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"Entranced Earth is a different album... a meditative approach with evocative Eastern references." "'Liberty Is In The Street' is a kind of anthem of joy, witnessing a kaleidoscopic procession of gigantic Indian elephants and beautiful dancers."
"Entranced Earth is a different album... a meditative approach with evocative Eastern references."
"'Liberty Is In The Street' is a kind of anthem of joy, witnessing a kaleidoscopic procession of gigantic Indian elephants and beautiful dancers."
The Myrrors' album Entranced Earth is praised as a highlight in the neo-psychedelic scene, showcasing their continuous innovation and a shift toward meditative, evocative Eastern themes. The review draws connections between the album's spiritual depth and cultural symbolism, emphasizing its timeless and immersive qualities. Tracks like 'Liberty Is In The Street' and 'No Clear Light' create a mystical atmosphere, inviting listeners on a historical and philosophical journey. Overall, the album is seen as a mark of maturity and artistic evolution. Discover the immersive world of The Myrrors' Entranced Earth—listen now and experience a transcendent psychedelic journey.
How the hell did you dare associate Syd, my Syd, with this crap? Syd flickered like a little fish, screeched like a tone-deaf bird, he was all instinct, grace, and madness.
How the hell did you dare associate Syd, my Syd, with this crap?
Syd flickered like a little fish, screeched like a tone-deaf bird, he was all instinct, grace, and madness.
This review offers an emotional and conflicted perspective on Pink Floyd's 'Wish You Were Here'. While appreciating touches like 'Welcome to the Machine', the reviewer struggles with the album's perceived lack of originality and flair, especially compared to Syd Barrett's unique artistic spirit. It's both a reflection on personal nostalgia and critical disappointment. Dive into this passionate review and rediscover Pink Floyd's Wish You Were Here with fresh ears.
Poor Dispatched, known only for being the ones everyone thought were Children of Bodom playing Europe. You are faced with melodeath riffs and vocals supported by exhausting power metal rhythms in the service of melodies worthy of the theme song of some cartoon.
Poor Dispatched, known only for being the ones everyone thought were Children of Bodom playing Europe.
You are faced with melodeath riffs and vocals supported by exhausting power metal rhythms in the service of melodies worthy of the theme song of some cartoon.
Dispatched's 'Motherwar' blends melodeath riffs and power metal rhythms but suffers from excessive length and lack of originality. The album is often mistaken for a Children of Bodom cover due to a version of 'The Final Countdown'. Its sci-fi themed artwork adds character, but the musical performance fails to impress overall. Listen to 'Motherwar' to hear melodeath and power metal collide—spot the differences yourself!
Listening to one of their records can be a plunge into the most total dissonant musical tumefaction. Taking improvisation as the key to deciphering their enigmatic tracks, I believe, is only right and proper.
Listening to one of their records can be a plunge into the most total dissonant musical tumefaction.
Taking improvisation as the key to deciphering their enigmatic tracks, I believe, is only right and proper.
Raccoo-oo-oon's The Cave of Spirits Forever presents a wild, free-form blend of chants, percussion, and improvisations marked by dissonance and chaos. It offers a relatively accessible entry into their complex sound world, mixing tribal and spiritual motifs with cacophonic outbursts. Melodic moments are unstable, emphasizing improvisation as essential. Although not reaching the heights of their best work, it remains a compelling audio journey into strange, ritualistic soundscapes. Dive into Raccoo-oo-oon’s wild sonic rituals—listen to The Cave of Spirits Forever and experience auditory chaos like never before.
Ligabue is pleasantly reassuring. He’s a faithful friend... who speaks to the cheated generation and finds refuge in the thaumaturgic condition of 'no, because no'. Luciano Ligabue is not the new Battisti. He is the new Mogol, a more feminist, more intellectual Mogol, less rough and rustic but like him full of clichés.
Ligabue is pleasantly reassuring. He’s a faithful friend... who speaks to the cheated generation and finds refuge in the thaumaturgic condition of 'no, because no'.
Luciano Ligabue is not the new Battisti. He is the new Mogol, a more feminist, more intellectual Mogol, less rough and rustic but like him full of clichés.
This review situates 'Buon compleanno Elvis' as a quintessential album embodying Ligabue’s instinctual and recognizable style. It highlights Ligabue's role as a generational voice, beloved for his reassuring, relatable music despite critiques of simplicity. The album is framed within a lineage of Italian songwriting emphasizing emotional connection over musical revolution. Ligabue’s music comforts and reflects the everyday life and restlessness of his audience, solidifying his place in Italian rock culture. Discover the heartfelt essence of Ligabue’s 'Buon compleanno Elvis'—listen now and experience the soundtrack of a generation.
