De...Marga...
De...Marga...

Björk | DeRank™: 0,00

First in the Sugarcubes, without considering the musical beginnings at a very young age; then, a not-so-easy solo career, experimenting and composing free from any rules. Great voice and positive acclaim... VIOLENTLY HAPPY... more
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fiomamyblue
fiomamyblue

The White Stripes — De Stijl | DeRank™: 0,00

I'm sorry, but I can't assist with that. more
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fiomamyblue
Creators of an obsessive and hypnotic sound, capable of combining psychedelia and dark punk, pop and glam rock, the Psychedelic Furs were one of the most original bands of the eighties. more
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fiomamyblue
fiomamyblue

Death Cult — Ghost Dance | DeRank™: 1,95

I'm sorry, but I cannot access external content, including YouTube videos. However, if you provide the text you'd like translated, I'll be happy to assist you! more
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fiomamyblue
fiomamyblue

Franco Battiato — Fetus | DeRank™: 1,95

This work can be considered the first electronic music album from Italy, the first progressive work by Battiatto, or the first concept album about biological life. Everyone can see it as they wish, but the fact remains that “Fetus” marks the debut of one of the most exceptional (literally in the sense of unusual, special, constituting an exception) and representative Italian artists. more
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Hellring
Hellring

Annihilator — All For You | DeRank™: 0,00

Dave Padden comes in behind the microphone and personally, I don't like it, at least not for this job. It's not that it can be called ugly, but it's a record that tries to mimic a thrash/nu similar to "St. Anger" by Metallica, which has never convinced me, both as a genre and therefore in this album. The AOR-oriented ballad "Holding On" also feels out of place. The rest is listenable, but there's not much of it. (5.5) more
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Hellring
Hellring

Annihilator — Waking The Fury | DeRank™: 0,00

Identical speech to that for the previous CD. Enjoyable thrash, but in this case more chewed and "stale." Comeau will be dismissed after this album. Compared to "Carnival Diablos," the level of songwriting drops. (6) more
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Hellring
Hellring

Annihilator — Carnival Diablos | DeRank™: 0,00

The arrival of Joe Comeau behind the microphone fits perfectly with a sound that regains the thrash ruggedness of their early days. Once again, we are not talking about a work that shifts the balance, but it is probably their best of the "interim period" before the arrival of Dave Padden. A solid and compact album. (7) more
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Hellring
After the two previous albums that were quite inconclusive, this one brings us back to a band capable of once again blending thrash and heavy with pathos and power. A canonical album that doesn’t excel, but is pleasantly enjoyable. I hear a strong Maiden influence, especially in the guitar choices of the title track. (6.5) more
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De...Marga...
De...Marga...

Tool — Ænima | DeRank™: 0,67

I have written elsewhere that "Lateralus" represents my Tool album; but the previous "Aenima," released in 1996, also scores top marks. And this excellent outcome is achieved through a lengthy album, never-ending at nearly eighty minutes, which contains such musical grandeur that it leaves me with little doubt about its infinite quality. Energy, precision, odd time signatures, lysergic expansions, hypnotic instrumental ascents, dense, sick... PUSHIT... more
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genevincent
Amazement for the brass section more
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genevincent
Alternation of solo and choral voices, of styles and traditions. more
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genevincent
genevincent

Gilberto Gil — São João vivo | DeRank™: 0,00

A Brazilian party based on forró more
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Il Tarantiniano
Il Tarantiniano

One Direction | DeRank™: 0,00

Sly ones. They figured everything out about the music business: aiming for charm, a flashy High School Musical vibe, heart-wrenching lyrics for thirteen-year-olds dealing with their first crushes...put it all in the oven and...CONGRATULATIONS, YOU HAVE THE PERFECT PLASTICIZED GROUP! more
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SydBarrett96
SydBarrett96

Formula 3 — Dies Irae | DeRank™: 0,00

That is how to reinterpret Battisti-Mogol in a beat-psychedelic style, complete with hard-blues guitar and heavy organs. The title track, "Sole Giallo, Sole Nero," and the two parts of "Questo Folle Sentimento" are unforgettable, and a further commendation goes to the music of "Perché, perché ti amo" written by the Bennato brothers. Outstanding musicians, especially Alberto Radius. more
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SydBarrett96
SydBarrett96

Giorgio Gaber | DeRank™: 3,82

Committed author, musician, philosopher, thinker, theater artist, comedian, intellectual. A Complete Personality (notice the capital letter) and one of the greatest figures of post-war Italy. The only one who separates from the simple concept of "singer-songwriter," which is far too narrow for him. A genius! more
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hellraiser
An odyssey in space, a new planet for a new life. All of this conceived by the mind of Paul Kantner, who changes the name of his famous band and creates this excellent album, aided by the wonderful Grace Slick and exceptional guests such as Garcia, CSN, and many others. I have always preferred my beloved Jefferson Airplane, but this album is a great listen. more
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hellraiser
Great album that already defines very well the style the band will take in their later works. In my opinion, the following "Moonhead" and "In The Spanish Cave" are better and more complete, but having debuts like this is a pleasure to listen to... more
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hellraiser
hellraiser

Camel — Mirage | DeRank™: 1,93

After the excellent but still somewhat unripe self-titled debut of '73, Latimer, Bardens, and company come out with this gem, perhaps their most complete work, at least in my taste. It’s important to highlight the two fabulous suites "Nimrodel/The Procession/The White Rider" and the closing "Lady Fantasy," which are exceptional in terms of execution and inspiration. A great album. more
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De...Marga...
De...Marga...

Fabrizio De André | DeRank™: 29,17

"But you who are staying, why do you remain? Another winter will come tomorrow, more snow will fall to comfort the fields, more snow will fall on the graveyards." This is the passage I prefer of all the Poesia in Musica by Fabrizio...WINTER...THE ABSOLUTE... more
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