It’s clear we are not talking about something extremely innovative, but certainly something pleasant to listen to.

 This 'What Was To Be Known' could be a pleasant dive into the past for those who lived through the US alternative wave of the early new millennium firsthand.

Deaf Autumn's 'What Was To Be Known' revives the spirit of early 2000s alternative rock and screamo, reminiscent of bands like Saosin and Atreyu. The album features balanced production and strong vocal interplay. While not groundbreaking, it offers a pleasant dive into the nostalgic soundscape. Recommended for fans of the era but newcomers may find it somewhat cliched. The band shows potential for developing a more personal style. Dive into Deaf Autumn's nostalgic alternative rock and experience the early 2000s vibe today!

 Can you explain why insert that terrible electro background in "No compromise 4"?

 This work is an important step more than anything for yourselves, to understand which path to take and avoid the pitfalls made in this work.

Craving For Caffeine’s album 'Disturbing the Neighborhood' struggles with a confusing mix of rock, metal, and electronic elements. While some melodic parts shine, inconsistent choices undermine the overall impact. The review suggests the band focus on a clearer musical direction, favoring their heavier side over experimental contamination. Only a couple of tracks manage to stand out as straightforward and enjoyable. Discover the challenges and highlights of Craving For Caffeine’s debut—listen and decide if their hybrid sound works for you!

 “Wearewhoweare truly marks a real compositional maturity and is even in my personal top 10 of albums released in 2014!”

 “We need to shake off the stereotype that the Pallas are 'the ones from The Sentinel'... especially when the others prove to be even better.”

This review highlights Pallas as an often overlooked neo-prog band beyond their landmark album 'The Sentinel.' Their 2014 album 'Wearewhoweare' showcases compositional maturity and inspired keyboard work, blending dark, edgy, and varied sounds. It encourages listeners to revisit or discover the band beyond stereotypes, emphasizing the album's diverse tracks and atmospheric depth. Ultimately, it recommends giving Pallas another chance for progressive rock fans. Explore Pallas' 'Wearewhoweare' and experience the depth of modern neo-prog rock today!

 Wind In The Wires is a theatrical spectacle detailed to the smallest particulars; a show with one single actor, protagonist and antagonist at the same time.

 Metaphors, vivid and fascinating images to describe his torments and moods… discomfort, alienation, pain for the crudeness and pettiness of 'real life' is clearly felt.

Patrick Wolf's Wind in the Wires is praised as a subtly fascinating album blending Celtic folk with theatrical vocals and modern technology. Despite criticism of the dark, uninspired album cover, the review highlights the album's rich songwriting, vivid imagery, and emotional depth. Themes of alienation, beauty, and self-discovery run throughout, making it a unique and thoughtful work. The album's continuous interplay of dualities stands out as its greatest strength. Dive into Patrick Wolf’s Wind in the Wires and experience a unique theatrical folk journey now.

 Johnny sings the Story; the Story is men and women born and raised, who love and hate, and die.

 The only certainty is that «Unearthed» is an absolute masterpiece.

This review explores Johnny Cash’s Unearthed Volume 1 - Who’s Gonna Cry as a deeply emotional and passionate album. It highlights Cash’s raw storytelling, focusing on themes of death, love, and life’s personal stories. The review emphasizes the album’s significance as a part of the American Recordings series and praises its lasting impact and artistic rigor. It encourages patience to fully appreciate the masterpiece. Explore Johnny Cash’s Unearthed Volume 1 and immerse yourself in his powerful, timeless stories.

 These Gentlemen, their masterpieces they wrote and published decades ago.

 Forty years in action and still at peak power: lucky them and lucky us.

Judas Priest’s 2015 concert in Assago proves the band’s enduring power after over forty years in heavy metal. Despite mixed feelings about their latest album, the live show was revitalized by new guitarist Richie Faulkner and led by Rob Halford’s charismatic presence. Classic hits and fresh material blended seamlessly, offering fans a memorable experience. The venue’s problematic location did little to diminish the energy or performance quality. Discover the power and passion of Judas Priest live – read the full review, listen to their classics, and experience the energy of heavy metal legends!

 "Todd Dillingham was my White Rabbit."

 "The silver key to access a world where past and present vibrate in unison on the same strings of my wonder."

The review fondly reminisces on Todd Dillingham's 'Wilde Canterbury Dream,' highlighting its enchanting blend of psychedelic, Canterbury, and acid folk styles. The music evokes nostalgia, dreams, and magical imagery while connecting with influences like Robyn Hitchcock and Kevin Ayers. The reviewer praises its dreamy, melancholic pop sound and its ability to bridge past and present emotions. Listen to Wilde Canterbury Dream and experience a magical journey through psychedelic folk and Canterbury-inspired melodies.

 They took Fugazi and made them dirty and clean, they stayed true to their American roots without making the folk tinges trivial.