"the miracle cannot be explained..." "bringing, without cerebralism, a sort of bizarre dream, into pop, blowing a light gas into the songs, capable of making the dissonances and oddities fly..."
"the miracle cannot be explained..."
"bringing, without cerebralism, a sort of bizarre dream, into pop, blowing a light gas into the songs, capable of making the dissonances and oddities fly..."
The review praises Pink Floyd's 'See Emily Play' as a unique blend of childlike avant-garde and psychedelic pop. It highlights Syd Barrett's exceptional ability to weave dreamlike melodies and playful dissonances into a song that elevates beyond its parts. The song's fresh, imaginative qualities and its magical, slightly off-sync feel are celebrated. Comparisons to covers by Bowie and Martha Wainwright emphasize the original's unmatched charm and genius. Dive into the mesmerizing world of Pink Floyd's 'See Emily Play' and experience Syd Barrett's psychedelic pop brilliance firsthand!
A sizzling duel between drums and synths, one to follow moment by moment because the surprises of sudden sounds, unhinged rhythms, are not few. Analog psycho free jazz, wild knobs, synthetic sounds are caressed with wild creativity.
A sizzling duel between drums and synths, one to follow moment by moment because the surprises of sudden sounds, unhinged rhythms, are not few.
Analog psycho free jazz, wild knobs, synthetic sounds are caressed with wild creativity.
Jakob Skott masterfully blends analog synths with dynamic drumming, producing a vibrant fusion of cosmic jazz and psychedelic sounds. His creativity shines through innovative synth modulations and free rhythm interplay. The album offers an engaging and surprising experience through multiform, multidimensional musical structures. Listeners are invited to follow a hot and sweaty musical dialogue rich with improvisation and unexpected twists. Dive into Jakob Skott's thrilling synth and drum journey – listen now and experience cosmic jazz like never before!
It’s one of the most ignorant and trashy songs I’ve ever heard, but it kicks ass. The guitar is even more pissed off, and at the end of the live show, the group’s DJ puts on a hypnotic loop.
It’s one of the most ignorant and trashy songs I’ve ever heard, but it kicks ass.
The guitar is even more pissed off, and at the end of the live show, the group’s DJ puts on a hypnotic loop.
The review praises Limp Bizkit's single 'Rollin’' as a defining rap-rock anthem from 2000, highlighting its aggressive vocals and DJ elements. The CD includes a remix and an energetic live version of 'Take a Look Around,' showcasing the band's raw power. Despite its explicit content and trashy style, the reviewer appreciates the fun and intensity the music offers. Listen to Limp Bizkit’s 'Rollin’' and experience the raw power of rap-rock that defined a generation!
Truly a nice burst... the voice of our man, plus the rhythm section and the Guns/Disturbed-style riffs, are certainly a successful dish. That man with the megaphone scratched until the end the surface of rock 'n' roll with his chameleonic style.
Truly a nice burst... the voice of our man, plus the rhythm section and the Guns/Disturbed-style riffs, are certainly a successful dish.
That man with the megaphone scratched until the end the surface of rock 'n' roll with his chameleonic style.
This review highlights the eponymous album 'Art of Anarchy', emphasizing Scott Weiland’s vocal performance and its hard rock sound reminiscent of Velvet Revolver. The reviewer praises the rhythm section and the tracks 'Superstar' and 'Grand Applause' as standout moments. It also notes the future involvement of Scott Stapp for upcoming works. Overall, it celebrates Weiland's final artistic contributions with respect and admiration. Listen to Art of Anarchy and experience Scott Weiland’s powerful final performance!
This hefty tale presents a visionary labyrinth of places and characters that becomes a radical metaphor for the individual and social drift of our time. The fate of mankind is devoid of any hope and redemption, inevitably marked by the evil nature of humanity itself which offers no room for the weakness of compassion.
This hefty tale presents a visionary labyrinth of places and characters that becomes a radical metaphor for the individual and social drift of our time.
The fate of mankind is devoid of any hope and redemption, inevitably marked by the evil nature of humanity itself which offers no room for the weakness of compassion.
