One of the highest peaks of Symphonic Progressive. "Firth of Fifth," "The Cinema Show," and "Dancing with the Moonlit Knight" are timeless masterpieces, "The Battle of Epping Forest" a spectacular theatrical jumble, "I Know What I Like" a great single, "After the Ordeal" an excellent instrumental digression in Hackett's style. Amid such beauty, though, I wonder... what the hell was "More Fool Me" doing there?
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