Sadistik
Don't be fooled: what matters about his name are mainly the first three letters. My favorite artist. more
Blue Öyster Cult
I discovered them very late and I was very favorably impressed. I consider some pieces to be milestones in the history of h.r. more
Uriah Heep
A hearty minestrone with Deep Purple, Black Sabbath, and Procol Harum. Plus, a generous dose of choruses and vocal harmonies à la Beatles and half a ton of overdubs that make the sound so thick and massive that Spector's wall of sound is like tissue paper in comparison. Always too full, they never understood that music is also made of emptiness, pauses, and rarefied moments. What a shame, because they knew how to write valid pieces. more
The Stooges
Rough, abrasive, menacing rock, with a strong initial impact. But after three listens, it has nothing more to say. They are more of a fetish band for those who love to pose as wild rockers, taken as a status symbol by fake desk rebels. Better off with Iggy solo. more
Richard Sanderson
The time of apples? I would say the time of rotten tomatoes, by now... more
Graham, Davy
Life is a circus and money is hello goodbye; I don't need a preacher to tell me the reasons why. more
King Crimson -Discipline
King Crimson return in a new guise, perfectly suited to the new context of the eighties, yet they do not cease to amaze and create pieces destined to become classics, characterized by a refined technique that is more understated compared to the past. more
Vasco Rossi
Even considering the early albums, I’d give him 3 stars. It’s true that for at least 20 years he’s mostly been making crap songs, but he always manages to throw in a nice one. It’s true that he’s a fake rock drunk and a piece of shit, but 1 is way too low for VASCO; be more objective, you bunch of RADICAL-CHIC FAGGOTS. If you give Vasco a 1, what would you give Ligabue... -2? Idiots... more
Lana Del Rey
Anal Dyarraea.. more
Il Genio
Well, they already have two of those classic smug faces that make you want to tie them to a chair and slap them. Then there's their music, though. And that's the real problem. more
Samuele Bersani
an exceptional lyricist, songs above average currently, for me he is worth more than the triad fabi-gazzé-silvestri, speaking of contemporary colleagues. more
Natale
Nice atmosphere and beautiful lights... But also a lot of hypocrisy, represented by the felt obligation to give gifts even to people you hardly pay attention to during the year and you might even avoid, like in-laws or brothers-in-law. A celebration likely created by the commerce lobbies to boost the revenue of shops and confectionery industries... more
Cream
I have always found them boring. In the studio, too shy and restrained. Live, bolder, but after a few listens, you realize that even those long improvisations were nothing but endless ups and downs of Clapton in pentatonic over the same three minor chords. And the distorted hard guitar sound was already there from others before. Just listen to Shake With Me by the Outlaws (1964). Clapton didn’t invent shit. more
King Crimson
The first two albums are absolutely fantastic, and then there are the three records with Wetton. The rest is actually not that memorable, although for the usual fans with blinders on (and there's quite a large sample size here), anything produced by the good Robert is a masterpiece, no matter what. Fripp has always had great talent, but nothing supernatural; he's a human who, like many, has also made his missteps. Five great albums, however, are certainly not few; quite the opposite. more
Richard Benson
He is the seventh son of a seventh son, a lover of free-range chicken and mentor to Marilyn Manson, unafraid of death (because he has defeated it) but disdainful of dwarves. He is not a myth, not a legend, and above all: he is not Riccardo Benzoni. more
Jeffrey Novak
Mediocre thespian of contemporary psychedelia. A voice reminiscent of Syd Barrett but an unfortunately pop soul. more
Opeth
Setting aside the fact that they can completely change lives with a single track, they have a respectable discography that has never really hit a low point, even though I’m not a fan of heavy metal. But here it's so much more: penetrating acoustic textures, phenomenal atmospheres, memorable melodies, exceptional technique, a prog spirit that has made them pioneers of progressive death metal—a genre that might be a bit of a ghost but they embody perfectly. more
King Crimson
One of the most popular yet niche groups of all time. It seems like an oxymoron, but I say this because despite their undeniable fame and influence, they remain a band for relatively few chosen ones. This is because they have never fallen into the mundane, they have never betrayed their ideals, and in 40 years of career, they have always been able to change form without mutilating the substance. Undoubtedly, Robert Fripp is the Crimson King, and as a result, he is a genius. more
Anathema
Certainly among the best bands around at the moment, as well as one of those that has evolved in the most coherent yet incredible way throughout their career: from past doom metal to an ethereal, sweet, and refined rock. One element is omnipresent in their discography: spectacular emotionality, combined with great passion and energy that can be felt in every chord they play. more
Coldplay
It took me years to convince myself to listen to them, but I don't regret it: the early albums, in particular, are rich in well-crafted sounds and infused with strong emotions. Their refined songwriting faded by the end of the 2000s, but they still remain a band with a valid past, simple yet well-made and sublimated. more