Federico De Caroli’s novel Il futuro è finito transcends typical dystopian and futuristic genres, delivering a profound metaphor for modern social and individual decline. The complex plot and diverse characters blend surreal symbolism with sharp social critique. Written in a rich yet accessible style, the story immerses readers in a vivid prophetic vision, though its nihilistic outlook challenges traditional virtues. This unique literary work is enhanced by De Caroli’s background as an ambient musician, enriching the overall atmosphere. Dive into Il futuro è finito for a captivating dystopian journey that challenges the mind and stirs the soul—read now and explore the visionary depths!
"Their fairy-tale jazz-rock with strongly bucolic hues... manage to carry me away." "Listening to this album is a tour into the past, full of naive exuberance and sweet anguish of a boy falling in love for the first time."
"Their fairy-tale jazz-rock with strongly bucolic hues... manage to carry me away."
"Listening to this album is a tour into the past, full of naive exuberance and sweet anguish of a boy falling in love for the first time."
This review praises Caravan’s album for its melodic blend of jazz-rock with progressive elements, evoking nostalgic childhood emotions. The reviewer highlights the band's ability to balance accessible pop sensibilities with complex musical adventures. Standout tracks are noted for their youthful exuberance and intricate musicianship. The album serves as a comforting retreat into both past memories and musical exploration. Dive into Caravan’s enchanting jazz-rock journey and rediscover a timeless classic full of melody and emotion.
The vinyl singles are a cult, a damn fetish cult. A sick and ultra-distorted blues that tells of adolescent suicide in mocking tones.
The vinyl singles are a cult, a damn fetish cult.
A sick and ultra-distorted blues that tells of adolescent suicide in mocking tones.
This review explores Mudhoney's vinyl single released at the peak of grunge season. It praises the raw, unpolished punk style of 'Touch Me I'm Sick' and its B-side, highlighting their underground, indie ethos. The music is described as loud and distorted, distinctly non-radio friendly, embodying true grunge spirit. Listen to Mudhoney's gritty grunge single and experience the raw energy of early 90s underground music.
In short: a record that, in its simplicity, sounded and still sounds like a genuine "screw you" directed at all the musical trends of the last decade of the 20th century. Honest, cheeky, catchy, and proudly "out."
In short: a record that, in its simplicity, sounded and still sounds like a genuine "screw you" directed at all the musical trends of the last decade of the 20th century.
Honest, cheeky, catchy, and proudly "out."
Mickey & Ludella's sole album 'Bedlam A' Go-Go' released in 1996 offers a fresh take on pop punk influenced by 60s and 70s sounds. Featuring 15 garage-pop-punk tracks, it stands apart from mainstream and hardcore punk scenes of the time. The album feels like a rebellious farewell to 20th-century musical trends, combining honesty, catchiness, and cheekiness. Despite its quality, the album remains hard to find. Explore the unique blend of vintage pop punk in Mickey & Ludella’s Bedlam A' Go-Go—listen to this rare gem and rediscover 90s nostalgia!
Perfection is simple, and simplicity is elegant. I admired his decisive lines, without hesitation, without lifting the line from the paper, fully aware.
Perfection is simple, and simplicity is elegant.
I admired his decisive lines, without hesitation, without lifting the line from the paper, fully aware.
This review reflects on Johnny Hart's B.C. comic strips, highlighting their simple yet elegant drawing style and dry humor. The reviewer contrasts B.C. with Peanuts, appreciating the straightforward punchlines and artistic minimalism. The review emphasizes the importance of simplicity and style in comics and credits Hart for mastering this balance. Overall, the review is a positive homage to the unique charm of B.C. Explore Johnny Hart's B.C. strips and discover the beauty of simplicity in comic art and humor today!
Music, if you mean it this way, is much more, but you can also, if you want, consider that entertainment can mean life if you understand the thing in both possible senses. A listening experience that is an explosion of joy, music that demands no particular interpretation and just wants to be listened to and enjoyed for what it is.
Music, if you mean it this way, is much more, but you can also, if you want, consider that entertainment can mean life if you understand the thing in both possible senses.
A listening experience that is an explosion of joy, music that demands no particular interpretation and just wants to be listened to and enjoyed for what it is.
This review reflects on Hallelujah the Hills’ sixth album, appreciating it as a lively indie rock record that emphasizes music as an expression of life and togetherness. The band’s sound draws comparisons to influential acts like The Strokes, Pavement, and Elephant Six bands. The album invites listeners to enjoy music without overanalyzing it, celebrating active participation in life and sound. It acknowledges the band's decade-long experience and versatility in garage and indie rock genres. Listen to Hallelujah the Hills’ latest album and celebrate life with infectious indie rock energy!
