supersoul

Here comes little parsley Yosif... just recently on the scene yet capable of judging everything and everyone based on their birth date. But what do you know about the relationship between me and Starblazzy, to whom I truly care? I swear on Iggy that this guy makes me feel tenderness for his musical confusion. Ever since over a year ago when he praised that dog Blaze Bailey in Wolsbane, saying that Black Sabbath with Ozzy were awful. The one who yelled STAY TRUE METAL while now metal disgusts him and he loves the sweetest and most artificial country. How can one not love and worry about a character like that? I don’t love you, even though I appreciate your compliments towards me, because while Starblazer is a genuine babbodiminkia sincere and I would be sad not to read him anymore, you are a slimy and convoluted babbodiminkia of whom I’ve already said once that I wouldn’t miss. And I assure you that I hold this opinion of very few Debaser users. Regards.

Bed Of Nails is a great track (like all of them on this album), especially towards the end when Rob gets pissed off shouting "...I just can't wait..." But you know which song makes me bleed? "Disconnected," a sweet sweet ballad you didn't see coming with that guitar solo halfway through, perfect to listen to on desolate and sunlit roads, while we’re doing one-sixty in our convertible, full of beer, drunk, as she gets her latest tattoo that says: "Rock'nroll will never die."

Anyway, Tillet plays on a couple of tracks on this album, the piano in "Love is Undeground" is his...

you caught us off guard, tillet lends his organ in some single from the "Divine Rites" collection mentioned by uglypanda...and the circle closes once again ;-)

@ugly panda with The Celibate backgrounds an open door The Celibate Rifles: Roman Beach Party, il miglior rock australiano "Divine Rites" is a collection of the singles before "Distemper", my favorites are the very hard (but what is it... metal?) "Dead Girl", and the devastating r&b punk "Headin' South". @donjunio...don't you think Nirvana could have become the new Police? Maybe that's also why Cobain decided to call it quits.

...I specifically said that I trust you ;-)

In the end, I hope that all of you who have been annoyed (even justifiably) by the various concerts of this sixty-year-old in recent years have at home or have ever listened to this record from almost thirty-five years ago, when perhaps you were not even born. Produced in a raw way (and this is the greatness of a fine musician like John Cale), played in a crude manner by seasoned musicians like Lenny Kaye, Lanier, and Tom Verlaine (on guitar in "Break it Up") on one side, and rookies like drummer Dee Daugherty on the other. Tracks like "Land" that border on spoken poetry, echoing mythical pieces like Morrison's "The End," with Patti's voice sending chills down your spine over the angry guitars of "Free Money." This is a very strange site, where soft pop singers like Loreena McKennitt or Tori Amos are praised with five stars, and yet there are people who criticize a record like this because Patti Smith is "das kabinett der doktor Caligari." But she made rock history.

We didn't understand each other, azzo and Mike, I might be disappointed that the Gaznevada ended up doing the theme song for "Cartoni mitici," a Rai show presented by Elisabetta Gardini, or that Datura at the Festivalbar makes me hate Meat Loaf in its entirety. I was responding to Yosif, who thought babbominkiamente that this was a musical and artistic opening. The Gaznevada have every right to evolve, but since I started listening to them from that cassette, this subsequent change makes me want to flush the toilet ;-)