Slim

I like it a lot!!! You can really feel the influence of Terry Riley.. But more English!

Legendary Chuck Berry! Who would have expected it!! It's already a miracle that he's still standing after the life of excess he's led!! I expected worse, though.... it wasn't a memorable performance, but to say that Chuck Berry doesn't have historical significance is quite another matter.....

The more I watch this movie, the more I am convinced it's a huge piece of crap...

INVECTIVE?

Interstellar space?

Aaaaah, Bon Jovi! I've never been able to stand them! But were they really that important in Hair rock? More than Motley or Kiss? Who knows! Anyway, I agree about the revolutionary nature of Achtung; it's the first album to feature all the sounds that defined the 90s (like drum samples, for example). It's an album that has been copied and re-copied. Then, let’s just say that Eno did his dirty work!

Despite the fact that they made their best work with Taylor (Sticky Fingers and Exile on Main Street), in my opinion, the most "Stones" sound is on Some Girls, thanks to the contribution of Ronnie Wood, who, although he might not seem like it, is an excellent guitarist, overshadowed by the relentless ego of the Glimmer Twins... the solo in "You Can't Always Get What You Want" on this live recording proves it... Anyway, Taylor's guitar work in the studio reached sublime levels with tracks like "Sway," "Do Do Do Do (Heartbreaker)," and "Can You Hear Me Knocking," but live he never fully expressed himself (I have several bootlegs from '71 to '73, including the film "Cocksucker Blues"), sticking to a style that was predominantly blues, while in the studio he explored more interesting things (like the solo in "Time Waits for No One").

Ah, that doesn't change the fact that in person he was still extraordinary, let it be clear!!!

Despite the fact that they made their best work with Taylor (Sticky Fingers and Exile on Main Street), in my opinion, the most "Stones" sound is on Some Girls, thanks to the contribution of Ronnie Wood, who, although he might not seem like it, is an excellent guitarist, overshadowed by the relentless ego of the Glimmer Twins... the solo in "You Can't Always Get What You Want" on this live recording proves it... Anyway, Taylor's guitar work in the studio reached sublime levels with tracks like "Sway," "Do Do Do Do (Heartbreaker)," and "Can You Hear Me Knocking," but live he never fully expressed himself (I have several bootlegs from '71 to '73, including the film "Cocksucker Blues"), sticking to a style that was predominantly blues, while in the studio he explored more interesting things (like the solo in "Time Waits for No One").

Enough with these albums!