Last days of January 1975, Bob Dylan releases an album that will change the fate of music, his career, and his personal life.
Many, perhaps too many words have been written to describe this album, and I want to use just a few, after all, the album itself follows this philosophy, synthetic and essential.
The songs are wonderfully written, and what astonishes is the extreme simplicity of the structure, which works perfectly and manages to create a dark, angry atmosphere throughout the album, yet at times almost naively carefree, as in the case of the beautiful "you're gonna make me lonesome when you go" or "meet me in the morning", which contrasts with the cryptic and melancholic tones of "tangled up in blue", and the prophetically apocalyptic ones of "idiot wind".
This album encapsulates love in 10 powerful songs, which tell of all the emotions following separation and loneliness.
Dylan's album is a journey through anger and venom, passing through paths of joy and candid love, which inevitably ends in a bucket of tears.
"Bob Dylan is the greatest and this is his best album. Consequently, this is the greatest album in the history of music."
"‘Blood on the Tracks’ is ultimately a kaleidoscopic reflection of love and loss in ten moments."
The stunning and impetuous lyricism of this album shakes, stirs, and deeply moves the human soul.
"Blood On The Tracks" is undoubtedly a turning point album where Dylan confronts his intimate problems with unparalleled emotional power.
Lost love... that’s indeed the main theme of this wonderful album, the brightest gem of the 70s Dylan era.
"Shelter from the storm"... a picture depicting a sacred image that offers protection to a weak one...
The answer is 'Blood On The Tracks,' where the blood covering the notes and verses is no longer that of the social struggle, but the songwriter himself, and our own blood as well.
Bob Dylan... is forced to unveil his raw truth. It’s amazing to observe the various devices used to accomplish this sublime and intimate confession.
"Bitter and embittered Dylan, harmonica stitching the cuts, word chef like serpents, definitive and clarifying sound shifts into gear and gets drunk on its own."
"After 'Tangled Up In Blue,' 'Simple Twist Of Fate,' 'You're A Big Girl Now,' and of course 'Idiot Wind,' I let out a burp of satisfaction. I didn't need anything else."