Roblaici

Come on, we could have done more. kosmogabri's comment was too strong!

I consider these music disputes often misleading. Music is one of the things that unites, one of the few things. After that, we can discuss civilly about one artist or another. I too find the claims about drug users offensive towards all artists, but in any case, let's not take everyone's opinions personally. Returning to the topic, I believe Zucchero has done things outside of his nature and lost his way, but it’s wrong to say “from Blues and Oro onwards…” because "Spirit divino" and "Blueusgar" were certainly not third-rate works. As for the 3 stars, I think pieces like "Dune mosse" and "Wonderful World" manage, all things considered, to make it mandatory not to give failures to this album, which is certainly inconsistent.

I didn't mention that this comment comes from a fan of Zucchero who commented on this review and in general the comments that are now always malicious towards Sugar. Nevertheless, I agree with the essence of it.

On everything one can have an opinion, one can offend, judge, and anything can be questioned... let alone Zucchero and Fly, a disco five years later after a zu&co for the Italians already seen as surplus and a Fornaciari increasingly relegated to niche artist... an artist who jumped to fame by sheer chance!!! Incredible... after 25 years of career it’s laughable, and after all this crap coming out from Neffa to Fabbi... and you tell me why I offend them? If they do it to someone who is a legend, who are these guys? What do they represent?
The music from a hundred showcases pervades the world, but in Italy, touching even a myth like SUGAR who has written pages of Italian pop seems really foolish to me... senseless... populist... fashionable, in short. Is it possible to fly among turkeys? With great difficulty...
Bacco perbacco a masterpiece? No. Silly? Absolutely not. A cheerful, energetic track, an anthem to life, joy, and simplicity!!! Cuba libre... if it had been released in Italy with MI PIACE LA LASAGNA I can’t even begin to imagine... But living together, uncino, signorina, happy hours are fine... why? Because they fit within the expressive standards of common fashion...
Several years ago Vasco at a concert in Sicily said something like: even with this crap I can do something... and nothing happened... I heard it from a Vasco Rossi fanatic!!!!
And instead, for a ** like Staffelli and a few foolish and envious ones now here in his homeland he has to struggle so much... he who has tried to give something more is...
The Baustelle talk about theft and they're innovative, Gazze' with sweaty feet, and it's dreamy, Elio di Cachi, and it's intelligent, Cristicchi with umbrellas up his ** while Ligabue acts cool, the star, the director, the author, the postman, the presenter, the magician, and the painter... mah...

Hello know-it-all, your jokes are funny, but let’s not offend the artists! Those who talk about plagiarism should really know the difference between COPYING and plagiarizing. Oscar Wilde stated: the worker invents, the genius copies. In short, let’s not be moralists. And plagiarism is a whole different matter; go check the SIAE website or read their lengthy copyright law. I believe that because of shows like Striscia or TV in general, a really wrong idea has been formed about all of this.

The Mass has always delighted us with captivating music that is poetic and evocative. Fantastic.

I read the review; there are good things but also a myriad of clichés. To say that Zucchero is a fraud is to fall into the foolish trend of labeling him as a hack just because one staffelli gives him a tapiro for a plagiarism case that, two months ago, the court established no longer exists. In short, works should be judged on their own merits, without comparisons to the past or, worse still, as you do, to the FUTURE. Blue's was a great album, from a good guy and a great musician, who today, certainly at 52, is different and more integrated into the system, yes, but it doesn’t seem to me he dispenses bad music; just listen to tracks like eccetera eccetera, dopo di noi, ahum, i tempi cambieranno, and baila.