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From the first listen the clear subtractive and minimalistic imprint of the producer emerges. Lorenzo’s words strike very deep chords, almost inviting the silence of listening.
From the first listen the clear subtractive and minimalistic imprint of the producer emerges.
Lorenzo’s words strike very deep chords, almost inviting the silence of listening.
Jovanotti teams up with legendary producer Rick Rubin to deliver 'Oh, Vita!', a return to minimalistic folk-rap emphasizing profound lyrics and introspection. The album daringly blends various styles, featuring standout tracks like the reggaeton-infused 'In Italia' and the intense acoustic 'Affermativo.' This work marks a courageous artistic revival, focusing on themes of freedom, change, and love, showcasing Jovanotti's evolution as a songwriter. Listen to Jovanotti's 'Oh, Vita!' and experience a fearless musical journey blending folk, rap, and heartfelt lyrics.
"Paleowolf’s voice is like the howling of wolves, the bellowing of aurochs, the wailing of the wind, the growl of cave bears." "Megafauna Rituals is a perfect example of what every ambient record should be, a work capable of taking the listener’s mind exactly where the artist wants."
"Paleowolf’s voice is like the howling of wolves, the bellowing of aurochs, the wailing of the wind, the growl of cave bears."
"Megafauna Rituals is a perfect example of what every ambient record should be, a work capable of taking the listener’s mind exactly where the artist wants."
Paleowolf's fourth album, Megafauna Rituals, stands out as a powerful dark ambient journey into prehistoric times, evoking the majesty and danger of ancient megafauna. The album immerses listeners in atmospheric, shamanic soundscapes reminiscent of Paleolithic life and survival. It successfully reconstructs the awe of witnessing enormous extinct animals through sound. This album is praised as a perfect ambient record that transports the mind deeply into ancestral experiences. Listen to Paleowolf’s Megafauna Rituals and experience the primal sounds of ancient Earth.
‘The Visitor’ is an ugly album, poorly arranged, and played even worse. The almost Christmas-like orchestral arrangements of ‘Children Of Destiny’ are certainly the worst thing Neil Young has ever done in his long career.
‘The Visitor’ is an ugly album, poorly arranged, and played even worse.
The almost Christmas-like orchestral arrangements of ‘Children Of Destiny’ are certainly the worst thing Neil Young has ever done in his long career.
This review critiques Neil Young and Promise of the Real's album The Visitor, describing it as poorly arranged and disappointing, especially in rock tracks. The acoustic songs offer some relief but are insufficient. The collaboration fails to capture the power of previous works, casting doubt on the album's impact. Despite this setback, Neil Young's artistic vitality remains intact, as shown by his other recent works. Explore Neil Young's The Visitor and decide if this controversial album resonates with you.
This UNKLE album leaves a bit puzzled, giving the impression of being little more than a filler in the group’s discography. Sure, there are appreciable moments, like the contribution of the great voice of Mark Lanegan or when the tempo picks up a bit and atmospheres reminiscent of Massive Attack are recovered, but these are episodes that remain sporadic.
This UNKLE album leaves a bit puzzled, giving the impression of being little more than a filler in the group’s discography.
Sure, there are appreciable moments, like the contribution of the great voice of Mark Lanegan or when the tempo picks up a bit and atmospheres reminiscent of Massive Attack are recovered, but these are episodes that remain sporadic.
The review finds UNKLE's The Road Pt. 1 to be an uninspired album that feels like filler in the band's discography. Although well-crafted in arrangement, it lacks impact and sustained interest. Occasional highlights, such as Mark Lanegan's vocals and moments reminiscent of Massive Attack, are not enough to redeem the overall experience. The reviewer doubts its replay value. Explore UNKLE's The Road Pt. 1 and decide if its subtle moments resonate with your taste.
I love the Throne, but I can’t watch it fall short right at the climax. Fan Service, dear readers, this is called fan service.
I love the Throne, but I can’t watch it fall short right at the climax.
Fan Service, dear readers, this is called fan service.
The reviewer expresses deep affection for Game of Thrones but finds Season 7 a letdown. Despite captivating moments, the season falters at crucial points, including unsatisfactory character interactions and fan service elements. The loss of one of Daenerys' dragons diminishes her grandeur. Hopes are pinned on the final season to restore the series' former quality. Discover the highs and lows of Game of Thrones Season 7—read the full review and get ready for the epic finale!