 Stops and turns, abrupt restarts, bumpy roads scattered with surprises, this is the Pile album, one of the absolute albums of 2015.

The review praises Pile's 2015 album 'You're Better Than This' as a defining work within the American post-hardcore scene. It highlights the band's ability to blend raw, gritty sounds with moments of melodic clarity and surprise. The album is positioned alongside notable contemporaries and acclaimed acts. The reviewer appreciates the band's authentic American identity and musical risks, deeming it one of the standout albums of 2015. Listen to 'You're Better Than This' and experience the raw intensity of Pile's 2015 breakthrough album!

 The album immediately takes off with a whirlwind gallop “The King will come”, slows down and darkens with “Morgan Le Fay”, immersing us in Breton cycles.

 With the seventh track, Paul and Nick lead us into the distant East, letting us savor the most exciting essences and opium.

Paul Roland's album Sarabande, released in 1994, showcases a rich blend of psychedelic folk and indie rock with standout guitar work. Featuring collaborations with Nick Saloman of The Bevis Frond, the album offers diverse tracks ranging from energetic gallops to mystical and heartfelt melodies. Cover versions of The Kinks, T-Rex, and Robert Johnson add depth and variety to this engaging listening experience. The review expresses admiration for both musicians and the album's artistic qualities. Dive into Paul Roland's Sarabande now and experience its rich psychedelic folk soundscapes and soulful collaborations!

 It took very little time to fall in love with those timeless sounds for a Progressive Rock enthusiast searching for metaphysical connections with punk and psychedelia.

 You turn the page (ah yes, no CDs back then!) to encounter the hit, "Gabrielle," and wear it out with listens!

The review fondly recalls the discovery of Paul Roland’s Danse Macabre, highlighting its unique blend of gothic, progressive, and psychedelic rock. It praises key tracks for their dreamy and compelling qualities and emphasizes the album's timeless and metaphysical appeal, making it a must-listen for fans of these genres. Dive into Paul Roland’s Danse Macabre and experience a timeless blend of gothic psychedelia and progressive rock today!

 'Nur Einmal Noch' ... one of my favorite pop/camp albums of all time.

 The concluding 'Für Dich Mich Dreh' ... an authentic masterpiece, crowning their best album as best it could.

This review praises Rosenstolz's 1994 album 'Nur Einmal Noch' as the duo's finest work, highlighting its theatrical pop style and impactful ballads. The reviewer contrasts the album's creativity and vibrancy with the later commercial decline after 1997. Emphasis is placed on the duo’s powerful vocals, strong composition, and unique blend of glam, vaudeville, and symphonic-romantic elements. The album is applauded as a classic of 90s German pop, showcasing the best of Peter Plate and AnNa's collaboration. Dive into Rosenstolz's iconic 'Nur Einmal Noch' and experience the theatrical brilliance of 90s German pop today!

 Within the simplicity of the final product, empathy emerges, the joy of savoring every little thing, and every single moment life offers, always moving forward.

 All That You Can’t Leave Behind is a simple and sincere album, light years away from the sadness and desolation described in 'Pop.'

This review reflects on U2’s 2000 album 'All That You Can’t Leave Behind,' highlighting its heartfelt simplicity, lyrical depth, and hopeful themes. While not a masterpiece like 'The Joshua Tree,' it marked a successful, sincere comeback after the mixed reception of 'Pop.' The album’s blend of faith, joy, and empathy, supported by Grammy-winning singles and production from Brian Eno and Daniel Lanois, helped cement its legacy among fans and critics alike. Listen to U2's 'All That You Can’t Leave Behind' and experience a timeless journey of hope and heartfelt rock.

 From the very first notes...we immediately notice the clear Dream Theater-like influences.

 Before judging this work the question to ask is: how many bands of sixteen-year-olds would be able to compose a similar album?

Next To None’s debut album ‘A Light in the Dark’ is a surprising and fresh prog metal work crafted by members aged 15-16. Influenced heavily by Dream Theater and metalcore, the album blends technical skill and youthful energy. Despite some vocal flaws and stylistic inconsistencies, the sophisticated lyrics and ambitious concept showcase remarkable maturity. The production involvement of Mike Portnoy elevates the sound. Overall, a strong debut worthy for prog and metal fans to explore. Listen to Next To None’s debut ‘A Light in the Dark’ and witness impressive prog metal talent from a truly young band!

 A "monumental mess" in Fantozzi’s style, then? Absolutely yes, and thus thoroughly entertaining.

 This movie is for you! Nostalgics of all countries, unite.

Jurassic World arrives after years of anticipation, offering a chaotic but entertaining mix of nostalgia and blockbuster spectacle. Despite a weak plot and expressionless acting, it entertains those seeking a fun dinosaur ride. Colin Trevorrow’s direction feels uninspired, yet special effects and familiar themes provide fleeting moments of joy. Ultimately, the film is better suited for nostalgic viewers than serious moviegoers. Dive into Jurassic World’s chaotic nostalgia — watch if you crave dinosaur thrills with a side of fun!

