supersoul

DeRank ™: 3,90

DeAge™ : 6938 days • Here since 12 june 2007

The Wizards From Kansas The Wizards From Kansas

17 jul 08

Voto:

@lewis, that’s the late Greg Shaw, music critic and founder of the fanzine Bomp and the honorable label Bomp Records, which released all of my favorite bands from garage to punk, DMZ, Gravedigger V, Weirdos, Miracle Workers, Tell Tale Hearts; they should at least make a half-bust in memory of that holy man...

The Wizards From Kansas The Wizards From Kansas

17 jul 08

Voto:

I’ve been thinking for a long time about writing a review of The Charlatans, but it’s not easy because beyond their musical value (which is limited compared to the other giants of the era), The Charlatans were a cultural phenomenon that practically built the entire musical community of San Francisco, starting from the neighborhood of old Victorian houses that was massively occupied by the musicians of that time. In short, I’m too lazy to tackle the whole thing properly (or maybe just incapable...):-))))

Robert Altman Nashville

17 jul 08

Voto:

it exists, it exists...

The Wizards From Kansas The Wizards From Kansas

17 jul 08

Voto:

without the space in w atch?

The Wizards From Kansas The Wizards From Kansas

17 jul 08

Voto:

the Jefferson's version at Monterey of High Flying Bird->https://www.debaser.it/main/Video.aspx?y=SrU_midXhI0

The Wizards From Kansas The Wizards From Kansas

17 jul 08

Voto:

Well done, psycho, I agree with the assessment, but I think the Wizards had no desire to hop on the success train and record albums; in fact, they dismantled with another album ready because they left to play jazz, just like another great band from the era of jazz musicians experimenting with psychedelia, the After All. The version of High Flying Bird is extraordinary; if you remember, there’s one by the Jefferson Airplane at the Monterey festival. I'm also amazed at how many great people covered "Codine" by Buffy, the great (and shamefully forgotten, because the Frisco movement started with them) Charlatans, Quicksilver, the Litter, Donovan.

Robert Altman Nashville

16 jul 08

Voto:

My video cassette released with the Unit of times gone by lasts 152 minutes and is in the original language with subtitles. An Altman film dubbed loses 50%, but at the same time, since it has all the actors speaking simultaneously, like Biscardi does with the guests of the Processo, it's a bit difficult to follow all the dialogues.

Cows Daddy Has A Tail!

16 jul 08

Voto:

If you're talking about Forming/Sex Boy, that's rotten punk made of three chords and a lament, it's not hardcore.

Willy DeVille Live

16 jul 08

Voto:

@eliodoro: last year he did a concert (for two hundred people, I believe...) that just wouldn't end, at least 4 encores including his chicano version of Hey Joe, laughing and joking with the audience that didn't want to let him go, showing his arms and saying that he wasn't on drugs and didn't have that much stamina, super thin with shaved temples and a mohawk that cascaded down his back: a unique character. @malley: look, Sporting Life is still like Mink de Ville (it's true that it's not at the same level as the others but it contains a great "Italian shoes" which he still performs live). But I wouldn't nitpick between Mink and Willy de Ville; he’s still the original. Anyway, I didn't like Miracle, I find it too polished and sophisticated in production.

Cows Daddy Has A Tail!

16 jul 08

Voto:

Just to stir up this interesting discussion, and if you care to know, I've never gone to school with Scaruffi and I can't tell you if he's a master, but the few interviews I've read that he conducted with various bands are shockingly banal. However, I've always known and heard that the first to play hardcore accelerations were the Atta brothers of Middle Class with the EP "Out of Vogue," and then before the Germs, there was also the EP by the Black Flag, which I believe is the foundation in both form and content of hardcore. Not that the Germs aren't phenomenal, but it's undeniable that the first lineup was composed of musical ineptitudes; they got better when they asked for help from the Weirdos, who at the time released some exceptional singles.