Maybe The Offspring are coming back! Or rather, they want to return to their former selves.

 If someone had told me in '97 that The Offspring in 2012 would write songs like Cruising California, I would have never ever believed it… What a pity!

The Offspring's 'Days Go By' shows a deliberate attempt to return to their punk roots with fast riffs and energetic vocals. While some tracks revive their early style successfully, the album is undermined by inconsistent experiments like 'Cruising California.' Overall, it is a mixed effort with moments reminiscent of their classic sound. Discover if The Offspring's 'Days Go By' hits punk gold or misses the mark—read the full review and listen now!

 He lets the music and the instrument speak, thus succeeding in making even Schubert’s 'divine lengths' extremely interesting.

 Lubimov is a critical personality who reveals a philological attention to the work.

Alexei Lubimov presents Franz Schubert’s Impromptus Op.90 and Op.142 on two rare, restored fortepianos, offering an authentic but sometimes heavy sound. His restrained phrasing and philological approach highlight the music’s simplicity and depth. While some moments weigh down the texture, the recording remains a valuable historical and musical experience with notable comparisons to other renowned pianists. Discover Lubimov’s unique Schubert Impromptus on historic fortepianos and immerse yourself in an authentic classical experience.

 "Salmo, in fact, is not a rapper but a musician and as such needs more time to release good work."

 "The divide in the album is the only serious flaw and makes the album good but not excellent."

Salmo's album Midnite shows significant improvement over his previous work, featuring fantastic lyrics and strong collaborations. However, the album's inconsistency, especially the contrasting production styles between the two halves and a misplaced love song, detract from its full potential. Overall, it is a good but not excellent album that shows Salmo's growth as a musician. Discover Salmo's Midnite and explore the evolution of his unique style—listen now!

 The great merit of the "JACK" is that they never go overboard, becoming pompous.

 "The Jazz Age" is one of the best English albums of 1998. Overlooked by the general public, it absolutely does not deserve to fall into oblivion.

Jack's 'The Jazz Age' is a refined English pop rock album blending melancholic themes with rhythmic vitality. The band draws on influences like Bowie, Suede, and Tindersticks but creates their own distinct style. The arrangements and balanced instrumentation stand out, led by Antony Reynolds' voice. Praised as one of the best English albums of 1998, it remains an underrated gem deserving more recognition. Listen to 'The Jazz Age' now and explore one of 1998's best overlooked English pop rock gems!

 The World Is A Beautiful Place & I Am No Longer Afraid To Die have that something extra.

 This record would be one of the best releases of its genre this year, or perhaps of the decade just begun.

This review praises The World Is a Beautiful Place & I Am No Longer Afraid to Die's debut album 'Whenever, If Ever' as a standout emo release. The reviewer draws parallels with the influential band Mineral and highlights the album's unique qualities beyond typical genre conventions. Post-rock elements and heartfelt crescendos provide a fresh take on emo. Overall, it's considered one of the best emo releases of the decade. Listen to 'Whenever, If Ever' and explore a fresh take on emo's emotional depths today!

 The mixing/mastering of this CD makes it difficult to absorb its content.

 I recommend it to fans of the '80s metal sound revisited with new ideas.

The review praises Pulvis Et Umbra's 'Reaching The End' for its innovative fusion of various metal subgenres and reflective lyrics. Despite audio production and mixing flaws that hinder full appreciation, the album offers noteworthy moments reminiscent of 80s metal with modern twists. The song 'Kosmonaut' is highlighted as an effective tribute to Gagarin. Recommended for fans open to diverse metal influences. Discover the innovative metal fusion and thoughtful lyrics of 'Reaching The End' by Pulvis Et Umbra—listen today!

 Only God Forgives is formally perfect and can speak without words, stun with the power of images, daze with sounds and music studied in every minute detail.

 To bring out a work like this after Drive was like climbing Mount Everest in underwear, smoking 5 cigarettes (unfiltered) simultaneously.

Only God Forgives is an intense and extreme film by Nicolas Winding Refn, blending long silences, vivid visuals, and bursts of powerful violence. The film showcases meticulous sound and imagery, advancing Refn's cinematic style to new heights. Performances are minimal yet impactful, with standout roles by Ryan Gosling and Vithaya Pansringarm. This revenge story is brutal and symbolic, wrapped in a haunting atmosphere dominated by red tones. The reviewer regards it as Refn's masterpiece. Dive into the intense world of Only God Forgives—watch now and experience Refn's cinematic artistry at its finest.

