Gianmaria Testa 5 Questions
Voto:
Courage, you have all my understanding ;) adiosu
Cinder Break Your Silence
Voto:
read, aritiè!
Sam Gopal Escalator
Voto:
So you reviewed it to pique our curiosity, well knowing that it will be difficult to listen to it because it's hard to find. When they say bastard inside ;)))
DJ Nu-Mark & Pomo Blend Crafters
Voto:
very intriguing, but I will never find it here!
Elisa Pearl Days
Voto:
Lotus wasn't a bad job, and after overcoming my prejudices about the interpreter, I listened to it for a while. However, I don't think I'll buy this record; I already have a long shopping list. I must say that since I started recording a few albums, I've been buying more original CDs. I believe that copies help spread musical knowledge, and I'm not that convinced they pose such a significant threat to the music industry. Naturally, I'm not including criminal organizations that profit from the parallel market of CDs and DVDs in this discussion. Buy original CDs? Sure, I do, but at the same time, I record something, listen to it, and if I like it, I get the original CD; if I don't like it, I set it aside, forget about it, or give the copy away. If I like the album, I buy the original for the booklet, the lyrics, the cover. Record labels, instead of continuing to complain about pirated copies, why don't they do more about pricing? Is it really possible that the price issue is only related to VAT? Is it ever reasonable that "Sgt. Pepper" by the Beatles should cost €20? There are records from thirty or forty years ago that are too expensive, inaccessible to many. I don't think that's fair. Additionally, they don't invest in or promote new artists. And then sometimes it makes me laugh to think that the market offers the possibility to copy records while constantly evolving in terms of technology, yet it criminalizes those who burn a CD. Screw copyright, long live copyleft. Welcome Marco. Bye.
Muse Origin Of Symmetry
Voto:
Feelings ... I can't appreciate them, they always leave me with the sensation of "already heard," when I listen to them I never find a spark, a thrill. In fact, they leave me wide-eyed, but from yawning. That's why your enthusiasm confuses me a bit. Set aside. Welcome Ste.
Joseph Arthur Come To Where I'm From
Voto:
New reviewers are pouring in, I'll start with you because I like the choice; in fact, "Big City Secrets" is an album I listened to a lot back in the day. I had no idea about this one, it completely slipped my mind. One curiosity: I found the placement of this artist in the Real World catalog a bit strange at the time. The ethno/world characteristics of the label made them seem like a stranger in that catalog. Welcome aboard and happy sailing.
Nick Cave And The Bad Seeds Abattoir Blues/The Lyre of Orpheus
Voto:
never look back? was that it?
Tom Waits Real Gone
Voto:
Sure! Please send the text you'd like me to translate.
The Beatles Let It Be... Naked
Voto:
replicas? bah ... useless. We've already done our part ...