24 tracks scraped from reclusive time, 24 scraps of nonsense and insanity: mostly very brief obsessions, illogical torments, art brut from a junk dealer. That crooked crescent of the smile and that sneaky, mocking gaze came back to me. Great record that one, surprising.
24 tracks scraped from reclusive time, 24 scraps of nonsense and insanity: mostly very brief obsessions, illogical torments, art brut from a junk dealer.
That crooked crescent of the smile and that sneaky, mocking gaze came back to me. Great record that one, surprising.
The review revisits John Lurie’s enigmatic alter ego Marvin Pontiac and his album The Asylum Tapes. Described as an art brut-inspired, quirky, and fragmented collection of brief musical pieces, the album recalls Lurie’s previous work and unique atmospheric style. The reviewer highlights the evocative mood and playful themes, connecting the music to Lurie’s life story and his creative evolution. With notable references to Lurie’s past, the review ultimately praises the album’s charm and originality. Discover the eccentric world of Marvin Pontiac and experience John Lurie’s captivating The Asylum Tapes today.
This album here is a true call to arms. 'Horn Ur Marken' is a genuine appeal: come out and fight fear by making your voice heard against the oppressor and fight so that everyone has their rights.
This album here is a true call to arms.
'Horn Ur Marken' is a genuine appeal: come out and fight fear by making your voice heard against the oppressor and fight so that everyone has their rights.
The Janitors' album 'Horn Ur Marken' is a mature, politically charged concept record blending droning psychedelia with acid blues. Recorded in 2016, it confronts issues like nihilism, religion, capitalism, racism, and fascism. The album marks a bold evolution beyond their previous garage psychedelic sound, with intense, hypnotic compositions and an imposing rhythm section. It's considered one of the best psychedelic releases of 2017 and the band's finest studio work. Bonus tracks offer extended acid blues sessions, reinforcing the album's depth and appeal. Listen to The Janitors' 'Horn Ur Marken' now and experience a powerful psychedelic statement against social injustice.
An album that celebrates change, detachment, and travel. Perhaps the most evocative and touching song of the album due to the simplicity but at the same time the strength of the images created by the artist.
An album that celebrates change, detachment, and travel.
Perhaps the most evocative and touching song of the album due to the simplicity but at the same time the strength of the images created by the artist.
Alternative Universes by Eliamo is a carefully crafted album blending American-style rock, poetic singer-songwriter elements, and pop influences. The album explores themes of change, travel, love, and society through diverse moods ranging from melancholic to playful. Highlights include the evocative single "Burn" and contrasting tracks like "The Goddess" and the radio-friendly title track. The album closes with the touching and epic "You Fall Asleep," showcasing Eliamo's expressive depth. Listen to Eliamo's Alternative Universes to experience a poetic and immersive rock journey today!
"A tormented voice that recites verses dissecting years of inner conflicts, religious doubts, and mental instability." "'Hierophant,' the undisputed peak of the work, rises as an elegy of introspection and doubt."
"A tormented voice that recites verses dissecting years of inner conflicts, religious doubts, and mental instability."
"'Hierophant,' the undisputed peak of the work, rises as an elegy of introspection and doubt."
King Woman's debut album 'Created in the Image of Suffering' is a compelling blend of doom metal and shoegaze, dubbed 'doomgaze.' Front-woman Katrina Esfandiari delivers haunting vocals alongside heavy, psychedelic riffs. The production by Jack Shirley adds depth and soul to the eight-track masterpiece. The album explores themes of inner turmoil and religious doubt with strong musical cohesion. Listen to King Woman’s 'Created in the Image of Suffering' to experience the intense fusion of doom and shoegaze.
A gruesome image enough to always remind me... of Mortician, champions of that Brutal-Gore-Grind that they helped build and spread. My ears are bleeding...and it’s all very amusing...SCUM!!!!!!!!!!!!!!!!!!!
A gruesome image enough to always remind me... of Mortician, champions of that Brutal-Gore-Grind that they helped build and spread.
My ears are bleeding...and it’s all very amusing...SCUM!!!!!!!!!!!!!!!!!!!
This review explores Mortician's 1995 EP House by the Cemetery, highlighting its brutal gore-grind style and disturbing themes. With industrial drum machines, guttural growls, and horror movie samples, the EP creates a grim atmosphere. The inclusion of filthy covers of Celtic Frost and Napalm Death adds depth. The reviewer sees Mortician as a genius band best enjoyed with a sense of irony. Dive into Mortician's brutal gore-grind world—listen to House by the Cemetery now!
