Fabrizio De André: Storia di un impiegato
Vinile I have it ★★★★★
Among the 10 best Italian albums of all time. There are no words to describe it, it’s 46 minutes of absolute perfection, but not a uniform perfection; a perfection that ranges from the most exhilarating tracks (Princesa, Dolcenera) to the more playful ones (A cumbà, le acciughe fanno il pallone), and especially with impeccable songs that give you goosebumps (Anime Salve, Khorakane, Smisurata preghiera, Disamistade).
  • Alemarcon
    8 nov 20
    Great album, but it's more Fossati than De André...
  • Martello
    8 nov 20
    Especially in the title track
Fedez: Baci Perugina
CD Audio Not intrested
My goodness, the garbage!
Listened to it again today. I remembered it being worse. There are some gems, starting with La storia and then moving on to Poeti per l'estate, A Pà, Scacchi e tarocchi, Ciao ciao, Tutti salvi. In short, a beautiful album that fully deserves its four stars.
  • Mauro82
    12 may 20
    The second to last gasp of the best Prince for me...
  • Martello
    12 may 20
    Same
  • Martello
    12 may 20
    Then nothing. Only Love Songs and partly Miramare survive.
  • Mauro82
    12 may 20
    I wouldn't throw "Love in the Afternoon" overboard, as far as I'm concerned, it's his greatest masterpiece of the last thirty years. The last four, and I would add "Take It or Leave It," barely scrape by with a passing grade.
It could and should have been a masterpiece. Unfortunately, all that remains is a textually superb but musically horrifying record. Bambini, Miramare, and Cose are masterpieces; Dobermann, Carne di pappagallo, and Vento nel nulla are weak; Pentathlon, Lettera, and 300.000.000 di topi languish in limbo. Truly a half-wasted opportunity.
  • Ditta
    27 oct 20
    The musically horrifying records are others, martè... this is below average but definitely not horrifying...
  • Martello
    27 oct 20
    Alright, "creepy" might be a bit too much, but in episodes like "Bambini venite parvulos" or "Carne di pappagallo," I find the arrangements completely unsuitable for the piece. I can't help it, I just can't appreciate the arrangements, especially in the less ironic episodes.
  • Zimmy
    27 oct 20
    The least beautiful album by De Gregori, which says a lot.
  • Martello
    27 oct 20
    No....no....I find it superior only to the last 3 and to Taking and Leaving, and on par with Pieces.
  • Zimmy
    27 oct 20
    For me, "Prendere e lasciare" is one of the most beautiful, and also "Pezzi" is several steps above it. But which "last three" are you referring to? (I’m not sure whether to include "Vivavoce" and the album on Dylan)
  • Ditta
    27 oct 20
    For me, the least beautiful is "On the Road," which says it all...
  • Ditta
    27 oct 20
    “Take it or leave it” has “A glove,” and that’s more than enough for me.
  • Martello
    27 oct 20
    By "the last three," I mean Calypsos, For brevity, and On the road. I haven't listened to Vivavoce and the one on Dylan.
  • Zimmy
    27 oct 20
    Vivavoce is not essential; it's almost a sort of live in studio (there are rearrangements of excellent quality, faithful to what he played live at that time, but they are still rearrangements). The Dylan covers are well done but feel like a bit of a niche product, self-referential, more of a stylistic whim than an album with something particularly personal to say (though some versions are quite commendable). As for the rest, I don't know; it might be the blurry arrangements you mentioned in your definition, or perhaps there are too many fillers (Carne di pappagallo, Vento dal nulla, and even Trecento milioni di topi I find rather weak), but for me, Miramare remains his overall least beautiful album (and it contains heavyweights like Bambini, the title track, and Cose, but also Pentathlon... just to illustrate the level we're talking about!). Take it or leave it; I might be odd, but to me, it's a relentless series of great tracks (Compagni di viaggio, Un guanto, L'agnello di Dio, Jazz, Zingara, Fine di un killer...) and it's strange to me that it isn't a highly rated album.
