ochs Greatest Hits
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A small note from ABC the screenwriter: NEVER and I mean NEVER linger on technical notes regarding framing and camera movements (it's the first diktat of every manual), otherwise the director reads and (after a while) understands, gets angry, and, poking their inflated pride, exclaims "Well then, what the hell am I supposed to do here?!!"... and goodbye to the brilliant intention of writing for the screen (big, medium, or small as it may be... the intention, not the screen! ;).
Julian Schnabel Basquiat
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Schnabel is primarily a two-bit artist (though, in truth, I believe he has made much more), and the fact that he has managed to reinvent himself as a relatively successful director says a lot about the average quality of American art cinema (yes, yes, I know, it’s my classic struggle against the windmills), the film is good for a vernissage in Greenwich Village, and that’s it (in any, now rare, railway social club, they would have many more educated objections to raise regarding the value of such two-bit fellatio...a frothy one, bartender, nicely sparkling, thank you!!!).
Todd Solondz Fuga Dalla Scuola Media
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Eeehhh, the temptation is there... it's just that I quickly tire of analytical approaches of an academic nature... and naturally, I tend towards "stylistic exercises," so I would come off as rather pretentious (starting with myself; I allowed myself the nickname, but for the rest, it's better to leave Queneau where he belongs). Sooner or later, however, I will manage to come up with something that satisfies me and I'll put it in here (for pure hedonistic spite ;).
Pink Floyd The Piper at the Gates of Dawn
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Why can’t you like this if you treat it this way...; )
Pink Floyd The Piper at the Gates of Dawn
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But reviewing an album you like, right?!
Todd Solondz Fuga Dalla Scuola Media
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The titles should now be well known as the result of the wise and far-sighted minds of Italian distributors; the original is "Welcome to the Dollhouse." Solondz's plots are all quite slender or, if you will, ordinary, but that doesn't make them predictable.
Port-Royal Afraid To Dance
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They are great, and this is cooler than "Flares" precisely because it feels very focused (and therefore has much fewer digressions pro "sensationalism"), they’ve definitively sent post-rock to go f#[k] itself, and that’s a good thing, a perfect synthesis of the best of Tangerine Dream, Slowdive, and Autechre (in chronological order, but the sum is by no means reckless), in Germany they are cult, and it makes sense, as they devour most of the "Shitkatapult" productions with their eyes closed. 4.5 without any fear of reopening my eyelids!!!
The Jimi Hendrix Experience Are You Experienced?
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Yeah, so now we all know who the Smashing Pumpkins copied for "Gish" (if only that was the only thing they copied...; ).