alessioIRIDE

Look, I don't even know a single person who spends the evening watching TV; in fact, I avoid them. Let alone those who watch the fiction about Rino. Then, the various BIG are those who are humanly considered BIG, but in the end, they feel stale for at least twenty years or more, and I really can't understand who it is that praises Rino Gaetano? Take this review: there’s not even a single 5; it has been rated 5 times with an average of 3.00... it doesn't seem like anyone has pulled their hair out or had a vision of the Madonna... I repeat: generalizing like this is bad for your health.

Sure, but let’s end this nonsense from the psychiatry experts. Let’s talk about serious matters... my top-ten ranking, complete with compelling reasons, is itching to be shared... the only doubt I have left is whether to give space to new talent and let it grow or to valorizzare gli ever-green... mah!?! the exit polls can’t shed any light, as usual.

It doesn’t seem to me that he has made a comeback at all, and if you flip through the pages dedicated to him here on Debaser, he’s treated, sooner or later after the fiction (but then who the hell watches that stuff?), as a sideshow phenomenon, not even remotely comparable to the "BIG (with three thousand quotation marks)" of Italian music, and unconditionally admired by a few. Of course, we are always talking about opinions, but generalizing like that isn't good for your health. It's true that musically he might be of little value, but it doesn't seem to me that the other "BIG (always with three thousand quotation marks)" of Italian music, everyone included, are much more... on the contrary. Anyway, I find solace in "escluso il cane," where there’s a theremin in the background that in '77 wasn’t something for everyone... then the world can do whatever the hell it wants.

But I would slap those parents of the child prodigies right in the teeth. A little girl who, at six years old, goes on a tour in Asia—what the hell kind of memories will she have of her childhood? If I were in charge, I would take that girl away from them.

I prefer both Ingresso Libero and Aida.

I’m looking for it big time.

for me he remains the best of Italian songwriting. national-popular just enough, sad just enough, happy just enough, intellectual just enough, a bit of a fool just enough. and then he was the one with the most marked identity, less subject to his own influences, and he died young, before he started to lose his mind and his anger.

I think the top five is limiting. We need the ton-ten with plenty of justifications.

The exit polls place Arnold Larva in first place, followed by Korn two lengths behind. Anyway, I propose to assign the various categories (which need to be established) like Miss Cinema at Miss Italia. We could create categories like "most nerdy," "least entertaining," "when I grow up I want to be like him," "most colluding," etc. I have decided to sponsor Melissa in the overall top five.

Okay, it's time to vote on the girasole review.