Count Ossie brought the Rastafarian sound into the Jamaican popular consciousness—not exactly a small feat. Tales of Mozambique blends African roots alongside an experimentalism reaching jazz avant-garde with the Rastafarian message at its center.
Count Ossie brought the Rastafarian sound into the Jamaican popular consciousness—not exactly a small feat.
Tales of Mozambique blends African roots alongside an experimentalism reaching jazz avant-garde with the Rastafarian message at its center.
This review celebrates Count Ossie’s album Tales of Mozambique as a vital link to reggae’s origins, mixing African tribal drums with jazz and Rastafarian spirituality. It highlights the album’s deep cultural roots and experimental sound, praising its emotional and hypnotic qualities. The review also contextualizes Ossie’s musical influence within Jamaican history and the ska revolution. The author appreciates the album’s purity and the ensemble’s extraordinary musicianship. Dive into the spiritual fusion of reggae and African roots—listen to Count Ossie’s Tales of Mozambique now!
‘Fly or Die’ is best heard as a single suite of about 35 minutes to be listened to in one breath. This music seems to express a deep and warm vitality, as well as a convinced joy of living.
‘Fly or Die’ is best heard as a single suite of about 35 minutes to be listened to in one breath.
This music seems to express a deep and warm vitality, as well as a convinced joy of living.
Jaimie Branch’s debut album Fly or Die showcases her commanding trumpet skills within a dynamic group setting drawing from Chicago’s creative jazz tradition. The album flows seamlessly as a 35-minute suite weaving polyrhythmic grooves, rich interplay, and emotional depth. Contributions from cellist Tomeka Reid and guest musicians enrich the textures. The music balances lively and melancholic moods, expressing vitality and a joyful spirit. This is an accomplished and innovative first lead record from a talented rising star. Explore Jaimie Branch’s Fly or Die and experience a fresh, inventive approach to modern jazz.
Lemandorle love contradictions and have no sense of belonging. The joy of finally playing at the big table.
Lemandorle love contradictions and have no sense of belonging.
The joy of finally playing at the big table.
This review tackles the harsh realities of music promotion for emerging artists, highlighting the opportunism in press representation. It introduces Lemandorle as a duo blending punk ethos with modern electronic production, embracing contradictions and global ambition. While criticizing common industry pitfalls, the review praises Lemandorle’s honesty and determination to ‘play at the big table.’ Discover Lemandorle’s fresh punk pop vibe—listen to San Junipero and explore their raw, tech-infused sound today!
"Tolkachev tends to hide what is exhibited in genre techno, skillfully working with illusion and deconstruction of rhythm to give a sense of compactness.", "His latest 12" has not reinvented himself in free-form, he hasn’t gone ambient. But almost."
"Tolkachev tends to hide what is exhibited in genre techno, skillfully working with illusion and deconstruction of rhythm to give a sense of compactness.",
"His latest 12" has not reinvented himself in free-form, he hasn’t gone ambient. But almost."
The review highlights Stanislav Tolkachev's extensive evolution as a techno artist culminating in his 'There Is Almost No God' EP. The EP skillfully blends traditional club techno with ambient layers and experimental structures, challenging genre norms. Its production is described as masterful with a thoughtful track arrangement that journeys from ambient soundscapes to intense percussive distortions. The reviewer praises Tolkachev's ability to balance rhythm and noise, creating an immersive listening experience. Listen to Stanislav Tolkachev’s innovative EP and experience a fresh take on techno and ambient sounds today.
A white wall brought to life by the innocence of voices, toys, birds—a colorful heart beating on human analog breaths. An open door, a breeze with the scent of lilac and notes that fly into our senses amidst the gentleness of a heart that wishes to be more human.
A white wall brought to life by the innocence of voices, toys, birds—a colorful heart beating on human analog breaths.
An open door, a breeze with the scent of lilac and notes that fly into our senses amidst the gentleness of a heart that wishes to be more human.
Spirit Fest’s self-titled album offers a mix of gentle electronic soundscapes and melancholic warmth. Markus Archer’s melodies combine with the innocent voice of Japanese artist Saya to create a unique fusion of analog beats and folk elements. The album evokes the feeling of fresh spring breezes and simple, heartfelt melodies from diverse origins. Listen to Spirit Fest’s enchanting mix of melancholy and warmth—explore their unique electronic folk sound now!
