A great producer, DJ, musician, and drum and bass artist, but not only that. "Colours" from '97 is extremely noteworthy. more
Scary. more
Give him an instrument. Will he know how to turn it on? more
Since many like to label them post-rock (at least in Spiderland), I’ll give my own categorization: this is their noise-math rock album. And "Spiderland" is their slowcore album. Both are masterpieces, both are not objectively perfect as some pretentious people would like to believe, both owe a lot to several records in the indie/alternative scene rather than the other way around; yet both are highly individual and have aged perfectly, if not even not aged at all. more
Then we ask ourselves why music is dying... years of work, of people who have given their all to achieve something truly meaningful practically destroyed by this dumb rich kid... what a shitty world. more
I have no clue who they are. I've never even heard their names mentioned. more
Overrated and mythologized a bit too much for sure, but they created, invented, demolished, and renewed POP. I'm not a die-hard fan, but I believe that some of their albums are simply the history of music, and it's not easy to write songs that, after about 50 years, are still known and appreciated by a good part of the people. My favorites remain "Rubber Soul," "Revolver," "Sgt. Pepper's," and "Abbey Road." more
In my humble opinion, this gentleman not only created a genre of his own but also manages to incorporate dubstep rhythms and a bit of chillout. If you listen closely to the artist, you'll actually discover that behind his songs lies an enormous amount of work, the result of his experience as a composer. Skrillex has invented another type of music, even if it can sometimes be exaggerated... not for everyone. more
Not bad, absolutely... in fact, I would say even exceptional at times... but the important thing is not to watch their videos, or you'll lose your motivation before you even start. more
Not bad. Even the daughter. more
When prog mixes with hard rock without neglecting melody. more
It was love at first listen with this album. more
Permanently teetering between three and four balloons, but still a good disc. The standout tracks are especially the title track, "Accross the Universe," and "The Long and Winding Road." more
The epitaph of the Fab Four, from an instrumental and sound perspective, is the most mature and imposing (now completely purged of the psychedelic pop from a couple of years earlier). Two excellent tracks, namely "Come Together" and "I Want You (She's So Heavy)," along with the brilliant concluding medley, are worth, as they say, the price of admission. more
An album that incredibly has its charm, with that minimalist white cover. However, there are a few rough sketches that could have been avoided, obviously alternated with great tracks. more
Negligible, it is little and nothing. more
Underrated, yes, but the three previous albums are definitely superior. Plus, I’m not particularly crazy about soundtracks (with a couple of notable exceptions, two to be precise: Passion by Peter Gabriel and all those by Ennio Morricone). more
Although Sgt. Pepper's is perhaps a somewhat overrated album by many (especially when viewed in relation to its historical context), for me it remains their true masterpiece: from the music to the cover, a lysergic journey through an ironic pop chaos. "A Day in the Life" has something apocalyptic and prophetic, spine-chilling. more
Leaving behind the pop glories, the Beatles dive into well-crafted psychedelic pop-rock, perhaps creating their most homogeneous album in many respects. It’s among my favorites of theirs, and it’s well-played and produced. Tomorrow Never Knows. more