 "The album opens with the threatening 'Apocalypse,' sustained by keyboards that create a chilling, cold, and oppressive sound wall."

 "A MASTERPIECE marking a decisive transition, a work capable of sometimes reminding me of Suffocation, other times even the early Tristania... personally, their peak."

Hypocrisy's third album, The Fourth Dimension, represents a pivotal shift from raw, fast death metal to a more melodic and atmospheric sound. Peter Tagtgren's dual role as vocalist and guitarist helped redefine the band’s identity. The album blends brutal death metal bursts with Doom and melancholic touches, creating a chilling and complex atmosphere. Featuring standout tracks like 'Apocalypse' and 'The Fourth Dimension,' it stands as a landmark in Swedish death metal history. The review praises the album as a masterpiece with lasting influence. Dive into Hypocrisy’s The Fourth Dimension and experience a milestone in melodic death metal evolution.

 Possession by Andrzej Zulawski is one of those dark pearls of world cinema unjustly unknown or forgotten by many, a true jewel with constantly changing reflections.

 Goodness is nothing but a mere reflection on Evil, in the futile attempt to understand and remedy it, when instead Evil itself becomes addiction, an urgent need, a necessity without which existence is impossible.

Andrzej Zulawski’s Possession is a dark, complex masterpiece blending horror, drama, and surrealism to explore faith, evil, and human existence. Set in bleak East Berlin, Isabelle Adjani delivers a haunting, fragile performance. The film’s intense imagery, visionary style, and rich symbolism create a deeply affecting and multifaceted experience. Though some supporting scenes feel excessive, the film’s brilliance and philosophical depth remain undeniable. Discover the haunting depths of Possession—watch the visionary film that redefines horror and drama today.

 Flash now more ornate and “heavy”, therefore… nonetheless welcome back!

 Listening to this work allows the spectrum of Bennett’s talent to be broadened: he is also an interesting guitarist, obviously very melodic and fairly refined.

Flash, the English band formed by Peter Banks after his exit from Yes, returns after 40 years with a new progressive rock album featuring bassist and guitarist Ray Bennett and vocalist Colin Carter. The album emphasizes guitar-driven, layered arrangements, marking a stylistic evolution from their 70s work. While Carter's vocals show signs of aging, Bennett's melodic bass and guitar work remain strong. The album is a solid effort with no masterpieces but is recommended for progressive rock fans. Discover the layered progressive rock revival by Flash—listen now and explore a guitar-driven journey through a legendary band's return!

 A little gem that contains almost mythical tracks belonging to the group’s first era.

 I lean towards genius.

This review explores a rare 1993 promotional cassette from Elio e le Storie Tese featuring three unreleased tracks from the band's early era. Highlights include a quirky Japanese-Italian cover of 'Nel blu dipinto di blu', a humorous yet brilliant skit-like song 'Gli occhiali dell’amore', and an emotional version of 'Alfieri' with contributions from late member Feiez. The release is praised as a unique gem that showcases the group's blend of silly humor and genuine musical artistry. Listen to this rare cassette and experience the unusual genius of Elio e le Storie Tese's early era!

 There is a great harmony between Dodi’s electric guitar and Tommy’s acoustic one: the two instruments converse, exchange lines, 'speak' the sublime language of music, with flawless virtuosity.

 The album was born [...] as a way of expressing through the union of a European musician and an Oceanian one, 'where the music has gone'.

The album 'Dov'è andata la musica' is a long-awaited collaboration between Italian electric guitarist Dodi Battaglia and Australian acoustic maestro Tommy Emmanuel. The work blends various genres with superb interplay between electric and acoustic guitars. Featuring both instrumental and vocal tracks, the album presents refined production, heartfelt lyrics by Dodi, and a tribute to Valerio Negrini. Praised for its craftsmanship and emotional depth, it offers an enjoyable listening experience beyond a strictly technical audience. Explore the stunning guitar synergy of Dodi Battaglia and Tommy Emmanuel—listen to 'Dov'è andata la musica' now!

 The attempt (successfully achieved, as in few other cases) to capture the mysterious sonic alchemy at the core of the shoegaze masterpiece Loveless by My Bloody Valentine is evident.

 There is also solid songwriting and exceptional sound quality to consider.

Cheatahs' self-titled debut album revisits the shoegaze genre with a faithful yet fresh approach, combining textured guitar layers, dynamic song structures, and quality production. While not groundbreaking in originality, the band successfully captures the essence of 90s shoegaze, drawing clear influences from My Bloody Valentine and Ride. Their integration of noise rock adds an engaging edge, setting them apart from mere imitation. Overall, the album stands out as a strong addition to the modern shoegaze revival. Dive into the sonic textures of Cheatahs’ debut and experience a rich revival of classic shoegaze today!