supersoul

Good roof, beautiful exposure, but I think you haven't listened to the previous works of the Black Keys because otherwise (I believe) you would have been disappointed too and wouldn’t have praised this turn that features guest star instruments like the organ and flute(!), as well as a refined guitarist like Marc Ribot. For me too, the Black Keys that rocked the scene were those from Thickfreakness and Rubber Factory, directly related to raw bluesmen like Junior Kimbrough. Luckily we still have Left Lane Cruiser (awesome album)...

blacchedogghe if you love the MC5 you know very well that in 1968 there wasn't much choice for record labels and Elektra was among the most modern. And you know very well that when the big boss Jack Holzman called Sinclair and the rest of the band (who were performing for free at the Grande Ballroom in Detroit) saying he wanted to take that MOTHERFUCKER! out from the beginning of Kick out the jams, our guys rebelled knowing full well that such an obscene word (which today seems laughable for how pretentious it is) would erase them from radio playlists and dollars. That (let’s specify IN MY OPINION, otherwise you’ll be seen as snobby right away) was a real kick in the ass to decent society, not the photo in the early 2000s with the Zapatistas, which even our Jovanotti does (and sells more records). Vaya con Dios, perro negro!

Poletti, you should be used in industries like a capacitor; no one else can condense so much nonsense into a few words like you do. Stupid comments like yours: "I find this cameo superior to Easy Rider" can't go unchallenged. For the love of cinema.

don't freak out, you pseudo-progressive scoundrel, I don't believe you're so stupid as to not realize that such a ridiculous comment can only be challenged by the reviewer. You accuse others of discussing shitty cinema while you can only do it by talking badly about it. The piece of shit is you, Poletti, and compounded by the fact that you see yourself as some enlightened jerk who votes for Veltroni against barbarian invasions. That's why this society has become a mess—right, left, center.

pretazzo what do you think?

But why Lewis, from my post wasn't it clear that for me the campers also had four more gears? I was referring to the stylistic approach, wasn't I?

Poletti, I reiterate that I no longer wanted anything to do with a buffoon like you, but your buffoonery is unbearable to the point of indignation: "I deal with high-level cinema." Here are some titles of high-level cinema that you have reviewed: "Christmas in Love," "Gremlins 2," "Bianco rosso e verdone," "The Lord of the Rings," "Three Men and a Leg," "Gallo Cedrone." But have the decency to remain silent.

Poletti, I had promised myself not to engage anymore with a fraud like you, but how can one remain impassive in the face of such nonsense? "When it comes to mentioning him for a great role, no one says anything?" What great role are you talking about when Hopper (who is in the film because he was friends with James Dean) mostly makes a cameo appearance? I'm more and more convinced that you don't watch films, you just read the summaries.

not in all speedsound, and then I ironize but I never ridicule, nor do I blame like you do.

@speedsound, it's just my opinion, one like any other, we can discuss it until tomorrow and maybe you’ll change my mind, maybe I’ll set aside the fact that Ratm give a kick in the butt to the capitalist-consumerist system while holding a nice contract with Epic/Sony.