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For goodness' sake, the Working Week were not polished at all! You tell them too, damn it!
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Thanks to the usual suspects, I would like to say to Sharunas that not everyone can bring out the Souled American like he did; congrats again.
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this guy is more of a masochist than Kakihara in "Ichi the Killer", fifth (in my opinion) useless review of the album by "some guys who want to break free from respectability and conformity," while "Raw Power" is still there waiting...now it’s late, I’m going to light the evening candle at the iguana Osterberg asking for forgiveness for Rooftrampler.
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Just for the record... Joe Ely and Willy de Ville weren't paid, for Hot Tuna back then I spent 15,000 lire, for Los Lobos I managed with 12 euros. Should I be ashamed?
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And here’s another young kid who, thanks to the golden world of streaming, has condensed thirty years of music into just one month, and now he chops up judgments left and right with an impressive confidence...
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A big question you pose, currahee, I would give away my old bass to see Mr. JJ Cale live at least once in my life. But I’ve had my share of satisfaction and not clinging to a pole 200 meters away, but with a few people under the stage listening to Joe Ely, Hot Tuna, Los Lobos (there were about seventy of us...), Willy de Ville...
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...maybe it's worth spending a few more words on that great and overlooked character, Ben Vaughn, and his retro style that has its roots in the history of American music. It makes me smile that two of his tracks from the LP "Dressed in Black" have been used for a Levi's advertisement and for an Italian ice cream...
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@ odradek always wise, right: if you're not in the mood at the moment, it's better to avoid them because they can seem claustrophobic.
@trellheim: I’ve already mentioned that Chilton was in Big Star in the review dedicated to him and in that of Tav Falco Panther's Burn; I think it’s annoying to bring up his pedigree every time, what do you think?
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Production is not just about removing the "noises" from recordings, but also about making a group "sound" a certain way. The fact is that some producers influence the musical style so much that you can recognize their touch even when listening to different bands. It's a bit like a director for a film.
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Poletti, claiming that noir originated with Tourneur's film is yet another one of your baseless statements that might work in some village in Zimbabwe.