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Rating:
After the historic "The Velvet Underground & Nico," which unfortunately did not achieve the success it deserved, yet remains a milestone in all of music, Lou Reed & Co. plunged into creating their second album, which was not easy at all starting from the fact that they fired Warhol, who had helped create the Velvet Underground icon and whom they themselves considered tired of them, and especially Nico, the splendid "Femme Fatale" who had so distinguished some of the beautiful compositions of the previous album with her celestial voice.
But these are not the only reasons why the album maintains a more meticulous appearance compared to the previous one. The Velvet were in disarray, they only had money enough to afford basic necessities. Given the failure of the first album, Verve decided to assign the group to a new producer, Tom Wilson. It is said that the latter, throughout the entire work, was not helpful for the songs in any way, which made Lou Reed furious. And so, to show how pissed he was, he decided to record the songs with few channels, and above all, at schizophrenic volumes. This is the main reason why the sound quality of the album is terrible, so much so that it sounds worse than some bootlegs. However, this does not end up being a flaw, but rather it gives the album a special character that distinguishes it from any other album.
And it is already clear from the beginning of the first song "White Light White Heat" that the album is very different from the previous one. Yes, it is true, we are still on vast psychedelic territories, but it's a different psychedelia. All the instruments blend together so much that it's hard to distinguish one from the other. Interesting. But to wait for the first true masterpiece of the album, you have to reach the third song, "Lady Godiva's Operation," characterized by the incredible dichotomy between the sweetness expressed by the guitar and pure madness. The next track, "Here She Comes Now," is a piece discarded from the sessions of the first album which Nico would have sung. Up to now, surely some of you have asked why I gave a 5 to an album made of nice songs with only one elected masterpiece. Fortunately, "I Heard Her Call My Name" raises the average, bringing it back to harshly hard territories. But it's only the prelude to the absolute masterpiece of the album, and in my opinion, of the Velvet: "Sister Ray." The song extends for 17 minutes nested on a frantic rhythm shaken by the wonderful dialogues between the guitar and the organ, perfectly amalgamated by the noise, which is the key element of the album. Truly devastating, aggressive, raw, beautiful, and spiced with a funny text that talks about a party where a gay is present.
And listening to this track, it is easy to perceive how Sonic Youth took this track into consideration to form their most famous bacchanals. And it is especially perceived that the Velvet are simply, despite having a not-so-numerous discography, one of the most fundamental and influential groups ever, inspirers of punk and noise. In the end, the album is undoubtedly more difficult, harsher, and harder compared to the previous one. Sure, obviously it does not have the same historical importance as the previous one, but in my opinion, from a musical point of view, it is more complete and more beautiful. In short, ultimately the real masterpiece is here. (P.S.) "Do not torture me by saying that this review was already there, I preferred to write it because frankly, the other seemed a bit meager."
Tracklist Lyrics Samples and Videos
01 White Light/White Heat (02:47)
White light, go on messing up my mind
Don't you know it's gonna make me go blind?
White heat, it tickles me down to my toes
Have mercy, white light, have it, goodness knows
White light, go on messing up my brain
White light, it's gonna drive me insane
White heat, it tickles me down to my toes
White light I said now, goodness knows, do it
I surely do love to watch that stuff shooting itself in
Watch that side, watch that side, don't you know, gonna be dead and bright
Yeah, foxy mama, watch her walking down the street
Come upside, your head's gonna make a dead end on your street
White light, move in me and drain my brain
White light gonna make you go insane
White heat, it tickles me down to my toes
White light, I said now, goodness knows
White light is lighting up my eyes
Don't you know it fills me up with surprise?
White heat, tickle me down to my toes
White light, I tell you now, goodness knows
Oh, she surely do move, speed
Watch that speed freak, watch that speed freak,
everybody gonna make it every week
Sputter mutter, everbody's gonna kill their mother
Here she comes, here she comes, everybody get it, gonna make me run, do it
Higher
03 Lady Godiva's Operation (04:56)
Lady Godiva, dressed so demurely,
Pats the head of another curly-haired boy,
Just another toy.
Sick with silence, she weeps sincerely,
Saying words that have oh so clearly been said
So long ago.
Draperies wrapped gently around her shoulder,
Life has made her that much bolder now
That she [has] found out how.
Dressed in silk, latin lace and envy,
Pride and joy of the latest penny-fare,
Pretty passing care.
Hair today now dipped in the water,
Making love to every poor daughter's son,
Isn't it fun?
Now today, propping grace with envy,
Lady Godiva peers to see if anyone's there
And hasn't a care.
