Another great album by Van Morrison, who in the '70s (and even in the '80s) lined up stunning records one after the other with just a couple of minor episodes/dips. I find this a very relaxing album, as well as emotionally moving, full of ballads, some of which are spine-tingling due to the intensity of Van's voice and interpretation, along with excellent arrangements (I’m thinking of the opening track "Snow in San Anselmo" and the grandeur of "Purple Heather" placed at the end, or the stunning title track—three of the best songs on the album). Then you can let yourself be rocked by his voice in the very relaxing 10 minutes of "Autumn Song," there's the more upbeat "The Great Deception," and the cherry on top, a cover: the Van Morrison version of "Bein' Green," which his beautiful voice transforms into an exhilarating piece; Kermit Morrison. Van the Muppet, in short. more
and thanks to @ilconte for the mention....and I give it a 5!!! more
Great live show, setlist of greatest hits. more
Time to dogs and police, clearance and backroom dealing. more
1 just for the cover of "Nothing Else Matters" that he did. more
manifest magic among the furrows more
beautiful neurotic simplicity more
Holy mother, what an album! more
It lacks a bit of the spontaneity of "Unorthodox," but the musicians' technique is highly refined. With a keen ear for jazz-rock and prog, one can notice very interesting details; "Sun In The Night" is a magnificent gem with oriental sounds, while "Hate Zone" and "Disco Suicide" are also very beautiful. Furthermore, the idea of having each of the four members write a couple of tracks will make the album more varied (Collapsar by Lumley or Orbits by Jones). It’s a shame about Phil's sweet contribution in "Maybe I'll Lend You Mind After All," where that “sweetness” makes an appearance again, which had already spoiled that immense gem called "Genesis" a few years back. Despite this, the album is quite peculiar, and I highly recommend it to those looking for new sounds, slightly outside the norms of both rock and jazz. 4 deserved stars. more
But why do they make certain people sing? I don't understand... more
Fantastic when she sings, less so when she talks. But here we judge the music, so... 5 full stars (well deserved). more
comprehensive and thorough! more
comprehensive and thorough! more
Blessed (or damned, with this music) Kathleen Brennan when she convinced him to write for the theater. This album is a wonder from beginning to end, even on the twentieth listen... The devilish falsetto of "Temptation," the march with the rooster of "I'll be Gone," the typical style of his theatrical writing that will reappear in the other three albums of this kind, which is exalted with "Innocent When You Dream" or "Frankie's Theme," the drunken, crazy, and sickly Sinatra of "I'll Take New York," the perfection of pieces like "Yesterday is Here" and "Down in the Hole," the bouncy Ribotchitarrina and the final organ intro of "Telephone Call From Istanbul"... Let's even make it to the fiftieth listen, shall we... more
A frozen rose, more radiant than ever, every trace a petal on the ground, the X-ray of a soul. more
Great songwriter. To be reassessed. more
Beautiful album, refined in style but less impactful than its predecessor. more
Every time I hear him on the radio, I wonder how he became the most famous Italian singer in the world. Annoying voice, nonsensical lyrics, terrible music, maybe only Meneguzzi has managed to do worse. more
For me, the pinnacle of the paisley movement, a magical album, gentle power pop sprinkled with psychedelia. more
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