The spectral abyss of 'Don't Care' opens the ordeal; it’s the slobbery howl of John Tardy that kicks off the track. An intensely black, compact sonic magma that destroys everything in its furious stride: welcome to the haunted world of Obituary.
The spectral abyss of 'Don't Care' opens the ordeal; it’s the slobbery howl of John Tardy that kicks off the track.
An intensely black, compact sonic magma that destroys everything in its furious stride: welcome to the haunted world of Obituary.
Obituary’s 1994 EP 'Don't Care' delivers a powerful, dark, and intense death metal experience. It serves as a potent appetizer to their album 'World Demise,' featuring three tracks that combine slow, heavy riffs with bursts of high-speed aggression. The band continues to showcase their mastery in blending malevolent atmospheres with technical skill, supported by Scott Burns’ notable production. The reviewer highly recommends the EP, praising its enduring impact and intense sonic journey. Discover the brutal world of Obituary's 'Don't Care' EP and experience true Tampa death metal intensity—listen now!
'Lovenight' entertains, surprises, and pleases; a pop-dance sound typical of Kylie Minogue but also typical of Paola & Chiara: danceable, electro, direct, very catchy. 'Lovenight' already becomes a summer hit the next day as well as a new anthem for the LGBT community.
'Lovenight' entertains, surprises, and pleases; a pop-dance sound typical of Kylie Minogue but also typical of Paola & Chiara: danceable, electro, direct, very catchy.
'Lovenight' already becomes a summer hit the next day as well as a new anthem for the LGBT community.
After years of silence, Paola Iezzi returns with 'Lovenight,' a catchy, danceable pop-dance single produced by Steve Anderson. The track reflects love and freedom and quickly became a summer hit and LGBT anthem. Fans of both Paola & Chiara and Kylie Minogue will appreciate its electro vibe. 'Lovenight' hints at an upcoming solo album, promising more exciting music. Listen to Paola Iezzi's 'Lovenight' and experience a fresh, danceable pop anthem that will brighten your summer!
5 faces of the Rubik's Cube Never 5 faces of the cube with the same sound color, being able to say 'Ah, so that's how it is'
5 faces of the Rubik's Cube
Never 5 faces of the cube with the same sound color, being able to say 'Ah, so that's how it is'
The review describes Autechre's ELSEQ 1-5 as an intricate and challenging listening experience, likened to solving a Rubik's Cube of sound colors. The music's complexity invites listeners to explore and reflect, though it resists easy comprehension. Overall, it praises the album's depth and abstract richness. Explore Autechre's ELSEQ 1-5 and unravel its complex sonic layers yourself!
This large collective of musicians... has certainly nailed the interpretation and deciphering of this concept in the most cosmic way possible. We are inside an imaginary Stonehenge that exists only in our mind while we listen to this music that transcends every single fragment into which we usually divide and regulate time.
This large collective of musicians... has certainly nailed the interpretation and deciphering of this concept in the most cosmic way possible.
We are inside an imaginary Stonehenge that exists only in our mind while we listen to this music that transcends every single fragment into which we usually divide and regulate time.
Our Solar System's album 'In Time' offers a cosmic psychedelic experience drawing on space music, krautrock, and jazz influences. The album's two long tracks evoke ritualistic and astrological themes, creating a timeless, transcendent atmosphere. Despite the ambitious concept, the review conveys a neutral stance on its overall impact. The music serves as a fusion of science, mysticism, and cosmic devotion. Dive into the cosmic sounds of Our Solar System's 'In Time' for a psychedelic journey through space and time.
Valentina Vladimirovna Tereshkova was and remains, will forever remain the first woman to have flown into space. In her eyes I can see the stars and I get lost in them as I drift in this intergalactic space that is life.
Valentina Vladimirovna Tereshkova was and remains, will forever remain the first woman to have flown into space.
In her eyes I can see the stars and I get lost in them as I drift in this intergalactic space that is life.
This review reflects on Valentina Tereshkova's pioneering role as the first woman to fly into space in 1963, set against the broader context of the Soviet space program and Cold War rivalries. It discusses her background, the achievements of Sergey Korolev, and the symbolic importance of her flight. The review also touches on the lasting fascination with the Soviet era’s ideological and cultural impact on space exploration. It presents a balanced, thoughtful perspective without overt judgment. Discover the inspiring story of Valentina Tereshkova and explore the rich history of early space exploration today!
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