emofiliaco

I don't know them, nice review but I don't think it was necessary to say it.

DeB is also useful for this, for off-topic debates where you start from distant positions and in the end, they are even further apart, but at least our "virtual self" has let off steam, and it ends with a nice healthy "fuck you," wanting each other more than before. See you!

@Mah: Indeed, I had overlooked the rating given to the album by the "reviewer"; the issue changes little as the vulgarity and the unjustified attack on Gabriel remain. If the message was what you say, I don't agree with that either; this is a nice album, but in my opinion, it's far from being a masterpiece, and anyway, it's not on the level of those with Gabriel (aside from "From Genesis...", of course). As for the rest, I acknowledge that I misinterpreted the discussion, but if the reviewer didn't want to take that risk, he had millions of ways to express a certainly respectable concept without resorting to unnecessary provocations. I bring up Peter Steele once again (not Gabriel, Steele!): "Don't confuse genius with a lack of talent!" I know that these days, to be considered a genius, one only needs to shout or (as in the case of the reviewer) provoke, but this is not a masterpiece of synthesis but mere provocation (and if you notice, as such, I didn't give, and still won't give, a rating). What we need is arguments, guys, arguments... Bye!

not until but up to here... etc.!

Feel free to express your opinion freely and a bit crudely, as nothing new has been published about DeB; conceptually worse things have been released. The problem is that Gabriel isn't on this record... Can I say you're ignorant in the sense that you ignore?

Go LongLive, for what it's worth, I give you my approval.

@Vortex: you throw the stone and pull back your hand, an old trick, but you know how it is...

Try, there are heavier sounds. (not a lot, but enough to match the term, in my opinion) Hi!

Hello Lovelorn!: I believe that you can't compare Keane, Starsailor, or Muse to this product; this is a parallel project of an artist who usually does something completely different (not worse or better, but just completely different), so the foundations are different, and I appreciated this willingness to experiment, even if there are definitely some overly sentimental accents (as you say), which I do point out in the review. As for emocore, try listening to tracks like "Where is my love" or the opening "Once," and then let me know. Perhaps my feeling could be mistaken too, right? For the rest, you have to agree with me that the term emocore has been somewhat stretched lately; I used it to convey the high emotional component (especially in the sounds) of the work.
Thanks for the comment! P.S.: I’m cpt with nick-crisalide...

I now see Vortex's extremely annoying post: I fully agree with Ghemi and Sfascia.