Manilla Road -Mystification
Technical and monolithic, this album showcases the powerful clash between Shelton's guitar and Foxe's drums, the stars of an epic of endless solos and virtuosic displays. Furious rhythms and heavy tempos blend into a single ecstatic sonic product, predominantly based on Poe's writings. Breath is only found in the title track and the concluding "Dragon Star," a dreamy night-time poem centered on the figure of Alexander the Great. more
Roberto Vecchioni -Milady
Those who know Vecchioni from the 70s, that is, his songwriting suspended between folk and rock, will have a nice surprise: a pop with a soft atmosphere, over which the (always magnificent) lyrics of this work unfold, which in addition to the famous "Alessandro e il mare" and the title track, offers a triptych of intense romanticism with "Certezze," "Parlami d'amore Mariù," and "Leonard Cohen." It's a pity only for the last two pieces, lacking the same inspiration. more
FRANCESCO GUCCINI -Folk beat n.1
Raw and bare, voice still shrill and acoustic guitar as the sole accompaniment. However, there are already memorable tracks. 3.5-4. more
Stevie Wonder
Among the five major composers of the century, alongside the Beatles, Zappa, Gershwin, and B. Wilson. more
Jimi Hendrix -Electric Ladyland
Masterpiece, listened to 40 some years later, hasn’t aged at all.
Hendrix leaps from genre to genre while still giving it his stamp; Voodoo Child (not the slight return) is a blues masterpiece. more
Evanescence
Does anyone have an antiemetic, please? more
Stratovarius
The name has always made me spray-shit.
Musically too, but I don't like this subgenre of metal. more
Queensrÿche
DeGarmo is gone, the QR's are over. After that, they were something else. Operation Mindcrime is their masterpiece. My vote is only for the DeGarmo era. more
Steve Vai
technically, it’s undeniable, a monster, composition-wise eh... in his Zappa period, greatly assisted by having a true composer by his side (I was writing about his Frank) more
Jovanotti
the umpteenth proof that in the world of music anyone can achieve success if backed by the right people, indeed fucceffo

Claudio Cecchetto should be arrested. more
Zucchero
Making countless albums by copying a song by Joe Cocker.
Now that Joe Cocker is dead, why not copy him in this as well?

P.S.: it's as relevant to the blues as cabbage is to a snack. more
Ramones
1, 2, 3, 4
and that's it more
Francesco Guccini -Stanze Di Vita Quotidiana
An album that is a hefty stone of difficult digestibility, with deep, existential, and bordering-on-paranoid lyrics. But it is precisely for its eloquence, for its excessive verbosity, for the abyss of pessimism that defines it, that I love it. It remains a peculiar chapter in Guccini's discography: this is a record of only words, and as such, the sparse arrangements fit perfectly. more
Radiohead
It's not that masking pop as "smart stuff" is necessarily a bad thing. And they haven't just done that. Between the early days, which for me are really too silly, and the latest albums, which often get lost along the way, there are three top-notch records. more
Neil Diamond
It has always operated from the background, but its music also watches us from the spires of the great. more
Blue Cheer
A harsh, hallucinatory, innovative debut. When with just a few steps and limited means one can make history... more
The Animals
Their version of The House of the Rising Sun is goosebumps-inducing. more
Massimo Priviero -Dolce Resistenza
A great album suspended between rock and intimacy, interpreted by the gritty voice of a great singer-songwriter. The title track, raw and melancholic, is an experience to try at least once in a lifetime. The only flaw: the tracklist is a bit static from a musical standpoint. more
FRANCESCO GUCCINI -L'isola non trovata
Lunar, hallucinatory, almost psychedelic. His voice has never been so biting when discussing death, ghosts, existence, and the fleeting nature of time. A landmark album in the history of Italian songwriting, and it was only '70. more
Kiss -Creatures Of The Night
The heaviest album ever produced by the band. The first album without Ace Frehley on guitar, replaced by Vinnie Vincent, who made no one miss the "SpaceMan"... Famous hits include "War Machine," "I Love It Loud," "I Still Love You," and the title track... more