Drama directed by Shari Springer Bergman and Robert Pulcini featuring Ethan Hawke among the cast. There are plenty of elements that could make for a great film: rock and roll, especially the music of the Replacements, punk and hardcore, drugs and youth angst, a young pregnant girl, and a troubled, insecure boy facing situations larger than himself. However, I believe the film doesn't work as it should and could. Perhaps there’s too much on the plate. more
Angels descended from heaven on tiptoe, never truly touching the ground. These girls flew as high as My Bloody Valentine and remain one of the greatest bands in Japan, if not the best. BREATH OF LIFE more
Initially a British blues group, they later shifted towards high-quality pop-rock with the arrival of the American duo Buckingham-Nicks. This change allowed them to remain in the Guinness World Records for five years for the sales record of "Rumours." The lineup, in addition to the rhythmic foundation provided by drummer Mick Fleetwood and bassist John McVie, includes pianist, songwriter, and singer Christine Perfect McVie, guitarist, songwriter, and singer Lindsey Buckingham, and singer-songwriter Stevie Nicks. more
Not only the best Italian band, but also one of the best of all time. Unique, with one of the greatest front-men of all time. more
In the hip hop scene, I’m at the pinnacle with the Wu-Tang Clan and N.W.A.
"Insane in the braiiiin!" more
One must recognize his importance, even if he has done little compared to the other members. However, that little he has done has been immense for music and fundamental for the continuation of Pink Floyd's music. His works still sound hypnotic today; "See Emily Play" and "Arnold Layne" highlight the freshness of pure, youthful genius. "The Piper" is practically his first solo album, and here he expresses himself at the highest levels. "Jugband Blues" marks the end of a crazy, sick man, but it remains one of the most intriguing works from "A Saucerful of Secrets." Finally, the two solo albums are nothing short of magnetic; I much prefer "The Madcap Laughs," which is nearly perfect, while "Barrett" is less convincing, and you can feel that Barrett is definitively closing the door on Rock— a great loss for all lovers of the genre, which will be mourned for decades to come. Goodbye, Crazy Diamond! more
Second album by the band from Denver, Colorado. Epigones of the more famous Mumford & Sons, they reproduce that same American pop-folk sound of nice guys that I've never been able to appreciate. more
It’s definitely not the album of the latest arrival, but it left me quite indifferent. Signs of improvement towards the end with 'Medicinals,' 'The Ministry of Social Affairs,' and 'The Wheel.' Stylish, perhaps too much: a slaughter of talent and talents. On the second listen, I gave up without any regrets. more
Third album by 'Liga' after the excellent debut and the subsequent 'Lambrusco coltelli rose & pop corn'. If we exclude the classics 'Ho messo via' and 'Walter il mago', two of the songs still beloved by his fans and that somehow have withstood the test of time, everything else doesn’t work. Flop on all levels. more
Raw is von Trier's immature first work, blatantly borrowing visually and atmospherically from Scott and Tarkovsky, yet it still manages to emanate a certain charm. Paradoxically, this film is sometimes overly criticized, when Lars has done much worse in his years as an overrated auteur. more
Labeled by many, quite superficially, as a sort of biopic about Cobain's last days, it is in fact one of Van Sant's most beautiful and personal films (along with Gerry and Elephant, his masterpiece). It is also an experience (inspired, of course, by the story of the Nirvana frontman, but it would be reductive to stop there in the judgment) that is extreme and distant from any cinematic conventions regarding alienation and estrangement. Not for everyone’s taste, certainly not for those who love popcorn, but a film of the highest caliber. more
If the film is perhaps even superior, within the Herzogian oeuvre, compared to Nosferatu, the soundtrack is perhaps slightly inferior. Even though we're only talking about different degrees of perfection. more
The audio-visual duo Herzog/Popol Vuh represents one of the highest artistic and sensory peaks of the 20th century. If I were asked what my all-time favorite soundtrack is, I would probably answer this one (and the film is the definitive representation of the myth of Nosferatu, with Kinski still an unmatched performer). more
A drama directed and produced by James Gray, set in the first half of the last century in New York, where the stories of a beautiful Polish immigrant (Marion Cotillard) as 'the little match girl' intertwine with those of the pimp Joaquin Phoenix. Very (perhaps too) romanticized and tear-jerking. more
When "Voodoo Child" starts, the earthquake unleashes. more
In Hüsker Dü, I often preferred Bob Mould; his songs didn't always convince me. As a solo artist, I really started to appreciate him. He has sipped his creativity, which isn't always a bad thing, while his long-time competitor has perhaps released too many albums that are often similar and sometimes a bit uninspired. His voice is definitely one of my favorites of all time. more
the platinum Monna Lisa of rock more
Let's start with this premise: I am a novice in literature, and since I haven't read the entire Divina Commedia, I can't make a complete judgment about Dante (in fact, I've "only" read the most important cantos). Nevertheless, the Divina Commedia is an immense masterpiece, a milestone that should be read at least once in a lifetime, whether for school obligation or personal interest. In this work, Dante denounces a corrupt and ruthless world but hints at a glimmer of hope for the future in a very poetic finale. more