The past and future of rock. The first two albums by The Velvet Underground encompass everything that had been written up to 1967, but more importantly, much of what WOULD be written in the years to come. Never has a band had such enormous influence and never has a band been so unique, essential, outside any genre yet incredibly important.

White Light/White Heat is certainly less communicative than Velvet Underground and Nico, but in its six episodes, it reaches heights probably unmatched in the history of last century's music. The title track is a rotten, ambiguous, stripped-down blues, crying out painfully yet another story of drugs. The gift is rap, psychedelia, pure noise condensed into a hallucinated tale of Lou Reed's sadomasochistic dream. Lady Godiva's Operation and Here She Comes Now are melodic interludes (so to speak) that do not break the rhythm of that hallucinatory and nihilistic trip that is White Light/White Heat, as they sound so distorted and emaciated.

For I Heard Her Call My Name, the same can be said as for the title track: the VU take rock 'n' roll and give it electroshock, they disorder it, devastate it, grind it down. Sister Ray, finally, is the pinnacle of the album and perhaps the entire career of the VU: 17 minutes of hypnotic ride, with a shamanic crescendo and a climax of noise that disturbs and draws in, speaking the language of the decadent and ambiguous New York of which The Velvet Underground was the most beautiful tale.

Forgive the daring statement, but had they sold millions of records instead of a few thousand, they would decidedly be, more than The Beatles, the no-holds-barred group of rock, because they said everything and wrote everything, and they did it in such a unique way that there are no possible comparisons with any other band.

Tracklist Lyrics and Videos

01   White Light/White Heat (02:47)

White light, go on messing up my mind
Don't you know it's gonna make me go blind?
White heat, it tickles me down to my toes
Have mercy, white light, have it, goodness knows

White light, go on messing up my brain
White light, it's gonna drive me insane
White heat, it tickles me down to my toes
White light I said now, goodness knows, do it

I surely do love to watch that stuff shooting itself in
Watch that side, watch that side, don't you know, gonna be dead and bright
Yeah, foxy mama, watch her walking down the street
Come upside, your head's gonna make a dead end on your street

White light, move in me and drain my brain
White light gonna make you go insane
White heat, it tickles me down to my toes
White light, I said now, goodness knows

White light is lighting up my eyes
Don't you know it fills me up with surprise?
White heat, tickle me down to my toes
White light, I tell you now, goodness knows

Oh, she surely do move, speed
Watch that speed freak, watch that speed freak,
everybody gonna make it every week
Sputter mutter, everbody's gonna kill their mother
Here she comes, here she comes, everybody get it, gonna make me run, do it
Higher

02   The Gift (08:19)

03   Lady Godiva's Operation (04:56)

Lady Godiva, dressed so demurely,
Pats the head of another curly-haired boy,
Just another toy.
Sick with silence, she weeps sincerely,
Saying words that have oh so clearly been said
So long ago.
Draperies wrapped gently around her shoulder,
Life has made her that much bolder now
That she [has] found out how.
Dressed in silk, latin lace and envy,
Pride and joy of the latest penny-fare,
Pretty passing care.
Hair today now dipped in the water,
Making love to every poor daughter's son,
Isn't it fun?
Now today, propping grace with envy,
Lady Godiva peers to see if anyone's there
And hasn't a care.
"Doctor is coming," the nurse thinks SWEETLY,
Turning on the machines that NEATLY PUMP AIR.
The body lies bare.
Shaved and hairless, what once was SCREAMING,
Now lies silent and ALMOST SLEEPING.
The rain must have gone away.
STRAPPED SECURELY TO THE WHITE TABLE,
ETHER CAUSES THE BODY TO WITHER AND WRITHE,
Underneath the white light.
THE DOCTOR ARRIVES WITH A KNIFE AND BAGGAGE
SEES THE GROWTH, JUST SO MUCH CABBAGE
That must now be cut away.
NOW COMES THE MOMENT OF GREAT, GREAT DECISION.
THE DOCTOR IS MAKING HIS FIRST INCISION.
One goes here,
AND ONE GOES THERE.
"The ether tube's leaking," says someone who's sloppy.
THE PATIENT, IT SEEMS, IS NOT SO WELL SLEEPING.
The screams echo off the walls.
Don't panic -- someone give him pentathol instantly.
The doctor removes his blade cagily slow from the brain.
BY MY COUNT OF TEN.
THE HEAD WON'T MOVE!
[N.B. Normal text is sung by John Cale; UPPER-CASE TEXT
IS SUNG/SPOKEN/SHOUTED BY LOU REED.]