"Fulci manages to achieve the best in the given situation despite the apparent lack of a script." "The film moves with absolute ease from espionage to other genres, turning spy stories into farce."
"Fulci manages to achieve the best in the given situation despite the apparent lack of a script."
"The film moves with absolute ease from espionage to other genres, turning spy stories into farce."
The review highlights 'Come rubammo la bomba atomica' as a quintessential 1967 Italian surreal spy comedy directed by Lucio Fulci. Combining Cold War tensions and espionage with slapstick humor, the film features the iconic duo Franco and Ciccio in a chaotic yet entertaining plot. The movie parodies multiple genres and showcases a talented international cast, making it a cult classic. Fulci’s direction successfully balances a seemingly chaotic script with comedic brilliance. Dive into this surreal Italian spy comedy classic—watch Lucio Fulci’s hilarious 'Come rubammo la bomba atomica' and enjoy a wild Cold War spoof!
The percussion in 'Mrs. Robinson' enchants without being intrusive, thanks to Hal Blaine's subtle mastery. Psychedelic Percussion is a concept album where frenetic yet orthodox improvisation creates a unique, timeless atmosphere.
The percussion in 'Mrs. Robinson' enchants without being intrusive, thanks to Hal Blaine's subtle mastery.
Psychedelic Percussion is a concept album where frenetic yet orthodox improvisation creates a unique, timeless atmosphere.
This review highlights Hal Blaine's influential role as a session drummer and explores his 1967 experimental album Psychedelic Percussion. It emphasizes the album's fusion of psychedelic sounds and avant-garde jazz, also noting Blaine's impressive legacy and recognitions. The review frames Blaine as an underappreciated but essential figure in music history. Explore the rhythmic genius of Hal Blaine and listen to Psychedelic Percussion—an essential journey into 60s psychedelic drumming artistry.
A stoner-sludge singularity I’ve been fond of for a while, a kind of rule that proves the exception. Few minutes and so intense, of hoarse voice chewing on mud over a sort of psychedelic punk.
A stoner-sludge singularity I’ve been fond of for a while, a kind of rule that proves the exception.
Few minutes and so intense, of hoarse voice chewing on mud over a sort of psychedelic punk.
This review explores the split 12" album by The Cosmic Dead and Pigs Pigs Pigs Pigs Pigs Pigs Pigs. The reviewer favors the intense, twenty-minute track by Pigs Pigs Pigs for its psychedelic punk evolving into space rock vibe, while finding The Cosmic Dead less engaging but promising. The album's artwork adds to the mysterious allure. Overall, an easy recommendation for fans of the genre. Dive into the heavy, psychedelic journey of Pigs Pigs Pigs Pigs Pigs Pigs Pigs and the experimental sounds of The Cosmic Dead. Listen now!
Such as "Barabba" or "Parola"... worth listening twice. "Spaccacuore... here, it gives us chills, dammit."
Such as "Barabba" or "Parola"... worth listening twice.
"Spaccacuore... here, it gives us chills, dammit."
Samuele Bersani's 'Freak' is hailed as one of the best Italian albums of the 90s, blending pop d'autore with traditional Romagnol melodies. The album explores themes of trials, escapes, and emotional resilience with intense and often reflective lyrics. Standout tracks like 'Spaccacuore' evoke strong emotional responses. Despite a few weaker moments, the album is praised for its depth, arrangement, and heartfelt performances. Listen to Samuele Bersani's 'Freak' and experience a classic of 90s Italian pop with deep lyrics and rich melodies.
A real pity, because the mix of AC/DC-like hard rock and Great White created a truly enjoyable album. Against the grunge wave, McQueen Street managed an effective, terribly well-played record, rare these days.
A real pity, because the mix of AC/DC-like hard rock and Great White created a truly enjoyable album.
Against the grunge wave, McQueen Street managed an effective, terribly well-played record, rare these days.
McQueen Street’s self-titled debut stands as a well-executed example of early 90s sleaze and glam rock. Despite lacking major label backing and being overshadowed by grunge giants like Nirvana, the album delivers memorable tracks powered by strong musicianship and notable guest soloing. While the latter part of the album fades, key songs such as “Woman In Love” and “My Religion” highlight the band’s potential. Their career was brief, affected by tragedy and industry shifts, but this album remains an enjoyable period piece. Listen to McQueen Street’s debut album to experience a late-blooming sleaze rock gem from the early 90s!
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