concrete, the best of the 80s more
1,560 words in 6 minutes and 4 seconds, with an average of 4.28 words per second but saying nothing at all. more
What the hell is it!? more
More effective than drugs more
Duran Duran, on the other hand, didn't last worth a damn. Better this way. more
I prefer the pop korn more
It's called fiber precisely because it helps you poop. more
Pooh-pù more
The hoe in the countryside is very useful! more
Good job, yes.. even if, in my humble opinion, slightly artificial at times. more
Released in 1992, it is the last album of unreleased tracks by Mimì (the next one will be entirely composed of covers). An album, once again, valid, even though not all the songs are particularly striking. Like every one of her albums, "Lacrime" has at least a couple of beautiful songs that enhance it, such as the lovely "Il mio Oriente" and the splendid "Scenne l'argiento," a piece written for her by the usual Gragnaniello, who with this tribal-ethnic-Neapolitan dance elevates the desire and passion for the "World-Ethnic" sounds of the singer. A beautiful song, perhaps even among my favorites by Mimì, a true gem that, being the last piece of "Lacrime," is also her final unreleased track. The title track and "Versilia" are also nice, while the rest is pleasant. Even Martini, however, cannot make me appreciate a piece written by Antonacci like "Il fiume dei profumi." more
Stoner sludge straight from the Land of the Rising Sun.
Samples and dedications to serial killers included in the package. more
Those who have never heard the Ramones should not speak of music. more
The zeppole more
For two decades, they did nothing but chase the trends of the moment. First hard rock and glam rock, with some shades of progressive rock, then the horrendous shift towards disco music and its ilk, culminating in Innuendo, perhaps one of their most honest and most successful works. At the very least, they are quite recognizable and can boast a handful of beautiful songs. more
Peter Bardens' second solo album, his last solo work before Camel, is as valid as the previous "The Answer," not a masterpiece but a quality record that skillfully alternates ballads and lighter pieces with more upbeat rock-blues tracks where Bardens unleashes himself on the keyboards (primarily Hammond), showcasing all his talent along with a notable sense of rhythm and groove. We are talking about a musician already on the path to artistic maturity, who had honed his skills in the '60s with Them and in various other less fortunate subsequent projects. Tracks like "Write my Name in the Dust," "My House," or "Tear Down the Wall" are worth the price of this lovely album (which I will indeed try to get on CD). What came after this album, well... that's history. more
And welcome to these queer folks, big and hefty with big heads... more
Sublime. more
A failed male model with the voice of a drunken priest, a poor copy of John Lennon playing the accordion, and two other guys who, according to sources, are supposed to play the guitar and drums. Sure, with that voice and that accordion, every now and then, listening to them feels like being at mass. But it's also true that for their time, they were exceptional musicians. more
Among the most overrated artists of all time. Decent first ten years, then complete silence for fifty years. I still wonder how one can praise a song like "Satisfaction," which probably has the most basic riff in history. more