"Doctor is coming," the nurse thinks SWEETLY,
Turning on the machines that NEATLY PUMP AIR.
The body lies bare.
Shaved and hairless, what once was SCREAMING,
Now lies silent and ALMOST SLEEPING.
The rain must have gone away.
STRAPPED SECURELY TO THE WHITE TABLE,
ETHER CAUSES THE BODY TO WITHER AND WRITHE,
Underneath the white light.
THE DOCTOR ARRIVES WITH A KNIFE AND BAGGAGE
SEES THE GROWTH, JUST SO MUCH CABBAGE
That must now be cut away.
NOW COMES THE MOMENT OF GREAT, GREAT DECISION.
THE DOCTOR IS MAKING HIS FIRST INCISION.
One goes here,
AND ONE GOES THERE.
"The ether tube's leaking," says someone who's sloppy.
THE PATIENT, IT SEEMS, IS NOT SO WELL SLEEPING.
The screams echo off the walls.
Don't panic -- someone give him pentathol instantly.
The doctor removes his blade cagily slow from the brain.
BY MY COUNT OF TEN.
THE HEAD WON'T MOVE!
[N.B. Normal text is sung by John Cale; UPPER-CASE TEXT
IS SUNG/SPOKEN/SHOUTED BY LOU REED.]
05 I Heard Her Call My Name (04:38)
Here she comes now, now
Gone, gone, gone
Ready, ready, ready, ready, ready
Got my eyes wide open
Ever since I was on cripples Monday
Got my eyeballs on my knees, Aww my baby walkin'
After hours with Mad Mary Williams
Said she never understood a word from me, because...
I know that she cares about me
I heard her call my name
And I know that she's long dead and gone
Still she ain't the same
When I wake up in the morning
I heard her call my name
I know that she's gone, gone, gone
I heard her call my name
And then my mind split open...
06 Sister Ray (17:27)
Doug and Sally inside
They're busy cooking for the down five
Who're staring at Miss Rayon
Who's busy licking up her big man
I'm searching for my mainline
I said I couldn't hit it sideways
I said I couldn't hit it sideways
Ah, it's just like Sister Ray said
Rosy and Miss Rayon
They're busy waiting for her booster
Who just got back from Carolina
She said she didn't like the weather
They're busy waiting for her Sailor
Who said he's just as big as ever
He's just here from Alabama
He wants to know a way to earn a dollar
I'm searching for my mainline
I couldn't hit it sideways
Ah, just like Sister Ray said
Cecil's got his new piece
He cocks and shoots between three and four
He aims it at the Sailor
Shoots him down dead on the floor
Oh, you shouldn't do that
Don't you know you'll stain the carpet
Don't you know you'll stain the carpet
And by the way man, have you got a dollar
Oh no man, I haven't got the time time
Too busy sucking on a ding dong
She's busy sucking on my ding dong
Oh, she does it just like Sister Ray said
I'm searching for my mainline
I said I couldn't hit it sideways
I couldn't hit it sideways
Oh, just like, just like Sister Ray said
Now, who's that knocking
Who's that knocking on my chamber door
Now could it be the police
They've come to take me for a ride ride
Oh, but I haven't got the time time
Too busy sucking on my ding dong
She's busy sucking on my ding dong
Oh, now, just like Sister Ray said
I'm searching for my mainline
I couldn't hit it sideways
I couldn't hit it sideways
Oh now, just like, just like, just like.....
Sister Ray says.
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Other reviews
By easycure
Never has a band had such enormous influence and never has a band been so unique, essential, outside any genre yet incredibly important.
'Sister Ray'... is the pinnacle of the album and perhaps the entire career of the VU: 17 minutes of hypnotic ride, with a shamanic crescendo and a climax of noise.
By joe strummer
The descent into the inferno of The Velvet Underground continues in the second work of the group, this time without Nico nor Warhol.
"Sister Ray"... encapsulates an entire philosophy of life and, more generally, a state of mind.
By Fast&Bulbous
'White Light/White Heat' is dirty. It’s hard. It’s punk before punk, metal before metal, new wave before new wave.
'Sister Ray' is the most shocking track ever created by a musical group... 17 minutes of madness, 17 minutes of musical libido.
By Neu!_Cannas
This black record is that indelible black of anger and aggression from first to last groove.
'Sister Ray' is a single burning mass of lava that will never solidify, rewriting the musical path up to today.
By Luca Ventura
Thanks to their negligence we now have this colossal ancestor of lo-fi.
I recommend this album to anyone wanting to have fun at the cost of scorching their ears.
