Lord

Look folks, this record here is not hardcore. It's progressive, avant-garde, it came out in 1976-77, the Gabber didn't even exist yet.

Oh my goodness, what a masterpiece of an album, one of the most beautiful records by Genesis, alongside its predecessor.

As the pretazzo said, Neu!2 is much better! And that's it, you've really annoyed everyone with this Neu! nonsense, reviewing them so frequently, you're going to make everyone hate them.

I have it on my hard drive, but I still haven't listened to it properly.

The umpteenth masterpiece by Battiato

And what about the vote for the hot chick of Ardalo?

I don't know the album, but the version of Somebody To Love by Great Society (which I do know) is, in my opinion, clearly inferior to the one by Jefferson: too long, stretched out, it never gets to the point, and the vocal harmonies in the chorus are nothing short of mediocre. The version on Surrealistic Pillow is a whole different story, there’s a groove that you can cut with a knife. However, the best version of "Somebody to Love" is by Queen from 1976, which strays a bit from Grace Slick's.

After watching it, I can finally say that this is the least significant episode of Indiana Jones, and not the more than decent second one from 1984. The ending with the hat blown by the wind is TERRIBLE, you can’t even watch it.

London is absolutely right. Banks was the true leader of Genesis, and even when the dramatic POP turn happened, his style still shone through in the little things, in passages like the intro of Invisible Touch, blatantly Genesis-like, those fanfare-like chords that have been present since the very beginning; they are simply updated to another instrumentation (synths instead of organ and mellotron). His unique and uncopyable style is the real trademark of Genesis (the solo albums of Tony Banks, horrendously Genesis-like, are proof of this). Personally, I consider him one of the best keyboardists in rock, precisely because of his balance, his calmness; his contributions are always background, he embellishes the music but never overshadows the others, and most importantly, he is not a virtuoso for the sake of it. He is not overly technical, but he possesses a great deal of creativity. Tony Banks is a good 70-75% of Genesis.

Ooh, what a handsome young man on the cover.