  • Martello
    27 oct 20
    Degustibus. Always preferred over post-Titanic Terra i nessuno and Love Songs. Now I await the shots from @[Ditta] because I didn't mention Amore nel pomeriggio.
  • Ditta
    27 oct 20
    You deserve the stocks! The post "Donna cannone" is the best!
  • Martello
    27 oct 20
    I know, but for me it comes behind these two. No doubt the best of the new millennium, but I preferred the ones from '87 and '92 instead.
  • bohhh
    27 oct 20
    I have always preferred others to De Gregori, but this is an excellent album for me, despite some arrangements being a bit too slushy. The least convincing for me is Scacchi e Tarocchi (and anyway there’s the story, a pa, poeti per l’estate....)
  • Martello
    27 oct 20
    Chess and tarot the worst ever...but never ever ever. Between Miramare and Love in the afternoon for me.
Francesco De Gregori: Francesco De Gregori
CD Audio I have it ★★★★★
A wonderful and sparse masterpiece. Just Bene would be enough to make it a wonderful album, then there's the fact that there are also other masterpieces and very few drops (actually, only Arlecchino is a bit below par).

P.S: Am I the only one who thinks of the scene from Ecce bombo where they wait for dawn every time I listen to Finestre di dolore?
Francesco De Gregori: De Gregori
CD Audio I have it ★★★★★
If it weren't for the last three tracks, it would have been just a good album, with excellent pieces like Generale, good pieces like Renoir or il 56, and some rather simplistic ones like Natale. Instead, thanks to the bitterness of La campana, the joy of Raggio di sole, and the evocative images of Due zingari, this album leaps into the realm of masterpieces. So, after all this, I call upon you @gino, enlighten me.
  • Ditta
    19 may 20
    "Renoir" or "Il 56" seem to me quite a bit more than just good.
  • Martello
    19 may 20
    In fact, I like them quite a bit. However, I believe they are a step below other pieces like La campana or Generale.
Francesco De Gregori: Terra di Nessuno
CD Audio I lack ★★★★★
The latest giant album by Franceschello. Just the tracks Pilota di guerra, Pane e castagne, and I matti would be enough to understand the kind of artist he is. Let’s also add Mimì sarà, Il canto delle sirene, and Capatàz, and here we have a masterpiece. Theoretically, it would be four and a half little gems, but I round up to excess with immense glaudio.
For me, one of the best live performances by Degre. The unreleased track is, I believe, the first song of his that I ever listened to and one that I've adored the most. And the selected pieces have also been wonderfully rearranged (though with a somewhat strong presence of the tracks from Canzoni d'amore).
Francesco Guccini: Via Paolo Fabbri 43
CD Audio I have it ★★★★★
The album that got me down... #absolute masterwork. L'avvelenata and the title track are the ones I'm most attached to, Canzone di notte n2, Piccola storia ignobile, and Canzone quasi d'amore are great pieces. But Il pensionato, with that chaotic ending... Christ.
  • musicanidi
    28 aug 20
    "The pensioner" is among my ten favorite pieces of Italian music... it’s a song, a work of povera art, a sociological treatise, a poem, a cosmic sadness, it’s the smell of food.... it’s a lesson in life (I listen to it at least once a week).
  • Martello
    28 aug 20
    I could never listen to her once a week; I'd hang myself otherwise... not because she's bad, but because she speaks too much harsh truth, and having that so readily available drives me into paranoia.
Francesco Guccini: Amerigo
CD Audio I have it ★★★★
A job with high highs and bearable lows. Amerigo and Eskimo are the two gems, they remain one step below 100 Pennsylvania Ave and The Five Ducks. Libera nos domine is there and it’s deep but almost takes a back seat... Mondo nuovo has good ideas but for melodies it’s definitely mediocre (the chorus annoys me terribly). In short, not the best but not the worst either. I’ve finished listening to these that I have at home. I ask for recommendations on which Guccio album to continue with.
  • Zimmy
    28 aug 20
    Continuing with the Maestrone is necessary. I would gladly give my opinion if I knew who the others are that you have.
