Valeriorivoli

I drink the water from the radiators and declare myself a political prisoner.

bjorky don't know, you make me abbiokk -voce del verbo abbioccare - you Big legged woman you got no soul SENTI profetessa della ceppa mancante: I NEVER THOUGHT I WOULD FIND SO MUCH HAIRY AND UNHEALTHY PEOPLE HERE.. I realize the intellectual dishonesty that reigns supreme in the brains of the scholarly debaserian youth... you make me want to call richie benson to cover you in shit. never said I don't like led zep, I used to play it with the band years ago, I just wanted to uncover a bit of the worm in the snot-nosed kid who wrote this grammatically incorrect and taliban-esque review, while all those who got pissed off demonstrate a biological and mental age equal to the aforementioned 14-year-old. THIS IS THE GRAVE FACT. INTELLECTUAL DISHONESTY, ONLY THE PROVINCIAL ITALIOTS GET ANGRY IF JIMMY PAGE IS TOUCHED. half the world knows about his scandalous plagiarisms but you can't say it, no, EH MY TALIBANUCCI. 40 PERCENT OF THE ZEPPELIN PRODUCTION, AND what’s even worse, their biggest hits—kashmir excluded—ARE RIPPED OFF, RIPPED OFF, RIPPED OFF, RIPPED OFF, and what’s even more grave, it’s PAGE’S GREED THAT DIDN’T EVEN RESPOND TO THE AUTHOR OF DAZED AND CONFUSED. FUCKING TALIBAN ...it took an exegete like me to unstick you from your altars, I EVEN HAVE A DRIBBLE OF BABY FOOD LIKE BENSON WHILE I PISS IN YOUR FACES THIS STUFF. FRIENDLY.

CIPPARELLO IN CULO ENTERS IN HEAD NO, Go study instead of listening to rock music: repetita juventus, THERE'S A HOLE OF BILLIONS FOR THE NON-PAYMENT of the credits of: babe I'm gonna leave you" another BEAUTIFUL PORCHETTA BY SIR JIMMY PAGE, WHO passed it off as a folk song - the credits list it as traditional, but at some point in the 80s, the singer-songwriter Anne Bardon successfully claimed it, and it had already been sung by Joan Baez, who had paid for the rights. then Your Time Is Gonna Come - copied from Lynyrd Skynyrd, Sweet Home Alabama, still How Many More Times from How Many More Years, by Howlin' Wolf and Communication Breakdown stolen from Nervous Breakdown, by Eddie Cochran finally here is the blacklist, strictly for fans: Gallows Pole (Gallis Pole) – Leadbelly Hats Off to (Roy) Parker (Shake’em On Down) – Mississippi Fred McDowell Hey, Hey, What Can I Do (Boogie Chillum) – John Lee Hooker How Many More Times (How Many More Years/No Place to Go) – Howlin’ Wolf I Can’t Quit You Baby – Otis Rush In My Time of Dying – Blind Willie Johnson The Lemon Song (Killing Floor/Traveling Riverside Blues) – Howlin’ Wolf/Robert Johnson Moby Dick (The Girl I Love/Watch Your Step) – Sleepy John Estes/Bobby Parker Nobody’s Fault but Mine – Blind Willie Johnson Poor Tom (That’s No Way to Get Along) – Robert Wilkins

LISTEN CIPPARELLO MY FUCKING, the things I wrote are on the web, accessible to everyone, got it you idiot??? I couldn't care less about what you think, I just acted as an intermediary, and anyway, I won't change a single comma of what many, and I underline many, think about jimmy sugar. And fuck off, for once.

NOTHING SMALL, I repeat, the sample, that is an arpeggio, and what an arpeggio that of the Spirit, even in the 70s it was paid for, look at the shit the Rolling Stones did to the Verve for "Bitter Sweet Symphony," for a small piece of sampled strings. And wake up!

Oh, I forgot to mention sampling. The reworking or use of a sample from a song is one thing, and you pay the royalties for it. With plagiarism, Jimmy credited himself, bypassing the author or claiming that the track didn't have one because it was traditional. Shame on you, Jimmy sugar!