04   Here She Comes Now (02:04)

05   I Heard Her Call My Name (04:38)

Here she comes now, now
Gone, gone, gone
Ready, ready, ready, ready, ready
Got my eyes wide open

Ever since I was on cripples Monday
Got my eyeballs on my knees, Aww my baby walkin'
After hours with Mad Mary Williams
Said she never understood a word from me, because...

I know that she cares about me
I heard her call my name
And I know that she's long dead and gone
Still she ain't the same
When I wake up in the morning
I heard her call my name
I know that she's gone, gone, gone
I heard her call my name
And then my mind split open...

06   Sister Ray (17:27)

Doug and Sally inside
They're busy cooking for the down five
Who're staring at Miss Rayon
Who's busy licking up her big man
I'm searching for my mainline
I said I couldn't hit it sideways
I said I couldn't hit it sideways
Ah, it's just like Sister Ray said

Rosy and Miss Rayon
They're busy waiting for her booster
Who just got back from Carolina
She said she didn't like the weather
They're busy waiting for her Sailor
Who said he's just as big as ever
He's just here from Alabama
He wants to know a way to earn a dollar
I'm searching for my mainline
I couldn't hit it sideways
Ah, just like Sister Ray said

Cecil's got his new piece
He cocks and shoots between three and four
He aims it at the Sailor
Shoots him down dead on the floor
Oh, you shouldn't do that
Don't you know you'll stain the carpet
Don't you know you'll stain the carpet
And by the way man, have you got a dollar
Oh no man, I haven't got the time time
Too busy sucking on a ding dong
She's busy sucking on my ding dong
Oh, she does it just like Sister Ray said
I'm searching for my mainline
I said I couldn't hit it sideways
I couldn't hit it sideways
Oh, just like, just like Sister Ray said

Now, who's that knocking
Who's that knocking on my chamber door
Now could it be the police
They've come to take me for a ride ride
Oh, but I haven't got the time time
Too busy sucking on my ding dong
She's busy sucking on my ding dong
Oh, now, just like Sister Ray said
I'm searching for my mainline
I couldn't hit it sideways
I couldn't hit it sideways
Oh now, just like, just like, just like.....
Sister Ray says.

Loading comments  slowly

Other reviews

By Antonino91

 The sound quality of the album is terrible... but this gives the album a special character that distinguishes it from any other album.

 'Sister Ray' is truly devastating, aggressive, raw, beautiful, and spiced with a funny text... an absolute masterpiece.


By joe strummer

 The descent into the inferno of The Velvet Underground continues in the second work of the group, this time without Nico nor Warhol.

 "Sister Ray"... encapsulates an entire philosophy of life and, more generally, a state of mind.


By Fast&Bulbous

 'White Light/White Heat' is dirty. It’s hard. It’s punk before punk, metal before metal, new wave before new wave.

 'Sister Ray' is the most shocking track ever created by a musical group... 17 minutes of madness, 17 minutes of musical libido.


By Neu!_Cannas

 This black record is that indelible black of anger and aggression from first to last groove.

 'Sister Ray' is a single burning mass of lava that will never solidify, rewriting the musical path up to today.


By Luca Ventura

 Thanks to their negligence we now have this colossal ancestor of lo-fi.

 I recommend this album to anyone wanting to have fun at the cost of scorching their ears.