One of my favorites from a sometimes underrated guitarist, but of great talent. more
Absolutely not. Boring as hell. more
If I put something on, what cool thing happens? more
I want to see what happens when I put 1. more
Another masterpiece by SY, and I even prefer it to the much-lauded (and let’s be clear, beautiful) Daydream Nation. And every time "Cotton Crown" starts, with its heroin-like cadence, a tear falls down. An album for the ages. A band for the ages. more
My album of the year and my song of the year. more
I would like to get to know the inhabitants of the municipality of Rosello. Honestly, one by one. more
The fact that it has followed is one of those things that makes me feel like staging a global coup and carrying out the genocide of the human race. more
Qualunquism more
First amazing record. And that's enough for me. more
Better as a producer than as a rapper, but he still stands out. more
After the last album: fuck off. Too bad, the first one was pretty nice. more
Just one adjective: bucolic. more
Four stars because I prefer the 'Italian' versions. There are the lyrics by the King Crimson's lyricist, but for me, singing in English is not their job. In PFM's albums, I'm not looking for amazing lyrics but good music. For the version of Celebration, I have to give up the intro with the break, which I think is a really nice thing. more
I only remember them because, during the time when their annoying and pointless hit was playing everywhere, so irritating that it made you instantly turn off the radio (must have been 2003, 2004, who knows), someone who heard them told me I was the spitting image of the drummer. And it wasn’t even true. more
The ultimate concept album about loneliness. Five fantastic tracks, but in particular "House with No Door" will forever remain a part of my heart. more
Always my favorite by the Doors, an unrepeatable debut, beautiful, with no weak points. more
Between him, Moccia, and those from Zelig, they are always among the most read. Can someone explain this to me? more
I don't know him. more
After that absolute masterpiece of "Sebadoh III," and the less convincing "Bubble and Scrape," Lou Barlow and company bring forth what will be the last masterpiece of the project, where unlike III, the energy never fades here—it's a completely electric album, and above all, one of astonishing beauty. If III hadn't existed, which is something beyond, this would be at the top of their discography. Meanwhile, J Mascis was making little shits ["Without a Sound"]. more