Ah Cimbaré, I love Led Zeppelin or you’re an idiot if you disagree with the entire planet that claims "Stairway" is plagiarized. This doesn’t take away from the value of the Zep, but that Jimmy Page is a big-time plagiarizing jerk and Portuguese is not something I'm saying alone: courts, lost lawsuits, scandals with the press speak for themselves, and, peddilla tutta, he’s someone who will screw you over without a second thought!!! He has paid Dixon and several other artists, the SIAE is paid, Page is a mafioso.

whoever changes the channel is a Cimbarello

beautiful supersoul: let's also include the unpaid credits for "babe I'm gonna leave you" another BEAUTIFUL PORCHETTA BY SIR JIMMY PAGE, WHO passed it off as a folk song - the credits list it as traditional but at some point in the 80s the singer-songwriter Anne Bardon successfully claimed it, and it had already been sung by Joan Baez, who had paid the rights.
then Your Time Is Gonna Come - lifted from Lynyrd Skynyrd’s Sweet Home Alabama, still How Many More Times from How Many More Years by Howlin' Wolf and Communication Breakdown swiped from Nervous Breakdown by Eddie Cochran.
finally here's the blacklist, strictly for fans:
Gallows Pole (Gallis Pole) – Leadbelly
Hats Off to (Roy) Parker (Shake’em On Down) – Mississippi Fred McDowell
Hey, Hey, What Can I Do (Boogie Chillum) – John Lee Hooker
How Many More Times (How Many More Years/No Place to Go) – Howlin’ Wolf
I Can’t Quit You Baby – Otis Rush
In My Time of Dying – Blind Willie Johnson
The Lemon Song (Killing Floor/Traveling Riverside Blues) – Howlin’ Wolf/Robert Johnson
Moby Dick (The Girl I Love/Watch Your Step) – Sleepy John Estes/Bobby Parker
Nobody’s Fault but Mine – Blind Willie Johnson
Poor Tom (That’s No Way to Get Along) – Robert Wilkins

Everything's OK, GREAT ALBUM BUT ... the notorious plagiarist and Portuguese JIMMY PAGE – just like sugar today, otherwise they'll put him in jail – SHOULD PAY THE ROYALTIES, SOMETHING HE HAS NEVER DONE, FOR: Taurus by Spirit, the arpeggio is practically the same and predates Stairway to Heaven, and the Zeppelin had opened for the latter when they were still not famous.
2) "Black Mountain Side" from "Black Water Side" by Bert Jansch and the riff from "Your Time Is Gonna Come" from the Traffic album Dear Mr. Fantasy.
3) "Dazed and Confused" was initially written by Jake Holmes and included in his album "The Above Ground Sound." The Yardbirds, Jimmy Page's old band, recorded a version titled "I'm Confused," and Page reworked the song for Led Zeppelin's debut album without paying any compensation to Holmes. Holmes didn't want to tarnish the group's integrity over a song, despite having sent a letter stating, "I understand, it's an attempt at collaboration, but I think you should at least acknowledge that I am the author and pay me the royalties." The letter received no response, and Holmes did not pursue the lawsuit. It is, however, reported that he said
(EN)
« What the hell, let him [Page] have it [Dazed and Confused]! »
(IT)
« Che diavolo, lasciate che [Page] se la tenga [Dazed and Confused]! »
4)
The prelude of "Bring It on Home" is a cover of "Bring It on Home" by Sonny Boy Williamson and shares pieces with "Bring It on Back" by Willie Dixon.
5) "Whole Lotta Love" has some parts of the lyrics in common with "You Need Love/Woman You Need Love" by Dixon.
In the 1970s, Arc Music, the merchandising division of Chess Records, sued Led Zeppelin for copyright infringement of "Bring It on Home" and reached an out-of-court settlement. However, Dixon did not benefit until he urged Arc Music to acknowledge his ownership of the copyright. Years later, Dixon sued Led Zeppelin for "Whole Lotta Love" and thus a compromise was reached. The subsequent reissues of Led Zeppelin II saw Dixon included in the credits. ALL OF THIS FOR NECESSARY AWARENESS.
MY BEST REGARDS