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THE REVIEW
THE MEETING OF SCOTT AND TARANTINO
True Romance, Una Vita Al Massimo (Tony Scott), is part of the famous "pulp" trilogy, conceived by Tarantino between '92 and '94.
The film tells the story of a comic book seller living in the gray and polluted Detroit. He falls in love with a prostitute and kills her pimp. With the mafia on their heels, the two decide to escape with a suitcase full of cocaine, a getaway depicted in pyrotechnic (pulp) cop scenes.
Drugs, racketeering, sex, violence, mafia, police chases, music, Elvis, love. A pure "Tarantinian" concentrate, not too well handled by the lesser yet adequate Scott, in fact, what makes this work valid is precisely Tarantino's screenplay.
Despite this, True Romance is the right meeting point between the overwhelming energy of Quentin's stories and the dynamism of Tony's films: the former puts violence, sarcasm, naivety, and pop culture on film, while the latter assembles it all and sets it according to the protagonists' point of view, the ideal perspective. The extraordinary cast (Christian Slater, Patricia Arquette, Brad Pitt, Gary Oldman, Christopher Walken, Dennis Hopper) and the development of the characters are worth the price of admission: Gary Oldman excellently plays the pimp, a fascinating character (scarred face, glass eye, dreadlocks, and Jamaican accent).
The final result is nothing less than the sum of both artists' talent. A fresh and energetic film, typical of independent productions, yet characterized by the impeccable technique of great works, which enhances its content.
Alabama: “Did I do my part well?”
Clarence: “You were perfect.”
A: “Like a ninja?”
C: “Like a ninja. I'm going to find something to eat.”
A: “I'm going to jump in the bath, have a nice bubble bath, then jump on the waterbed and watch porn movies until you come back. Come back soon. I'm waiting for you.”
C: “Consider me already back.”
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Summary by Bot
True Romance, directed by Tony Scott and written by Quentin Tarantino, delivers a dynamic blend of pulp crime elements and vibrant character portrayals. The film’s story of love, violence, and escape benefits greatly from Tarantino’s screenplay and Scott’s energetic directing style. The notable ensemble cast enhances the film’s appeal. Although Scott’s handling is somewhat less refined than Tarantino’s script demands, the final product remains a fresh and compelling classic.
Tony Scott
British film director and producer (1944–2012), Tony Scott defined late-20th-century action and thriller cinema with kinetic visuals, high-octane set pieces, and star-driven ensembles. Brother of Ridley Scott, he directed hits like Top Gun, True Romance, Crimson Tide, Enemy of the State, Man on Fire, and Unstoppable.04 Reviews
Other reviews
By Il Tarantiniano
The love binding the two characters is almost close to classical tragedy: two lovers who will face a destiny that will cost blood to those around them.
The best thing about 'True Romance' is undoubtedly the screenplay, which intelligently mixes the right dose of irony with sequences where violence skyrockets.
