The new work leans more toward power pop shores and highlights Tim Wheeler’s melodic talent, who still boasts incredibly fresh songwriting despite over twenty years of a distinguished career.

 ‘Buzzkill,’ a rapid bullet that seems straight out of the debut ‘Trailer,’ with razor-like guitars and the wonderful backing vocals of Damien O’Neill and Mickey Bradley from the Undertones enhancing everything.

Ash's seventh album Islands builds on the solid foundation of their previous work, showcasing Tim Wheeler's enduring melodic talent. The album leans towards power pop with clear influences from Weezer and Arctic Monkeys. Standout tracks include the energetic 'Buzzkill' and the reflective ballad 'Incoming Waves.' Released through Infectious Music, Islands signals Ash's continuous growth and refreshing sound after over two decades in the industry. Listen to Ash's Islands now and experience a refreshing blend of power pop and alternative rock with timeless songwriting.

 "Chris Carter was always the musical soul, the sound experimenter, creating instruments and sounds."

 "The album feels analog but not vintage, carrying forward artistic research and sound construction."

Chris Carter returns with 'Chemistry Lessons Volume One,' his first solo album in 17 years, offering a rich collection of short, intricate tracks. The album highlights Carter’s strength as a sound experimenter and composer, blending ambient influences with experimental electronic music. The work features careful sound design, analog synth elements, and cinematic moods, appealing to fans of synth-heavy and avant-garde music. While not dance-oriented, the album carries a deep connection to Carter’s legacy with Throbbing Gristle and embraces a modern yet analog feel. Discover Chris Carter’s sonic experiments—listen to Chemistry Lessons Volume One now!

 De André doesn't sing but humbly and self-effacingly serves the word.

 Fabrizzzioneeeee, on the other hand, sings with his gum raised to the left because who knows, maybe it's chic, but who cares really.

The review criticizes Fabrizio De André's 'Storia di un impiegato' for lack of vocal strength and poetic personality. It contrasts De André with other singers like De Gregori and Antonello Venditti, highlighting a perceived deficiency in delivery and artistic impact. The album is seen as mediocre and overly stylized without genuine emotional depth. The reviewer views De André's style as more of an exercise in form than true art. Discover the full review and explore the complexities behind De André's 'Storia di un impiegato'.

 "Beyondless is a complete, eclectic and vibrant album, with no element out of place, a summary of the best that has happened in the last forty years of alternative rock."

 "The winning songs, those that linger in memory, are missing; there are too many styles, many ideas, and the arrangement cannot overcome some deficiencies in songwriting."

Iceage's fourth album, Beyondless, marks a departure from their post-punk roots towards a diverse sound blending glam rock, psychedelic ballads, and vintage soul influences. The album showcases skilled arrangements and production but suffers from lacking memorable, lasting songs. While it offers a rich exploration of alternative rock styles, the songwriting and cohesion do not fully satisfy upon repeated listens. Discover Iceage's Beyondless—explore their bold blend of styles and decide if this eclectic rock journey resonates with you.

 "'Nostalgia' is the absolute masterpiece here: a choral, hypnotic instrumental that demands repeated replay."

 "IQ’s formulaic yet alluring sound strikes a chord for progressive fans, making this album a worthy addition to the late 80s new progressive wave."

This review examines IQ's 1989 album 'Are You Sitting Comfortably?' emphasizing its blend of atmospheric progressive rock with some pop influences. The album balances captivating instrumental passages like 'Nostalgia' and 'Wurensh' with less memorable tracks. The reviewer considers this work solid within IQ’s discography and notable for fans devoted to new progressive rock, praising especially the musicianship and compositional depth. Dive into IQ's captivating 'Are You Sitting Comfortably?' for a deep journey into 80s progressive rock—listen now and explore the standout tracks!

 The album sounds quite solid & varied, but mostly rehearses/recycles the same riffs without bringing any significant new element.

 You feel like you’re twenty again (minus), and you want to headbutt down your home log cabin.

This review examines At the Gates’ newest album, praising its solid and familiar death metal sound while noting it lacks the originality and spark of their 1990s classic. With a lineup change and solid riffs, the album appeals to fans but does not break new ground. The reviewer remains somewhat critical, suggesting longtime fans may prefer the band’s earlier work. Explore At the Gates’ latest album and decide if their death metal legacy still rings true today.

 Luton leaves everything to the viewer. In its narrative silence lies its awareness and the skill of those who wrote and directed it.

 The sounds...express the dichotomy between noise and silence, between what is important and what is apparently not.

