Alessandra Celletti Hidden Sources - Gurdjieff/deHartmann
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true indeed mr nobody :))
Laurie Anderson Bright Red - Tightrope
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I had it available but I clearly didn't listen to it properly, I will try to catch up again. On the other hand, I listened to Maarifa Street Magic Realism Vol II, and for me, it's a great album. Bai bai :)
Vinicio Capossela Ovunque Proteggi
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The piano is played by Capossela himself, while in one track there’s Stefano Nanni on the piano, if I’m not mistaken. The arrangements, however - again, if I’m not mistaken - feature various musicians on different tracks. I remember from the CD booklet of Roy Paci for the horns, but also the "complicity" of Pagani and the orchestration by Stefano Nanni himself; in short, it's hard to summarize, there are a lot of people on this CD. Hi :)
Vinicio Capossela Ovunque Proteggi
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But excuse me, what’s wrong with saying that there are musical affinities (not identities) (for me, also due to the presence of Ribot)? Why talk about nastiness? Come onnnnn. Personally, I don't mind them at all, actually... but it would be nice to talk a bit more about the album, there was so much to say, instead of constantly flipping the same old pancake.
Brad Mehldau Day Is Done
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You’re right, symbad. But now, before the Radiohead, you need to listen to Drake right away, three tracks to start: "Day is done," "River man," and "Things behind the sun," all reinterpreted by Mehldau. This way, you can get a good sense of the respect with which he approached the music of this singer-songwriter worth getting to know. Bye :)
John Zorn Bar Kokhba
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already another nice debut, I'll join the welcome list
Wolfgang Amadeus Mozart Concerto per Clarinetto e Orchestra in La maggiore K. 622
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Ah well, I hope to get through that at least without any shame;))
Erik Satie - Alessandra Celletti (piano) Esoterik Satie
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great debut... intense review, welcome einstein :)
Silje Nergaard Port of Call
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What a lovely proposal, Lello! I'll listen to the samples later, thx :)
Wolfgang Amadeus Mozart Concerto per Clarinetto e Orchestra in La maggiore K. 622
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Thanks to everyone who has read, left a mark, enriched with tidbits (see Goodman thx), joked (go Bari Zk!), played (hi Salieri :) ). A couple of things quickly. Regarding the requiem, I meant to refer to the hypothesis supported by many that the work was completed by one of his students after his death at the request of Mozart’s widow. I remember that the authorship of certain passages (like the Tuba Mirum) was questioned, while the composition of the Kyrie, for instance, was certain. Then again, the history is always open. The second thing is that among the pieces I’ve listened to by Mozart, this concerto is one of my favorites, but the list of others wouldn’t be short. As for the "hierarchies" among musicians, there are a thousand things to say, but it’s late. Maybe I'll think about it and revisit it another time. It is evident, however, that I do not agree; after all, if Count Waldstein told Beethoven "receive the spirit of Mozart from the hands of Haydn," there must be a reason ;) Bye.