  • Martello
    28 aug 20
    Via Paolo Fabbri and Metropolis. I should also have Stagioni as an inheritance, but I don't know where it is.
  • Martello
    28 aug 20
    And yet never listened
  • Ditta
    28 aug 20
    "Roots" Mars, ROOTS!!!
  • Martello
    28 aug 20
    It's slightly noticeable that it's a colossal album. I'll definitely listen to it, but in physical format, because in digital it's like eating peperonata on Facebook...
  • Zimmy
    29 aug 20
    "Radici" is his great classic, the quintessential key album of an artist, the one that defines a career. I couldn't say if it's also his best, but when you mention Guccini, you think "Radici," there's no denying that. Speaking of the rest, the entire sequence from "Signora Bovary" to "D'amore di morte e di altre sciocchezze" deserves careful listening (in between these two are "Quello che non" and "Parnassius Guccini," which for me are two true gems). Staying in the '70s, there remains "Opera buffa," which is an irresistible purely humorous and I would say cabaret-like diversion, and then of course "Stanze di vita quotidiana," which is his most challenging and difficult album (the one, to be clear, that earned him the merciless criticism from Bertoncelli that led to the sharp response of "L'avvelenata"), but nonetheless no less valid, composed of long, verbose, textually demanding and conceptually oppressive tracks; not exactly light listening or easily digestible but one that rewards the effort put in. The early albums and the later ones, while beautiful (we're talking about an artist completely free of stylistic lapses or missteps), I would personally place a notch below.
  • Martello
    29 aug 20
    Perfect... I had already caught a glimpse of Stanze, Opera buffa, and Madame Bovary in a store; I will definitely get them... can you tell me something about Guccini Folk beat?
  • Martello
    29 aug 20
    On Guccini and Folk Beat
  • Zimmy
    29 aug 20
    "Guccini," by itself a beautiful album, tends to go a bit unnoticed among the major works that surround it: very similar to the previous "Metropolis" in style and arrangements, it is mainly remembered for a masterful track that is "Autogrill," the opening song. "Folk beat," his debut work made with little money, a guitar, and not much else, is rather raw but contains many future classics of his repertoire (Auschwitz, Canzone per un'amica, Noi non ci saremo). In short, with Guccio, you fish well.
  • Martello
    29 aug 20
    👍...I'll move on to Stagioni, which is within reach, then Bovary, Stanze, Opera, and Radici will follow.
Francesco Guccini: Metropolis
CD Audio I have it ★★★★
Oh, more structured arrangements do no harm to Guccio's lyrics. For me, this is a great album, well arranged and definitely inspired: masterpieces like Bisanzio, Lager, and Antenore are worth the price, with the two that are just a notch below these three, namely Venezia and Bologna. It's a pity about Black-out, which somewhat ruins the atmosphere that had been created, and Milano, which has an instrumental outro that clearly says, "let's stretch the length a bit."
  • snes
    28 aug 20
    probably my favorite album of hers. Atenor, for sure, is my favorite song of hers.
  • Martello
    28 aug 20
    Antenor #masterpiece I've always preferred this to Byzantium and Lager.
  • Falloppio
    28 aug 20
    Antenor. A beautiful text.
Francesco Guccini: Guccini
CD Audio I have it ★★★★
A pleasant continuation of Metropolis. Autogrill is an immense masterpiece, a notch below Gli amici and (I hope you won't bash me for this) Shomer ma- Llilah. But despite half of the album being genuinely excellent, most tracks are less inspired than Metropolis and don't grow on you with repeated listens. For instance, in Metropolis, the more I listened to Black out and Milano, the more I appreciated them; here, I've listened to Argentina at least 10 times and I still can't fully appreciate it. Only the good Gulliver and Inutile remain, which are essentially nice and meaningful tracks that definitely add to the album but ultimately lack the overwhelming impact of Autogrill or Gli amici. It's a shame, it could have been a great album, even though it still remains at more than decent levels.