 These three rough characters delight us with rap seasoned with noise, industrial, punk, techno but also violence, murderous fury, and a lot of anger.

 It’s certainly not worth shouting masterpiece, but they do their thing, knowing how to be innovative and entertaining at the same time.

The Money Store by Death Grips blends rap with noise, industrial, and punk elements, delivering a rough, energetic album. The group formed in Sacramento in 2010 and brings an innovative, angry style though it's not deemed a masterpiece. MC Ride's harsh vocals and syncopated beats make for an entertaining listen, earning a moderate rating of 7. Listen to The Money Store for an intense mix of rap and experimental sounds that push musical boundaries.

 They undoubtedly proved to be the most valid representatives of the British gothic rock era.

 An electronic drum beats the time as livid and strictly post-punk guitars create the gloomy atmosphere that every album of this genre should exude.

The March Violets' debut album Natural History (1984) is considered one of the most valid representations of British gothic rock after Sisters Of Mercy. With influences from Bauhaus and Siouxsie, the album blends post-punk guitars and electronic drums to create an atmospheric, dark sound. The review highlights tracks like "Religious As Hell," "Fodder," and "Radiant Boys" and recommends the album even to those new to the genre. While not perfect, it remains a captivating listen. Discover the dark charm of The March Violets' debut—listen to Natural History and dive into classic British gothic rock today!

 Suspense is the word most often cited when talking about Hitch, the expressive characteristic that has always been associated with him.

 The audience knows the mastermind and the plan he has conceived... while they unknowingly play out their fate, the tension never drops.

This review praises Alfred Hitchcock's 'Dial M for Murder' as a peak example of his mastery of suspense during his American period. Based on Frederick Knott's complex play, the film uses a single-room setting and detailed narrative mechanics to keep viewers on edge. The review highlights Hitchcock’s skill in cultivating tension by controlling audience knowledge. The film exemplifies the director’s iconic storytelling style, especially in its psychological depth and plot sophistication. Discover Hitchcock's masterful suspense—watch Dial M for Murder today!

 The collaboration between the virtuoso instrumentalist and the gifted singer works: Morse’s typical guitar themes gain warmth and find completion when complemented by Walsh’s spirited verses.

 To love this track, one must possess a taste for pomp, the redundant, the thundering, in short, one must appreciate Kansas in their deepest sense.

Kansas' tenth album 'Power' marks a clear move towards 80s pop-metal and melodic rock, dropping its progressive roots and violin presence. The addition of Steve Morse on guitar and the return of frontman Steve Walsh energize the sound. The album mixes fiery guitar solos with strong vocal performances, showcasing versatility and accessible rock. Highlights include 'Silhouettes in Disguise' and the powerful closing track 'Can't Cry Anymore'. 'Power' stands out as one of Kansas' most approachable works. Dive into Kansas' 'Power' and experience a masterful blend of 80s melodic rock and guitar virtuosity—listen now!

 I found a band that has stopped daring, barely recycling itself, inevitably trying to appeal to the masses.

 VW found themselves trapped in a blurred limbo, no longer the explosion of childish and genuine silliness that I knew.

The reviewer anticipated 'Modern Vampires of the City' as a major release but felt the album failed to meet expectations. The band appears to have lost its youthful originality, attempting to appeal to a broader audience and thus diluting its identity. Only a few tracks retain the distinctiveness of earlier works. While not entirely negative, the album is seen as a missed opportunity for Vampire Weekend to solidify their greatness. Hear how Vampire Weekend’s latest compares—listen to 'Modern Vampires of the City' and decide if they’ve lost their spark.

 The whole album flew by like that, less beautiful than the previous True, the real masterpiece of the Spands, but I can’t help but remember it with pleasure precisely for its disengagement and its purely 80s frivolity.

 Tony Hadley’s tenor voice, the Kemp brothers’ guitars, fake funky rock, fake like the 80s economic boom, seasoned with cotton candy sax sprinkles by Norman.

This review reflects on Spandau Ballet's 1984 album Parade through a vivid mix of personal nostalgia and musical analysis. The album is appreciated for its polished 80s sound and emotional resonance despite not surpassing the band's earlier masterpiece, True. The reviewer intertwines memories of youthful romantic encounters with the atmosphere created by the album's sophisticated production. Parade is ultimately regarded as a well-crafted, emblematic artifact of 80s pop culture. Dive into Spandau Ballet's Parade—relive the refined 80s sound and heartfelt stories that define an iconic era.