Luton, directed by Michalis Konstantatos, features a slow, detailed, and fragmented narrative focusing on three intertwining lives. The film's minimalist and aseptic style challenges viewers but offers deep emotional and sensory experiences. It reflects contemporary Greek cinema's raw and brutal visual approach. Despite its slow pace, the film captivates through its subtle tensions and ambient details. Its silence and the interplay of sounds highlight unspoken emotions and societal undercurrents. Dive into the silent depths of Luton and experience a distinct slice of Greek cinematic artistry.

 Daniel is definitely a talented writer and a good musician, but his writing and style are somewhat adolescent and not very convincing.

 Some resemblance, after all, might be there... with Mark Linkous regarding certain arrangements that somehow deviate from the canons of classic songwriting.

Daniel Blumberg's debut album 'Minus' has drawn attention for its emotional rawness and alternative rock style. While the album shows clear musical talent and interesting arrangements, the writing occasionally feels immature and unconvincing. Critics have compared Blumberg to artists like Elliott Smith and Mark Linkous, noting both strengths and areas for growth. The production by Peter Walsh further shapes the album's distinct sound. Overall, it is a promising yet uneven first effort. Listen to Daniel Blumberg's Minus to explore a fresh voice in UK alternative rock with emotional depth and unique arrangements.

 "Romeo and his companions manage the epic feat of not betraying their origins and sonic trademark while acquiring a composed sonic aggressiveness."

 "Perhaps it’s not a bad thing that they remain one of the best-kept secrets of English rock, if time will preserve them for us in this way."

The Magic Numbers' fifth album 'Outsiders' marks a confident shift from acoustic to electric sounds while staying true to their roots. Despite feeling like outsiders in the indie scene, the band delivers a strong return with standout tracks like 'Sweet Divide' and 'Runaways'. The album balances delicacy with a new sonic aggressiveness, showcasing their growth and lasting appeal. Listen to The Magic Numbers' bold new album 'Outsiders' and experience their fresh electrifying sound today!

 The sound at times reminds me of King Crimson’s Lark’s Tongues In Aspic and Starless And Bible Black.

 The highlight of the album is the long and intense—over 9 minutes—“Trapped Inn,” featuring David Jackson.

Not A Good Sign’s album Icebound showcases Paolo Botta’s creative leadership with strong compositions and impressive guest musicians. The album features a blend of dark and dynamic prog rock atmospheres with influences from King Crimson and Van Der Graaf Generator. Highlights include the intense track “Trapped Inn” featuring saxophonist David Jackson. The album is accessible yet complex, confirming the band's artistic value. Listen to Icebound now and experience the rich, dynamic sound of Not A Good Sign’s latest progressive rock masterpiece!

 Francesco Motta is sharp, direct, with a vaguely defiant attitude reminiscent of Richard Ashcroft.

 "My friend, I've been telling you for years let's get out of here but we always have someone to save"

Francesco Motta’s solo debut 'La fine dei vent'anni' marks a striking entrance into the Italian indie scene. Supported by respected collaborators, the album blends distinctive rhythms and genuine lyrics while avoiding clichés common to the genre. With influences recalling Tiromancino and Max Gazzè, Motta’s debut is sharp, direct, and full of energy. The album has garnered deserved attention and praise. Discover Francesco Motta’s engaging solo debut—listen now and explore the fresh sounds of Italian indie music!

 There are very few bands that manage to transform that cauldron of alternative-rock/post-hardcore/post-rock... and turn it into something fresh and extremely personal.

 The Unwound might be the most apt comparison for their ability to navigate a variety of sounds and genres.

Big Ups’ album Two Parts Together offers a fresh, personal take on the evolving post-hardcore and alternative rock genres. The band skillfully bridges influences from the ’80s and ’90s, channeling artists like Shellac, Helmet, and Unwound. Their sound spans various styles, from metal and emo-core intensity to melodic post-rock nuances. The review highlights the album’s complexity and freshness, praising its originality and genre navigation. Discover Big Ups’ Two Parts Together and experience a fresh take on post-hardcore’s rich legacy!

 His musical discourse is mortified by his verbal saying. He has to explain, he has to defend himself.

 There is nothing left to do but to pick up certain literature and attempt to re-propose it, lowering the brow of “look at me, how cultured I am”.

This review examines Luigi Nono’s politically charged album La fabbrica illuminata, highlighting the tension between avant-garde art and the audience’s expectations. Nono’s use of electronic composition and harsh soprano contrasts with folk elements, provoking boos from a working-class crowd. The review reflects on the cultural divide between intellectual art and popular left-wing music, acknowledging Nono’s importance while questioning his accessibility and contemporary relevance. Discover the provocative clash of art and politics in Luigi Nono’s La fabbrica illuminata—listen and reflect on a pivotal moment in musical history.