Francesco Guccini: Signora Bovary
CD Audio I have it ★★★★
Always an album at excellent levels, even if personally it spoke to me less than the previous Guccini. Great tracks like Culodritto, Signora Bovary, Van Loon are truly exceptional, but they have a less personal impact on me compared to Gli amici from the previous one or Via Paolo Fabbri from the homonymous album. In every Guccini album, there is always a masterpiece, and Signora Bovary is no exception: after Le osterie di fuori porta, Il pensionato, Amerigo, Antenor, and Autogrill, here comes Keaton, more than 10 minutes of storytelling. Then counting Le pioggie d'aprile, one of the best melodically songs of the singer-songwriter and one of his most beautiful arrangements. Only Scirocco and Canzone di notte nr.3 would remain: the former is definitely a nice tango that is quite engaging, but it seems to follow the Autogrill formula a bit too closely, the latter is a pleasant track that might even stir something in certain night owls like me. In conclusion, I would say it’s a nice album, definitely the most polished of the 80s and quite inspired, even though after Metropolis it has slightly decreased for me while remaining excellent.
  • Ditta
    7 sep 20
    Even one more ball...
  • Martello
    7 sep 20
    Mh... I didn't give it to Amerigo and Metropolis 5, and I prefer both of them to Bovary... still a nice album though.
  • Zimmy
    8 sep 20
    "Keaton," a true masterpiece, is almost entirely the work of Claudio Lolli (the only part credited to Guccini is the final section, almost a song within the song, that begins with "Keaton, quello vero, l'ultima volta che l'hanno visto..."). It's not the only gem that Lolli gifted to his friend: in the following album, "Quello che non," there is the equally beautiful "Ballando con una sconosciuta."
  • Martello
    8 sep 20
    I didn't know that the last part was written by Guccio... it's always good to know. I don't know Lolli much, let's say from Godot and the latest Il grande freddo, and both are great albums.
  • Zimmy
    8 sep 20
    Lolli needs to be rediscovered: although (shamefully) much of his discography hasn't been reissued for decades, he's another one who, in my opinion, hasn't missed a beat. Zingari felici, Disoccupate le strade... and Extranei, a trilogy that I find indispensable.
  • Martello
    8 sep 20
    After and after... I’ll keep going with Guccio for now.
  • Ditta
    8 sep 20
    I may be strange, but my favorite of Claudio has always been the first one. Bare, just guitar and voice, with that touch of melancholy that never hurts... wonderful.
  • Martello
    8 sep 20
    Godot, you know? That one is truly magnificent... but didn't you always say that Gli Zingari was among the 5 most beautiful Italian albums of all time?
  • Ditta
    8 sep 20
    In fact, I didn't say "the best," but "my favorite" :)
  • Martello
    8 sep 20
    Ah... eh, it changes. So nothing to say.
  • Zimmy
    8 sep 20
    Godot is a milestone, no doubt about it. Even the next two are gorgeous, though there the "touch of melancholy" becomes a heavy cloak of almost grim oppression in its despair. Especially the third, "Canzoni di rabbia," is for me in this sense one of the darkest albums in all of Italian singer-songwriter music... and that's a virtue, mind you: tracks like "Donna di fiume," "Viaggio," "Compagni a venire" are worth a whole career. I tend to prefer the second phase of Claudio's career because those highly political lyrics combined with those sumptuous and gritty jazz-fusion arrangements completely win me over, every single time. But his lesser-known works from his later phase deserve a listen too, starting from the beautiful "Intermittenze del cuore," which I've worn out, to the equally valid "Grande freddo"...
  • Zimmy
    8 sep 20
    Works*, of course
  • Ditta
    8 sep 20
    I actually know little to nothing about Lolli's post "Extranei"... do you think it's worth checking out? @[Zimmy]
  • Zimmy
    8 sep 20
    At least "Claudio Lolli" from '88, "Intermittences of the Heart," and the latest "Il grande freddo," for me, absolutely yes. "Antipatici antipodi," the album immediately following "Extranei," has never convinced me too much (too "eighties" in sounds and production, a trap many fell into back then), but it has a cover by Andrea Pazienza that's stunning. The other albums, if I'm not mistaken, are mostly collections of previously released tracks, often reinterpreted, with the addition of some unreleased ones that are sometimes also worthy (somewhere there’s the same "Keaton" re-performed by him), aside from "La scoperta dell'America," which is, however, the one of his works I like the least.
