Cover of Vasco Rossi Gli Spari Sopra
Il Tarantiniano

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For fans of vasco rossi,lovers of italian rock,listeners of '90s rock albums,music enthusiasts interested in rock evolution,readers looking for in-depth album reviews
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THE REVIEW

Vasco is changing, and not only the fans are noticing it... Musically, he is improving: much more rock, much more anger, whereas before it was about mocking society, this time it's about going heavy while maintaining his original ironic style in the lyrics.

In 1993, this new album was released, which for me is one of the best of Vasco from the '90s. A fairly rock album, rich with great sounds that also vary into pop, well-arranged lyrics, and great energy. The album starts with "Lo Show," presenting itself like an epic stage entrance (note the historical introduction of "Child In Time" by Deep Purple at the beginning), then exploding into an aggressive and gritty rhythm. It follows with "Non Appari Mai," a track that criticizes television: here too, good lyrics and almost hard rock music, then moving to the title track, a successful cover of An Emotional Fish: ear-splitting music, one of Blasco’s meanest and "ferocious" lyrics (note in the chorus that the words "Gli Spari Sopra" recall "The Party Is Over" present in the chorus of the original song); it always surprises live. With "Vivere," Vasco creates another gem in his career, with very simple but grand lyrics, with almost Olympic music and a wonderful final guitar solo, in short...a masterpiece. "Gabri" is a beautiful romantic ballad, "Ci Credi" is a delightful pop song, much underrated, "Delusa" is a track to be listened to at full volume through the speakers, with lyrics talking about women and their vices: excellent interpretation, even if live it's much more loaded and powerful. Then it moves to "...Stupendo," another masterpiece of the album, where Vasco vents again with great lyrics and a chorus that is already history and a terrific atmosphere. It continues with another rock hit "Vuoi Star Ferma!," though of a lower level compared to the previous ones, moving to "L’uomo Che Hai Di Fronte," an authentic six-minute poem. Then there's "Occhi Blu," a weak pop song saved only by the final solo, and "Walzer Di Gomma," amusing but nothing memorable.

In short, this is Vasco's most "angry" record before his slow decline, when he still knew how to write meaningful pieces and manage to bring out the anger he had inside, like a true rocker. Even if it features many beautiful and catchy pop songs, although slightly cumbersome, "Gli Spari Sopra" is considered primarily a rock album, or better, Italian rock.

When Vasco could still "rock." Rating 8/10

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Summary by Bot

The review praises Vasco Rossi's 1993 album 'Gli Spari Sopra' for its intense rock energy and well-crafted lyrics. It marks a shift toward a heavier, angrier sound while retaining ironic lyricism. Key tracks like 'Lo Show,' 'Gli Spari Sopra,' and 'Vivere' are highlighted as standouts. The album is viewed as one of Vasco’s best works and a symbol of Italian rock music before a later decline.

Tracklist Lyrics Videos

01   Lo show (05:06)

02   Non appari mai (05:10)

03   Gli spari sopra (Celebrate) (03:31)

06   Ci credi (04:18)

08   Stupendo (06:34)

09   Vuoi star ferma (04:48)

10   L'uomo che hai di fronte (06:20)

11   Occhi blu (04:29)

12   Hai ragione tu (04:19)

13   Walzer di gomma (04:01)

14   Gli spari sopra (intro video) (01:26)

Vasco Rossi

Vasco Rossi is an Italian rock singer-songwriter from Zocca, active since the late 1970s. Known for stadium-filling shows and generational anthems like Siamo solo noi, Vita spericolata and Albachiara, he is one of Italy’s most prominent rock artists.
89 Reviews

Other reviews

By Danilo1987

 This album is proof of that. It is a Vasco not only mature, but also very angry during this period.

 The final guitar solo in "Vivere" delights me as much as being in front of a naked girl or a Botticelli painting.


By JpLoyRow2

 It’s a solid effort, but perhaps not his most inspired work.

 Fans will find moments to enjoy, though it doesn’t quite reach the heights of his classic records.