Valeriorivoli

DeRank : -1,24
DeAge™ : 7064 days • Here since 5 february 2007
Edoardo Bennato Io che non sono l'imperatore
Voto:
but I prefer Stefano Rosso?!
Slade In Flames
Slade In Flames
12 jul 22
Voto:
Noddy Holder is in the rock hall of fame.
Pooh Viva
Pooh Viva
12 jul 22
Voto:
rock texts! "- ]
Pooh Viva
Pooh Viva
12 jul 22
Voto:
I'm tired of being good, and so I'm going to hell
I'm tired of living in a state of shock day by day
Starting today, we've stopped
asking for permission
I want everything now.
Pink Floyd A Saucerful of Secrets
Voto:
Barrett fades away, but from a heart-wrenching mountain farewell, the star of Waters rises—who writes two epic pieces of psychedelia—let there be more light and set the controls; Wright sings his musical numbers—see saw—very well, Gilmour is discreet but not muted. The album is unique, seminal, and epochal, almost punk compared to what they would do later. It hasn’t aged poorly, quite the opposite. I listened to it a lot in the early '80s: an old mini-review comes to mind, I don’t know whose, from a book at a friend's house, titled rock 86.
Massimo Ceccherini La mia vita a stelle e strisce
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there's method in this madness. there's something rotten in Maremma.
Fleetwood Mac Rumours
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The Venditti of the seventies, that is, the pre-great success one, closes the decade with an album, "Buona domenica," in which we begin to see here and there what will be the hallmark of Venditti in the eighties: the "cloning" of parts of songs by others. This is the case with the title track, whose intro and a good part of the verse are practically identical to "Don't stop" by Fleetwood Mac.
Martin Amis Koba il Terribile. Una risata e venti milioni di morti
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Stanlio lends an ear to your soul, contemplates the verse:
a fossil hell of Maia,
burdened by matter
in Cimmerian narcosis.
Martin Amis Koba il Terribile. Una risata e venti milioni di morti
Voto:
Arturo Onofri
Defeating the Dragon