  • Ditta
    8 sep 20
    Thanks for the tips, I'll try to get back on track..
Francesco Guccini: Stagioni
CD Audio I have it ★★★★
A fantastic testament, an inexorable and unfair passage of time. Two great masterpieces: Don Quixote and Goodbye, the first epic and disillusioned, the second the one I would want at my funeral. In between, excellent tracks like the gritty Ho ancora la forza, the 50s jazz vibe of Inverno 60, the melancholy of Autunno... and then there are the title track and E un giorno, which, while excellent, have a few small flaws (the first is too celebratory of Che, the second a tad rhetorical). Only Primavera 79 remains, a so-so track that nonetheless encapsulates well the passage of time that permeates the entire album. In conclusion, a carefully crafted record, with excellently studied arrangements and lyrics that are melancholic, disillusioned, and pissed off, reminding one a bit of that disenchantment of Via Paolo Fabbri, albeit in a less existential manner.
  • Zimmy
    30 aug 20
    I've never been able to stand "I still have the strength"; the stylistic imprint of Liga as a co-author makes it, alas, hard to digest for me. "Don Chisciotte" and "Addio" are two absolute monuments in the repertoire of the great master from Pavana, but the rest of the album is not particularly memorable, to the point that I honestly don't remember it. I should give it another listen.
  • Martello
    30 aug 20
    In "I Still Have the Strength," you can definitely feel Liga's touch, but I find it quite charming. For me, it ranks among the four most successful pieces, along with "Winter 60," "Don Quixote," and "Goodbye." "Autumn," "Seasons," and "And One Day" fit in there... "Spring 59" is rather ugly.
  • madcat
    30 aug 20
    Stagioni is the song by Guccio that I’ve sung the most along with Locomotiva; I always play it at full volume, and when it happens, I strum it at the top of my lungs. In my opinion, it’s not "too celebratory"; I think it’s the best song ever written about Che, an emotional, engaging, beautiful tribute.
  • Martello
    30 aug 20
    I won't deny that it's a nice piece and a beautiful dedication, but it has a tone too strong on the Che that clashes with me quite a bit. Maybe I'll listen to it more closely and then I'll see.
  • Ditta
    30 aug 20
    I agree with @[madcat] on “Stagioni,” but the real gem of the album is, at least for me, “Don Chisciotte,” which remains (always for me) one of Guccio's friends by definition.
  • Martello
    30 aug 20
    In what sense "friends"?
  • Ditta
    30 aug 20
    *apici... damn iPhone!
  • Martello
    30 aug 20
    Cursed Fono cursed!
  • perfect element
    31 aug 20
    'Autunno' and 'E un giorno' are the masterpieces.
  • Martello
    31 aug 20
    For me they are not masterpieces, but they are still nice pieces, well written with some beautiful imagery in the lyrics (I have to mention the caffellatte in the kitchen from E un giorno) but I honestly prefer other tracks.
Well, ladies and gentlemen, after 9 months from the discovery of this album, I've finally managed to reevaluate it for the masterpiece it is... how many of you fell for it? Surely everyone. Let me tell you right away, this DADMEDAS is universally a great album, but it falters in a few more forgettable tracks and some more predictable lines; still, just mentioning Quattro stracci, Vorrei, Cirano, Lettera, and Stelle makes me swoon. Alongside these 5 spectacular tracks are great yet not memorable pieces like Il caduto and Il matto, a nice diversion titled I fichi, and a forgettable Canzone della colomba e del fiore. In my opinion, all it needed was a little more effort, because the album is just a step away from the masterpiece that almost everyone talks about. (P.S. my meticulous rating remains unchanged, 8.5)
  • iside
    4 jul 21
    After that, and I was never a great admirer of his, I stopped buying it. Nowadays, the only thing I can listen to of his is the legendary "fra la via emilia e il west."
