His warm and reassuring voice accompanies me through all my difficult times. An extraordinary singer and man, if I were to be reborn one day, I would want to be him... more
Classy pop disc, meaning it's practically a Barry Gibb record. more
Well, the 70s in my opinion were its peak, but it doesn't get much attention. Unfortunately, he has aged quite poorly as well. more
5 stars...and what else? more
DIVINE! more
The most immediate and accessible camel. A very pleasing album, with a slight drift towards pop. more
the first live performance by Vecchioni (excluding the Rtsi live), and finally...great setlist and lots of passion, result more than good! more
An extremely important record in the disco-pop scene, a forerunner of many subsequent works in the genre. Signed by Moroder, of course. more
Probably the best work of the group from Unholy Terror. The Christian themes that Lawless wanted to focus on around the album do not clash; on the contrary, they help the listener immerse themselves more in the listening experience of the album. The recycling of the riff from Wild Child is felt as always, and Scream is proof of that, but the remaining tracks show that this is one of the best line-ups W.A.S.P. have had in years. Last Runaway and Shotgun bring back the energy that has always characterized the American group, and the poignant Fallen Under and the title track are simply to be listened to for Doug Blair's mastery on guitar, while Slaves Of The New World Order showcases a truly inspired Lawless both in lyrics and vocal performance. Six years of silence were needed, but it was definitely worth it. more
Between him and the other contemporary singer-songwriters, a musical moat. more
come on, just barely enough.... more
I quite like the Scots!!! more
It would have also been almost 4.... Absolutely forced double LP, a single would have sufficed, removing the usual nonsense reminiscent of the 80s, starting with the title track. more
Sometimes one almost risks forgetting how beautiful this record is simply because it was released between two absolute masterpieces of Albion's songwriting: the eponymous debut and especially "Jack Orion," where Jansch dives without hesitation into the British musical tradition. But "It Don't Bother Me" is also a stunning album to cherish, undoubtedly a twin of the previous one, in style and fortunately in inspiration as well. Moreover, this is also a historic record, the first where Bert Jansch plays accompanied by another guitar, that of John Renbourn, in two great songs like "My Lover" (pure magic) and "Lucky Thirteen." A collaboration that I would say will bear fruit. The rest is a handful of songs of moving melodic beauty combined with Bert's superb skill with the acoustic guitar. A record worthy of applause. more
The latest album by Zero that I think is worth listening to is one of his best works, although it suffers from the gigantism of being a double album, especially since 20 consecutive songs from Fiacchini feel a bit heavy in the end. Overall, it's a nice album; there are missteps like the song about the little mice that I always skip (and I almost never skip songs on albums...) because it really annoys me, but there are also some of his best songs like "Lungara," "Marciapiedi," "Ecco noi," and "Domicilio coatto," as well as the heartfelt dedication to Stefania Rotolo. Perhaps overall the second album "Antartide," arranged by Elio D'Anna, is better, who can also be heard on the sax in some tracks of this double album (there are some talented musicians here, eh). And then that crappy "I figli della topa" is on the first album so... After this, I only listen to Zero in the role of Jack Skeletron. more
The blonde looks like Marlon Roudette from Mattafix, but they're way cooler. more
The master of the Oud! more
OOOOOOOH! YOU TOUCH MY TRALALA
living legend more
For now, the best Italian songwriter album of the new millennium. more
Why is everyone saying it’s the worst album in the entire discography of the Doors? That’s not true at all. I really like it as an album, and some tracks like Shaman's Blues or the title track, which lasts almost 9 minutes, deserve to be reevaluated. It's very jazzy, but I repeat, I was drawn in right from the first notes of trumpet in Tell All The People. Well, to tell you the truth, my favorites from the album are the ones without horns, but I appreciate almost everything by the Doors, except for those two albums after Morrison's death, even though Ray's voice doesn’t seem bad to me at all. more