The bad intentions, the rudeness, your embarrassing behavior from last night, your ingratitude, your arrogance—do whatever you want while stepping on others. Certainly, disorder is a form of art, but all you know how to do is cultivate envy. Thank heaven you're on this stage; respect those who brought you in, but that’s just me... more
Let's say that during the period from "What do you want a song to be" to "Some say no," it did something good. Then, a few ups and downs until 1996, but after "No danger.. for you," it declined into the worst form of mass idol. more
..well, I've never really tolerated it much.. maybe 3 or 4 songs here and there are salvable (and anyway, I'd gladly do without those too). more
"I say to myself it was better to part ways than to have never met at all." more
Someone who loves his car. more
"Here where the sea shines and the wind blows strong" already in these first words of the song I fell in love... and I fell madly in love, so much so that I listen to it every morning since then, with a good coffee right in front of the sea, it's my good morning, always. more
Just for "Whole Lotta Love," just to mention one, masterpiece of masterpieces, every human being should own or have listened to this record at least once. more
In its genre, I don’t listen to much, but he, I believe, will undoubtedly be number one. more
Known primarily for "The Exorcist," which is a great film, but I prefer him in his ventures into the crime-thriller genre. Who else can create films like "The Wages of Fear," "The French Connection," "Cruising," "Killer Joe," and especially his masterpiece "To Live and Die in L.A."? A wizard of chases and action scenes, but I admire him for his prevailing pessimism and desperate characters. more
One of the greatest and most original artists of Italian song. It's a pity about the last period being somewhat banal, but albums like "L'era del cinghiale bianco," "Caffè de la paix," "Patriots," "Fetus," "Pollution," "La voce del padrone," and many more guarantee him a solid five. more
Quite simple, rather too much so. more
I've never been particularly fond of Battisti, but this album is absolutely fantastic. It's his absolute peak (it competes with "Don Giovanni"), simply wonderful. The highlights are "Abbracciala, abbracciali, abbracciati," the title track, and "Macchina del tempo." A great album, one that deserves to be among the top 15-20 albums of Italian music. more
Interesting creations, but I don't care where I saw it first. It seems to be very effective. more
The usefulness? Nothing, that's it. more
So, it's a subject that's been thoroughly covered in other works by Frankie (Accendimi is a glaring example), however, it's written very well. more
Musically great, but it could have been a bit longer. more
The unexpected song. With a jazzy rhythm, featuring very original lyrics that, overall, is one of the best tracks on the album by the excellent songwriter Frankie. more
Topic better addressed elsewhere more
Fairly useless, but as an arrangement, it works well. more