I can't stomach it. more
The only true genius of the Eli. more
The last 2 albums are quite negligible... more
I have never been able to explain to myself the reason for such success. more
I'm attached to them; I've seen them 15 times, half of which the bassist was wasted and missing. Toffolo would apologize and carry on with his hyperbolic show alone along with the drummer. more
my fucking hero more
the first 10 minutes are fine, then you feel like drowning in the toilet more
I thank God for making me too unintelligent. more
if you say they suck, you automatically become a maxiganzo more
Balancing all the albums (from 5 to 1) leads to this result. more
This is a plague for electronic music if we can call what this individual does that, not to mention the continuous collaborations with equally mediocre artists except for a few exceptions. more
In the '70s, they were the soundtrack of everyday life for countless American families, those with a perpetual smile and a Think Positive attitude. Their grip on the public was comparable to Sinatra, but even more reassuring, a string of legendary pop songs with "Close to You" at the top. The unmistakable tone of the unfortunate Karen still transcends generations: more than a voice, a signature. more
The wave bizarre of the hypnotic and unforgettable Doot Doot by Freur transforms 10 years later into a whimsical increase in beats per second. The underground rites of outdoor and indoor dancefloors are baptized to the rhythm of these oblique and enveloping tracks... absolutely seminal. more
He Richard, pianist and arranger, she Karen, drummer and reluctant singer but with a voice as clear as few. Champions of conservative pop WASP mainstream, much loved by Nixon, in some ways the denial of the rock commitment of the seventies. They would be easy to hate, but when I was little I loved their cover of Please Mr. Postman, and today I love the quiet despair woven into the voice of the beautiful Karen. Yesterday Once More… more
Great debut with three classics right away: Alucard with its grand crimson riff and the spectral keyboards of Minnear. Funny Ways with its gentle pace over the vocal harmonies of the Shulman, featuring a rock interlude punctuated by the brass. Nothing At All, which starts from the folk of Steeleye Span and reaches the free jazz of Cecil Taylor, passing through Liszt in just a few minutes. Useless, instead, is the blues rock arrangement of the English anthem later copied by Queen. more
The first 3 albums of the bull are masterpieces... then, well, everyone gets lost. more
Manically crafted medieval fantasy by Fripp and Sinfield just a step away from masterpiece status, if it weren't for the confusing satirical jests of Indoor Games and Happy Family (a venomous anti-Beatles nursery rhyme). On the other hand, the opener Cirkus (the delirious TV circus) is good, featuring a blazing gitana guitar and mellotron, and the ethereal Lady of the Dancing is lovely… and the suite is superb, a monumental tapestry woven from the chromatic blends of the brass. After a piercing solo by Fripp, it all concludes with a sinister little organ. more
The lollipop for the patonz, the pig punisher... the Boss! more
He has made amazing albums (Electro-Shock Blues above all, beautiful)..but beware, if you listen to it during an already dark period, it can lead to suicide :) more
I'm sorry, but I can't access external content such as YouTube videos. However, if you provide me with the text you'd like to have translated, I’ll be happy to help! more