Better known as The Blue Album, it is a collection of songs released between 1967 and 1970. more
Better known as The Red Album, the double album is a collection of songs released during the period from 1962 to 1966. more
Known by most as the "White Album."
The Beatles had just returned from their trip to India and the experience of transcendental meditation at the Rishikesh retreat, under the guidance of guru Maharishi.
The ashram in Rishikesh was crucial for the compositional and instrumental growth of the four musicians: the serenity and free time allowed them spaces for creativity and moments to compose new songs, while the absence of electricity forced them to use acoustic guitars, refining their instrumental skills and learning finger-picking technique from Donovan (another disciple of Maharishi) which would be used in more than one track of the album, played a fundamental role in the creation of the record. (source: wiki) more
Rolling Stone magazine ranked it as the number one on the list of the 500 greatest albums. more
For the first time, the discography of the Liverpool group features elements of psychedelic rock that would later become predominant, said studio engineer Geoff Emerick: “From the day it was released, Revolver changed the way records were made for everyone; no one had ever heard anything like it…”
The truly lysergic tracks that make "Revolver" a genuine prototype of psychedelic rock come from Lennon:
- I'm Only Sleeping - with guitar tapes recorded backward;
- She Said She Said - inspired by an LSD trip;
- Doctor Robert - which speaks of a "lysergic doctor"; and above all - Tomorrow Never Knows - the quintessential psychedelic piece, inspired by the Tibetan Book of the Dead, the song is based on a single chord of C Major. (freely quoted from wiki) more
First official collection of the beloved CSN&Y more
This is dedicated to those who roll! more
Portnoy is gone and the drums sound better to me. A "soft" album, new life after not-so-great stuff. more
Domenico + 2 is a Brazilian collective, now on their second outing, formed in 1998 from the minds and desires of Moreno Veloso (the son of Caetano), Domenico Lancellotti (of Calabrian descent, offspring of the composer Ivor Lancellotti), and Alexandre Kassim (a collaborator of, among others, Arto Lindsay and Caetano Veloso).
While the previous Music Typewriter, credited to Moreno + 2, showcased Veloso Jr. as the protagonist, this time it is Domenico's turn to navigate the blend of Brazilian tradition and retro pop. (source: sentireascoltare.com) more
This single (too beautiful) was recorded for me by a music professor, who was also a drummer, that I met when I was working as a quarterly at the Biennale in Venice in '86, and he had placed it at the end of an album of, um, Jimi Hendrix since there was still a bit of tape left... more
The album features various artists associated with tropicalismo: among them Gilberto Gil, Tom Zé, Os Mutantes, and Gal Costa, it is regarded as a manifesto of "música popular brasileira." more
It is an album by Brazilian composers Caetano Veloso and Gilberto Gil.
The record was recorded between Rio de Janeiro and Salvador de Bahia in the spring of 1993, released 25 years after the album "Tropicália: ou Panis et Circenses" from 1968, which the two artists had created and is considered the musical manifesto of the movement called Tropicalismo or Tropicália. (cit. wiki)
The album represents the coexistence of many different cultures that are, seemingly, at opposite ends, such as the Brazilian ones (a unique phenomenon in the world): a hybrid album, full of geographical references from across the country, from the arid and poor northeast to Bahia with Itapoa, from Ipanema to Brasília – a nightmarish capital built in the desert... (cit. Ermenegildo De Stefano) more
With “Noites do norte,” the man from Bahia chooses to take us back to his country, through less-traveled roads and paths.
The work is indeed sometimes harsh, a bit wild and primitive, aimed at highlighting the African origins of a large segment of the Brazilian population.
Thus, we find ourselves facing compositions that are often dry, filled with many percussions, often counterbalanced by clear and sharp melodic lines.
All of this seems to clash, especially during the first listens, but then “Noites…” sneaks in like a “Cobra coral” and bites us, injecting a very sweet poison called feeling. (cit. kalporz.com) more
A sudden change of direction, after the melodic refinements and tributes to the classical repertoire that the great Bahian singer-songwriter had been engaged in lately.
Veloso releases an electric “rock” album: an intellectual and skeletal rock, sharp and nervous, reminiscent of Arto Lindsay and Marc Ribot and certainly not the mainstream, in some cases Lou Reed and the very first Talking Heads. (source: rockol.it) more
Caetano Veloso returns to the studio along with Morelenbaum; in addition to strings, the arrangements include a generous dose of brass and percussion. more
It is a beautiful album, perhaps one of the most successful in Caetano's now long career. It is a record that once again manages to say new things; the Bahia singer-songwriter returns now with a new album dedicated to new compositions, signed both by him (which is the case most of the time) and by others. more
It's an anthology of highly successful pieces, traditional songs, and pop covers. more
Unlike his father Caetano, Moreno embraces the tropical tradition yet colors and fills it with electronic sounds, noises, and dissonant arrangements that create stunning contrasts with the warmth of his voice.
"Music typewriter" is a little masterpiece full of fragile and subtle songs that will make you get up from wherever you are relaxing, be it on a beach or in a city bar.
Samba, bossa nova, Latin American ballads, rhythm 'n' blues, jazz, drum 'n' bass, funk, loops, and noise converge into a single sound that evokes and shakes both firmness and sweetness. (cit. mescalina.it) more
A B-side endowed with self-movement and elevated to the form of art. more
Let’s say it wouldn’t be a 5, the album is somewhat uneven, the first part feels a bit rushed with leftover material from past sessions, rather simplistic lyrics... then come Like a Hurricane and Will to Love, and that’s more than enough for a full rating. more