Voto:
it's also available on Italian online stores; if you want, I can send you the link in private.
Voto:
...I'm aging badly, I've just seen the review of festwca!!! These were the Australian stoners who were recording for Vertigo, and not exactly cavemen if we consider what Vertigo was back then. And they are the ones who later shaped Rose Tattoo; if you like Buffalo, then go ahead and look for the first Rose Tattoo. And rather than thinking of Detroit as we do with MC5 and Stooges, here it's more a matter of psycho heavy that's skewed towards heavy with whirling hair, as odradek says. Not to be missed. For my memories and tastes, it's more than a 3.
Voto:
@blackdog...it's because all rockers are communists, allow me!!!
Voto:
If there’s someone who needs to calm down, it’s you, Poletti. You attacked the statement “Altro che Quando la moglie è in vacanza,” scolding the poor SOLOperADULTI for throwing shade on the film, when it’s clear that you don’t need to be a Rorschach student to see it’s not the case. Your opinions are as sacred to me as a text by Mereghetti or Morandini, and I would never dare to label them bullshit, especially when you don’t even give a passing grade to a film like “Baciami stupido.” What can I say? It’s evident that your classical training as an altar boy makes you prefer Gone with the Wind, and the desecration can only be done by cartoons like The Simpsons, not by humans.
Voto:
Of course, the Talking Heads depended on Byrne, and that's the difference with the jam bands I mentioned, where there's a Duane or a Garcia, a Mike Bloomfield or a Trey Anastasio who stand out but at the same time aren't indispensable to those bands, which could, in some cases, manage quite well without them. Remove Byrne from the Talking Heads, and you end up with Tom Tom Club; take Frantz, Weymouth, Harrison away from Byrne, and he goes off to do other things, Latin music or experimental work with Eno or Twyla Tharp's dances.
Voto:
purpulan, are you really trying to be a meticulous pharmacist? Wilder, despite being Austrian, made his first true film in the USA and is therefore an American director in every sense of the word, and by the way, he’s one of my favorite AMERICAN directors. His "Not for Money but for Love" is a source of eternal gratitude for me towards this Viennese. As for the screenplays, from Arianna onwards, they were written by the great I.A.L. Diamond. "Do you think they are all corrupt?" "How should I know, I don’t know them all!" from One, Two, Three...
Voto:
Thank you, Ole, it’s a shame that similar records (and there are plenty of them) are lying in the dust of the lost and found office when instead a considerable amount is spent on current rubbish.
Voto:
azzo calls the elders to testify and I am not silent. I remember well Byrne starting solo on Psycho Killer, but then Weymouth joins in and they play Heaven, then one by one the others come in, Chris Frantz, Jerry Harrison, the session players like Steve Scales, etc., until they are all on stage for a "Burning Down the House" that personally makes me thank the music god for the existence of bands with five-seven-ten people playing a jam without the need for machines, the Grateful Dead, the Electric Flag, the Allman Brothers, Phish, the String Cheese Incident... Like Ole Einar, who I think is much younger than me, Radiohead have never won me over, but it’s not their fault.
Voto:
...it started well: let's resign ourselves to another year of Poletti's nonsense, does anyone see in the expression "More than When the Wife is Away" the desire to dump shit on him? calm down, Poletti. I would have bet my subscription to the parish cineforum that you didn’t like this film. It's you who doesn’t fit with these films.
Voto:
In 1997, I remember a great live album by Patty Pravo was released. Do we want to compare that to this one, which is as boring as a fusillo, as he rightly remembers with pain?