 Listen to this nasty & mean shoegaze record by one of the best bands of their kind, this time less sad post-punk than usual and more angry punks than usual.

 Strange Moon is twenty minutes of delightful acoustic daze that will not disappoint the discerning listener.

This review praises A Place To Bury Strangers' 2013 EP 'Strange Moon,' which features covers of Dead Moon's garage punk songs. The band skillfully merges gritty punk with their signature noisy shoegaze style. The result is an intense and melodic 20-minute EP that appeals to fans of noise rock and post-punk. Despite the reviewer's limited interest in punk, they highly recommend the release for its powerful sound. The EP delivers a raw and angry but melodically rich experience. Listen to 'Strange Moon' for a fierce blend of garage punk and noisy shoegaze by one of the genre's best bands.

 His music is basically melancholic and also frighteningly impalpable and dreamy.

 The Forest is exactly a forest. Of sounds, of sensations. Of suspended emotions.

Christian Löffler's album 'A Forest' transports listeners into a mystical world of melancholic and dreamy electronic music. The album evokes vivid imagery of a forest filled with layered emotions and sounds that feel both intimate and elusive. Standout tracks like 'Feelharmonia' and 'Swift Code' deepen the experience, complemented by rich visuals from Ronni Shendar. Overall, it’s a beautifully crafted journey that offers calm and introspection. Explore Christian Löffler’s 'A Forest' and immerse yourself in a hauntingly beautiful electronic soundscape.

 Sorrentino’s film is a journey into cinema, a small manual on how to make an excellent film.

 Jap will find his 'great beauty' in a distant, almost forgotten love, hastily consumed in the light of a splendid Moon.

La Grande Bellezza is Paolo Sorrentino’s evocative film exploring the elusive nature of beauty through the life of Jap Gambardella. Set in Rome, the film delivers surreal and dreamlike visuals, combining baroque aesthetics with deep psychological insight. Despite its occasional flaws, it remains a strong, original work elevated by Tony Servillo's compelling performance. The film invites viewers to reflect on the search for fulfillment beyond power and pleasure. Discover the mesmerizing beauty and profound questions in Sorrentino’s La Grande Bellezza—watch now and immerse yourself in its cinematic magic.

 A concentrated drink of melancholy, it matters little if it’s intercepted by mere nostalgics or emotional teenagers.

 This mini-collection as short as it is perfect: a concentrated drink of melancholy.

Gold Ballads showcases the sensitive and emotional side of the Scorpions, featuring carefully crafted ballads from their EMI period. This concise collection captures timeless melancholy with well-known tracks that have become the band's trademark. Praised for its simplicity and perfection, the album remains a beloved choice for both nostalgic fans and newcomers. Listen to Scorpions' Gold Ballads and experience a timeless journey of expertly crafted rock emotions.

 From the very first listen, it becomes apparent that their compositional skills are well above average.

 'Black Harmony' perfectly synthesizes a large part of the aspects and strengths of a concept always in perfect balance between elegance and power.

Nova Art's 'The 3rd Step' showcases the band's exceptional compositional skills and technical prowess. Blending progressive metal with jazz and classic heavy metal influences, the album offers a well-structured and creative experience. The opening track 'Black Harmony' exemplifies the band's strength and originality. With this release, Nova Art proves they are ready to join the prog metal elite. Listen to Nova Art's 'The 3rd Step' now and experience the rise of progressive metal excellence!

 "Without mincing words, it blew me away."

 "Let yourself be swept away by the enthusiasm, the energy, the variety, and the sweat of this crazy crowd..."

The review praises The Dismemberment Plan's 'Emergency & I' as a brilliant and energetic indie rock album from 1999. It highlights the band's unique blend of post-hardcore, math-rock, and indie influences, especially lauding the standout track 'The City.' The album is described as timeless and ahead of its era, offering a must-have alternative music experience that remains engaging and fresh. Listen to 'Emergency & I' now and experience one of the 90s most exhilarating indie albums!

 Black Sabbath practically invented heavy metal out of nothing.

 This concert is explosive, much better than 'Live Evil', because it’s more raw, more real.

This review celebrates Black Sabbath's live album recorded at Hammersmith Odeon, emphasizing its raw, rough energy and the standout performance of Ronnie James Dio. The writer highlights the band's foundational role in heavy metal and praises this live recording as superior to others. The album combines tracks from Dio-era albums and classic Ozzy songs, making it an essential listen for metal fans. Listen to Black Sabbath's Live At Hammersmith Odeon and experience the raw power of metal’s pioneers in their prime!