A fundamental album for Battiato's future, a pessimistic album that hopes for a reset of today's world for something better. The manifesto of all this is the powerful Clamori, immediately followed by the fierce La torre, the gloomy Radio Varsavia, and the decisive L'esodo. Not that the others are any less, Voglio vederti danzare is legendary and Scalo a grado has one of Battiato's most memorable lyrics. The arrangements are a bit bare, veering away from the richness of its predecessors to something much sparser, digital, and hard; they may appeal to some or not, I stand a bit in the middle. Still, L'arca di Noè is a great album for Battiato, who after the success of La voce del padrone seems to have changed direction towards something different. 8/10, the weakest of the 80s and that says a lot.
Fucking weird, very weird. So crazy that it's beautiful.
Franco Battiato: Gommalacca
CD Audio I have it ★★★★★
Nothing, one of the greatest Italian albums for me. Even the ones that are essentially fillers are excellent. And then there are the more successful tracks...5 stars for life.
Do I need to add anything else? It's not perfect like La voce del padrone... but come on, there's Up patriots to arms, there's Prospettiva Nevski, there's Venezia Istanbul, and so on; I could name them all. An album that is still huge today, timeless. 9/10, another classic.
  • withor
    14 aug 22
    For me, this is also a 10/10.
What more can I say, it's perfect in every second. 10/10 and you won't think about it anymore.
Franco Battiato: Fisiognomica
CD Audio I have it ★★★★★
When you have nothing to say, say nothing. When I have something sensible to say about this masterpiece, I will say it; for now, I’ll just leave this rating.
  • Kism
    18 jun 20
    For me, it's his best album after "La voce del padrone," in terms of timing. After the somewhat unconvincing albums from the period 82-85 (although each containing its pearls), Franco finally delivers a fully convincing album.
  • Martello
    18 jun 20
    For me, those released in the 80s are all masterpieces (except for L'arca) and even in the less powerful moments like Mondi lontanissimi, they are elevated by gems like Via Lattea and No time no space. For me, Fisiognomica is only behind Gommalacca.
  • Kism
    18 jun 20
    Mondi is definitely the best of the trio, it also has L'animale, and it’s somewhat of a semi-compilation considering the presence of his versions of Treni di Tozeur, Chan-son egocentrique, and the reprise of il re del mondo.
  • Martello
    18 jun 20
    I have always preferred Lost Horizons from that trilogy; I found it more inspired than the previous and subsequent ones, even though in terms of arrangement it is nothing exceptional.
  • Kism
    18 jun 20
    After the half-false step of the Ark, it had to necessarily change; that's why an electronic album without "classic" instruments ended up being not entirely successful but with beautiful lyrics. La voce del padrone, but also Patriots and L'era del cinghiale bianco, seemed so far away but only a couple of years had passed!
  • Ditta
    19 jun 20
    For me, this is Franco's best work, along with "Caffè de la paix." There isn't a lesser piece (or one that I like less).
  • Martello
    19 jun 20
    Caffè de la paix, to my ear, is an inaccessible musical Eden. While I recognize its absolute value, I can't... let's say... make it my own, fully internalize it. And I'm sorry, because this keeps me from approaching an absolute masterpiece like Lode all'inviolato, which is truly something remarkable that I can't fully appreciate.
Frankie Hi-Nrg Mc: Ero Un Autarchico
CD Audio I have it ★★★★
Animanera is the shining star along with Rap lamento, while the rest is kept at an excellent level.
Frankie HI-NRG Mc: La Morte dei Miracoli
CD Audio I have it ★★★★★
Unique. At least in Italy.
Frankie HI-NRG MC: DePrimoMaggio
CD Audio I have it ★★
Frankie's most pointless album. Not bad, but it’s just a bit of a pointless game unto itself (in short, it feels like it's written just for fun).
I'm sorry, but I cannot access external links, including YouTube. If you can provide the text you'd like translated, I will be happy to assist you!