 The great achievement of the shameless and radical Midnight is to perfectly fuse form and content without leaving anything to chance.

 Entering Walters’ world, you slide into presses of sick cities and infernal chasms, being led ... to the presence of a whirlwind that is liberating: a catharsis.

Midnight's 'No Mercy for Mayhem' is a compelling second album by Jamie Walters as a one-man speed metal band. The album features chaotic vocals, sharp riffs, and frenzied solos influenced by Motorhead. Its lyrics explore dark satanic themes without irony, maintaining a serious tone throughout. The album’s blend of rhythm and melody achieves a powerful cathartic effect. Dive into Midnight's relentless speed metal fury—listen to 'No Mercy for Mayhem' and experience raw power and dark intensity now!

 This film is wonderful, hilarious, deadly, surreal, grotesque.

 You will support Don Anselmo until the end, and if you don’t, then you haven’t understood a damn thing.

El Cochecito (1960) by Marco Ferreri is a surreal, darkly comedic film about an old man longing for a motorized scooter to keep up with disabled friends. The film blends absurd humor with social critique, set against Franco’s Spain. It captivates with frantic pacing and unforgettable characters, earning high praise for its originality and emotional depth. Watch El Cochecito now to experience Marco Ferreri’s darkly hilarious vision of aging and absurdity!

 Universalists is an album that insinuates itself under the skin of the listener, wrapping around them until it squeezes them in a grip like the embrace of a gigantic serpent.

 Yonatan Gat is a musician with a punk-rock background already known for his experimental and avant-garde orientation, devotion to free-jazz, improvisation, and psychedelic rock.

Yonatan Gat's album Universalists is an adventurous and experimental journey blending punk rock roots with free-jazz, psychedelic, and tribal elements. Recorded across the U.S. with contributions from notable musicians like Steve Albini and Alan Lomax, the album explores themes of time, travel, and cultural fusion. The music’s vibrant diversity and inventive guitar work invite listeners into a gripping, immersive experience. Universalists stands out as a unique, genre-defying record that connects history and modern soundscapes. Dive into Yonatan Gat’s Universalists and experience an adventurous blend of sounds that defy time and genre—listen now!

 The band from Emilia has matured artistically, managing to bring out their songs without having to forcibly rely on generated fury.

 The production also plays in favor of the band, with a much more refined sound compared to the debut.

First Brawl’s EP Turning Point demonstrates notable artistic growth compared to their debut. The band blends new school hardcore with influences from bands like Terror and Hatebreed. The production is cleaner and more refined, effectively isolating vocals amidst the heavy instrumentation. The EP successfully captures their energetic live attitude without relying solely on aggressive fury. Listen to First Brawl’s Turning Point EP to experience their dynamic new school hardcore sound and artistic evolution.

 It is now clear that we must beware of the unfortunate European generation of neuro producers close to Noisia and the whole band of Germans like Phace and Misanthrop.

 It’s the triumph of form over substance: compositional ability is poor if not nonexistent, the tracks flow without leaving anything.

Mefjus' album Manifest is a technically proficient but ultimately uninspired drum and bass effort heavily aligned with the style of Noisia and other European producers. The review criticizes the album’s lack of innovation and compositional depth, despite moments that recall past genre greats. With a heavy focus on sound design, it struggles to leave a lasting impression beyond its form. Dive into Mefjus' Manifest and decide if the future of drum & bass excites or disappoints you.

 A trio at the peak of their potential, before their premature split with only Chambers continuing with different musicians.

 Don’t let it pass you by!

Moving Targets' first and only album 'Burning in Water' showcases a powerful post-punk trio from Boston with influences ranging from hardcore to progressive punk and classic rock. Despite limited commercial success, their complex and original sound set a high standard in alternative music. Produced by Lou Giordano, the album is a compelling mix of unease, harmonic exploration, and dynamic rhythms. The lineup's chemistry is evident, and their legacy remains influential despite a premature split. Discover the powerful and original sounds of Moving Targets' 'Burning in Water'—a must-listen for post-punk and hardcore fans!

 Gnod are redefining the standards of the psychedelic genre for the new decade.

 This album is built on the boundary of that fine line where the supernatural meets the everyday.

Gnod's album Chapel Perilous continues their streak of innovative psychedelic releases. It blends complex themes like post-humanism and conspiracy theories inspired by Robert Anton Wilson. Recorded in Eindhoven’s Supernova Studio, the album redefines contemporary psychedelia with experimental and philosophical depth. It stands as a daring artistic statement in the evolving neo-psychedelic scene. Dive into Gnod’s Chapel Perilous and experience the cutting edge of psychedelic music today!