Not bad more
I would like to give a lower score. I would. But I can't. I've never adored them, but I've grown fond of them. I've seen them live too many times. Too many times I've sung their songs at the top of my lungs. How can you not like songs like "Utopia"? I can't conceive it. more
Funny bastards more
7'' clandestine featuring three tracks including a cover of Johnny Thunders' 'Too Much Junkye Business', released - presumably - in 1989. It briefly showcases the entire range of the band. more
Good and beautiful more
A bit too scripted for my tastes, but he has a rather engaging way of singing and several songs that are well above average. All in all, there's certainly much worse. more
Debut album of the J. Geils Band. The band's sound is beautifully raw and mostly oriented towards rhythm & blues vibes. Dominating it all is J. Geils' guitar ('Serves You Right To Suffer', 'First I Look At the Purse') and Richard 'Magic Dick' Salwitz's harmonica runs wild ('Sno-Cone'). more
Second album by the J. Geils Band featuring guitarist J. Geils and vocalist Peter Wolf, who is becoming increasingly central to the group's dynamics and is practically the author of almost all the songs on the album. Released on Atlantic in 1971, it’s a mix of rhythm & blues sounds and the garage rock'n'roll acidity of Stones-MC5. A must for genre lovers. more
Masterpiece of psychedelic rock, a band as memorable as few. more
Psychedelia had become their essence: MAJESTIC... more
seems interesting more
Adapted from the eponymous novel by Joe R. Lansdale, a thriller directed by Jim Mickle featuring Michael C. Hall, Sam Shepard, and Don Johnson. The plot is unpredictable and unfolds through a series of twists with an explosive ending, which, however, does not ultimately represent the true strength of this clever and well-told story. more
The album (twenty tracks) is an imaginary autobiography of the legendary James Charles 'Jimmie' Rodgers, also known as 'The Singing Brakeman,' 'The Blue Yodeler,' and 'Father of Country Music.' A somewhat seminal figure in terms of country and country folk. However, Rodgers died in 1933, he was white, and his sound was inevitably influenced by the reality of his times, and Paul Burch's attempt, viewed also through the autobiographical lens mentioned, does nothing but make this work outdated, unbearable, even irritating. more
Shrek is love, Shrek is life. It's not ogre. It's never ogre. more
Often overlooked in the face of the grandiloquent subsequent works, this record is, however, already incredibly dense and polished in detail. Claustrophobic, experimental, effective: a great debut. more
Unique. Goose skin. more
It's not my favorite album by Donovan, and perhaps (I say perhaps) not even his best work, but we are clearly facing one of the fundamental records of sixties psychedelia (Paul McCartney is among the guest artists on the album) and the most influential among the Scottish songwriter's works. more
From Tunisia with Progressive more
Five Tunisians with beryllium balls. An Arab spring prog-hard? more