Cover di Hanno ucciso l'Uomo Ragno

Hanno ucciso l'Uomo Ragno

Album - 1992 - DeB Id: 54607
By 883
9 Tracks 3 Reviews Definitions Listenings Video 1 Charts

Reviews

Album DeRango™ 235,39

883

Hanno ucciso l'Uomo Ragno withor

 Listening to this record back then, I loved it a lot because it talked about situations I experienced almost daily; listening to it today... still, because it brings my mind back to those fantastic days.

 Paraphrasing Elio e le connesse Storie Tese, 'it makes me laugh when I’m sad, it makes me laugh when I’m happy, it makes me laugh when I’m median, basically it always makes me laugh.'

 Rediscover 883’s classic debut and relive the unforgettable spirit of 90s Italy—listen now!

💬 65
5701
📈 4,81
Album DeRango™ 15,48

883

Hanno ucciso l'uomo ragno Castaldo

 The most beautiful pop-rock album in the history of Italian music is dated 1992, and it’s the debut of '883'.

 Max, you’re such a legend. I adore you.

 Discover the legendary sound of 883’s debut album—listen now and experience the magic of Italian pop-rock history!

💬 103
19379
📈 3,77
Album DeRango™ 0,00

883

Hanno ucciso l'Uomo Ragno MosMaiorum84

 Hanno ucciso l'Uomo Ragno is a milestone for anyone who lived through the Italian 90s.

 The songs still sound fresh, with catchy hooks and stories everyone can relate to.

 Relive the era—read the full review and listen to 883's iconic debut album today!

💬 12
1523
📈 2,50
Solita notte da lupi nel Bronx
Nel locale st� suonando News Baby Stones
Loschi individui al bancone del bar
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Jolly Blue (03:31)
E' passato tanto tempo per� io c'ho tutto dentro
a Ticino a far le foto e le corse colle moto
con il 125 per il Corso a far le lingue
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Musica che spacca in due stomaco e cervello
fuori ha smesso o piove ancora io non ho l'ombrello
e tu balli balli balli ballano le gambe
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883

883 were an Italian pop/pop-rock project initially formed as a duo by Max Pezzali and Mauro Repetto, breaking through in the early 1990s and becoming a major youth-culture phenomenon in Italy. Reviews repeatedly highlight their everyday, youth-focused storytelling and the later shift after Repetto’s departure, with reception ranging from affectionate nostalgia to harsh criticism of repetition and commercial decline.
21 Reviews

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