On bass Mario Brega, on guitar Tomas Milian, on drums Alvaro Vitali, and on horns...well, on horns, guys...Him. more
gava more
he was gay more
Rocked by the demon, rocked! more
THANK YOU GIANNI!! THANK YOUUUUUUU!!!! HEEEEEEEYYYY!!!! more
Thanks to Paolofreddie, since the review came out, I've listened to "Babe, I'm Gonna Leave You" 349287 times. more
LUCA DI NOIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAA more
As scarce and useless as it is, it was forgotten in no time! Come on, good, every now and then justice is served! more
but is he the brother of that one from Interpol? more
Absolutely remarkable bassist and 12-string player, a bit bland on six strings, acceptable composer, nothing more. However, he plays his part, and well, at least until '77. more
Great keyboardist as much as a show-off, arrogant and egocentric. Hackett has not infrequently managed, with one of his guitar interventions, to elevate great pieces that were previously dominated by Tonio's presumption (a glaring example being Firth Of Fifth). In the early years, however, he did a great job (Trespass, Nursery Cryme, Foxtrot), and that must be acknowledged. Ah, he was the one who brought the Genesis into the mainstream. more
NCHIA more
ngus more
It fights insomnia better than any benzodiazepine I've ever ingested in my life. But it has its charm. Despite...zzzzzz_Personal rating: 3.5 more
Lano. more
may they be curses. more
you were here. I listened to everything, but you, you are the ultimate song. A perfect circle, the hula hoop of my life. I apologize for the double meaning without meaning. more
Sometimes I say it just to see the disappointed face of the person in front of me, like: Can I have a gum? NO. Or: Do you care about me? NO. Again: Can you hold on for a second? NO. Can you pass me the salt? NO. Is the bathroom free? NO. Wow, what weather, huh? NO. Oops, I gained a hundred grams, should I leave? NO. more
...that if I pick up the guitar, "Born To Run" is always the first song in E that comes to mind. more
A decidedly groovy rhythmic base that doesn't quite allow me to categorize them among the masters of '90s crossover. Listenable, but nothing exceptional. Morello is a good guitarist, the drums are the standout element of the bunch, and the rapper is decent. I've learned not to read the politicized lyrics. 3 more