cptgaio

P.S: Of course, if to argue a defense for your theories you can only pull out self-produced sources from yourselves (and Luogo Comune should be considered as such) like conspiracy theorists, you’re doing well and I’ve been foolish to listen to you until now.

mind, do not lie...

If you keep posting links of that kind, every discussion is pointless, but since I’ve been drawn into it, more or less directly, regarding the “Corriere” topic, I thought it would be fitting to respond with the same irony… Moreover, this discussion is quite boring because it’s fairly clear that your mind is clouded by various urban legends, and I think I've already wasted too much time with you (contributing to give unjust publicity to this “documentary”). Reread—or rather read—my posts, as you keep asking me questions to which I have already answered thoroughly. Pull out links and answers to even the latest (but not new) questions(?) you pose now. It’s all.

Look, if your sources are those, I’ll definitely keep the Corriere... I think the one who isn’t taking the issue seriously isn’t me here, I’m out and that’s it.

"One of these days I'll make some money." I'm out too :-(

Well, Ashanti, it depends on what one is looking for. In "The Name of the Rose," I read contemporary visions (through the metaphors presented) that are absolutely, for me, far-sighted. At least that's how it is for me; you might find them somewhere, in the "texts" of Courtney Love, for example...
@Fishman: let’s hope that cover hits the mark sooner or later, like tomorrow...

BirbaBirba is back!

Late you didn't betray, damn tonight I'm very intoxicated.

@HR92: generally, I prefer not to engage in conversations filled with too many "ifs." I can tell you that probably back in '95 they wouldn’t have even been invited anyway, since we were still in the Baudo era, and the most shocking musical moments (for the average Sanremese audience, I mean) of those years included "Il Clarinetto" by Arbore (though I can't remember the year) and Elio e LST in '96. But the point, and you’ll agree, is that Afterhours haven't been indie (for whatever that means) for years now, and I (though that might just be my personal mental gymnastics) draw the line from the album I mentioned above (and that was quite a few years ago). So when I hear other longtime fans (I say "other" because I consider myself a longtime fan as well) talk about "betrayal," I smile because, if there was ever really one, it definitely isn’t because of Sanremo itself, but rather due to all the little and big things that have made Agnelli lose a bit of his "mal de vivre" (or was it too much coffee?). He (like me) is getting older, and probably (like me) now has different values, or maybe not, and at Sanremo he’ll blow everyone away. Let's wait (with little confidence but let's do it) to open up discussions that would anyway, at this point, be truly misguided without a fresh "body of evidence" 😉

Comment 22 is one of the best responses to "mettiticonmedebaseriano" ever. I'm giving you a 1 because I know it matters to you (great writing anyway), but for the record, no, not knowing it, it doesn't seem fair.