CaptainHowdy

I was talking to the reviewer, of course.

But do you write reviews to share your thoughts or to collect comments? And then stop with this victim attitude; it seems like you’re the only one who loves Cinema.

I've always had a love-hate relationship with Aphex Twin; there are things I adore, and others I can't stand. I know nothing about this project, so thank you for the heads up. Next time, I recommend you focus better on what you want to discuss because the review is a bit confusing at times (and honestly, a bit too brief). That said, see the 3 as a positive judgment.

@Isi: aware. @Trema: thank you and welcome to DeB!

I didn't know you liked them. I listened to their first album, and it accompanied me for quite a while, then I lost track of them. I'll definitely give this one a listen.

@Melissa, no, I didn't make the drawing, but a dear friend of mine did. If you're interested, you can find more of his works here: AAARGH!
Like every good comic enthusiast, I really like Crumb, but he’s not my favorite; I'm more 90-oriented.

Beautiful films are still being made in Italy, few but they exist, "La Sconosciuta" by Tornatore for example this year or "Nuovo Mondo" by Crialese are great films, you just need to go see them. I mostly disagree with all your theses, in the sense that they’re not incentives to attract people but rather fillers that the authors use to compensate for their obvious lack of ideas and, above all, good taste. In reality, in my opinion, the success of these cinepanettoni is due to the fact that they target the segment of people who go to the cinema once a year (let it be clear, I’m not talking about those who never go because they can't afford it and then download the films, which I consider doesn’t match the experience of the theater, but unfortunately certain prices are definitely exaggerated and piracy, even if I don’t share it, is a possible solution) only for these "events" and have no love for Cinema but pay attention only to the media happening (and unfortunately we know how much the various "Lucignolo" promote these things) and in the end, they don’t really have fun but they go anyway because the TV said so. Therefore, your "cinematographic" considerations are not correct for me because there’s nothing cinematic here, and so it doesn’t appeal to a cinematic audience but to another kind, which is definitely the majority. That’s the secret behind the success of the now-defunct Boldi-De Sica duo. To be honest, I don’t really grasp the motivations that led you to write this review; anyway, that’s your business. Take care.

I haven't seen him yet, it's pointless to say that I love them very much.

Never adored but I don't remember having listened to it. If you say it's not exactly their style, I’ll try to give it a listen. A very personal review, but mine are too, so I consider that a plus.

So, first of all, I thank everyone for the comments, then in order: @Zion: you’re probably right, I was going from memory at the time of writing. @Melissa: I hope you still found the topic interesting. @Alessio: my honor. @Iside: you're never satisfied ;-) @Occulto: indeed, I read your review and, as I understood it, I commented on it as well; I agree that the OST of The Crow is the best, but between JN and Spawn, I prefer this one due to genre. @Lariana: very valid philosophy. @Hardrock: I like them too, but due to age-related reasons, I'm more attached to 90s productions. @Mien: great OST for Trainspotting (especially for the presence of "my" Underworld), Arkhain I know is a relatively recent Italian comic, but I've never read it; would you recommend it? @Ghemi: we think the same about Sandman and I also consider Lobo beautiful (do you remember the series "A Contract on Dhio"?). @Purpulan: thanks for the advice.