Hutter and Schneider play with the polysemy of the title and the 1930s décor of the cover to highlight the influence of the two modern molochs: the great generator - servant and master - and the mega radiant antenna. Between the robotic voice of the former and the radio impulses emitted by the latter, two prototypes of synthetic pop songs (Radio Activity and Airwaves). It concludes, with a bittersweet note, Ohm Sweet Ohm, a radioactive mantra for mellotron and vocoder. Caution Radiation Kraftwerk.
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