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The Warriors is not a film. It is a feverish dream, a dark fairy tale told to the subway’s neon lights. Colors, a signal of belonging, a tribal language made of leather jackets, bandanas, and war paint.
The Warriors is not a film. It is a feverish dream, a dark fairy tale told to the subway’s neon lights.
Colors, a signal of belonging, a tribal language made of leather jackets, bandanas, and war paint.
Walter Hill's The Warriors transforms Anabasis into a gritty urban tale set in New York City. The film’s tribal gangs and vibrant colors symbolize survival and identity amid chaos. Its dark, surreal atmosphere frames a tense nocturnal journey that remains a cult classic. The review highlights the film’s mythic structure, vivid gang symbolism, and lasting cultural impact. Dive into the mythic world of The Warriors—watch the cult classic and discover its vivid urban tribalism.
Hypnocracy is a permanently altered state of consciousness, a lucid sleep, a functional trance. A book of reasoned and profound analysis and criticism written by the very object of the examination.
Hypnocracy is a permanently altered state of consciousness, a lucid sleep, a functional trance.
A book of reasoned and profound analysis and criticism written by the very object of the examination.
Jianwei Xun's Ipnocrazia explores the concept of hypnocracy—a state of altered digital consciousness shaped by artificial intelligence. The book reflects on how AI manipulates individuals and society, using figures like Trump and Musk as examples of digital influence. Although challenging and abstract at times, it offers deep philosophical insights. Notably, the book itself was co-created with AI, emphasizing its thematic concerns. Discover how AI shapes reality—read Ipnocrazia and rethink the digital age today!
Robert Powell, who ate only cheese for 12 days to appear as 'emaciated' as possible in the Crucifixion scenes. Zeffirelli’s idea of Faith is blindly reverent and dogmatic.
Robert Powell, who ate only cheese for 12 days to appear as 'emaciated' as possible in the Crucifixion scenes.
Zeffirelli’s idea of Faith is blindly reverent and dogmatic.
Franco Zeffirelli’s 1977 TV miniseries 'Jesus of Nazareth' remains a monumental religious drama with an impressive cast and faithful storytelling. Praised for Robert Powell’s iconic portrayal of Jesus and its mystical atmosphere, the series also faced criticism for overly reverent and dogmatic tones, along with some excessive production elements. Despite mixed reviews, it achieved massive international viewership and maintains cultural significance. The film balances respect for scripture with creative liberties, stirring passion and debate. Explore Zeffirelli’s epic Jesus of Nazareth series—watch the faith-driven drama that captivated millions worldwide.
I found myself dealing with a crazy yet anything but incoherent comedy, somewhat blasphemous but sensibly provocative. The film testifies the transition from one era to another, a great characteristic quality of a piece of popular culture.
I found myself dealing with a crazy yet anything but incoherent comedy, somewhat blasphemous but sensibly provocative.
The film testifies the transition from one era to another, a great characteristic quality of a piece of popular culture.
Miracoloni, a 1981 Italian comedy, surprised with its coherent and provocative humor. Featuring a strong cast including Francesco Salvi and Moana Pozzi, it captures a transitional era in Italian comedy before the commercial cinepanettoni wave. The film offers a mix of hilarious moments and social commentary, making it a valuable piece of popular culture. Watch Miracoloni to experience a unique comedy bridging Italy’s cinematic past and future!
'The combination of prose and music is a perfect blend of gothic, dirty, and hallucinogenic atmospheres, perpetually balancing between reality and nightmare.' 'Nick Cave throws us left and right, and with a sick, drugged, drunken prose, utterly distressing, he leads us to the dramatic finale that mirrors the initial scene to close the circle.'
'The combination of prose and music is a perfect blend of gothic, dirty, and hallucinogenic atmospheres, perpetually balancing between reality and nightmare.'
'Nick Cave throws us left and right, and with a sick, drugged, drunken prose, utterly distressing, he leads us to the dramatic finale that mirrors the initial scene to close the circle.'
The review praises Nick Cave's novel 'The Ass Saw the Angel' for its poetic yet brutal storytelling, set in a haunting 1970s southern US backdrop. The reviewer connects deeply with the blend of Cave's prose and his album 'Tender Prey,' highlighting the dark gothic and hallucinogenic themes. The story follows Euchrid, a mute boy growing up amidst violence and madness, culminating in a disturbing and powerful finale. This immersive reading experience is described as challenging but thoroughly rewarding. Explore Nick Cave's dark gothic world in 'The Ass Saw the Angel'—read the book and let the music take you deeper.
The author imagines Ali Agca to be even the reincarnation of the evangelical Judas. The rewriting of the evangelical stories, combined with the brilliant intuition to draw a parallel with the attack on the Pope, makes the book more than enjoyable.
The author imagines Ali Agca to be even the reincarnation of the evangelical Judas.
The rewriting of the evangelical stories, combined with the brilliant intuition to draw a parallel with the attack on the Pope, makes the book more than enjoyable.
Sebastiano Vassalli’s La notte del lupo presents a historical-contemporary novel centered on Ali Agca, the attacker of Pope Wojtyla, imagined as a reincarnation of Judas. The book critiques the Catholic hierarchy, inspired by Dostoevsky's Grand Inquisitor. While the reincarnation theme is lightly explored, the rewriting of evangelical stories combined with the attack on the Pope makes the novel engaging. It is praised as another compelling work by Vassalli. Discover Vassalli’s intriguing take on faith and history—read La notte del lupo today!
Quentin Dupieux is Mr. Oizo. That is, in reality, it’s Mr. Oizo who is Quentin Dupieux. The fly, evidently tossed in as a protagonist without significant speaking parts and bored more than me, to pass the time devours an innocent little dog.
Quentin Dupieux is Mr. Oizo. That is, in reality, it’s Mr. Oizo who is Quentin Dupieux.
The fly, evidently tossed in as a protagonist without significant speaking parts and bored more than me, to pass the time devours an innocent little dog.
The review offers an ironic take on Quentin Dupieux’s film Mandibules, highlighting its absurd plot about two fools and a giant fly. It mentions repetitive jokes and quirky characters but suggests the film's humor may not appeal to everyone. The reviewer also connects Dupieux to his musical alter ego, Mr. Oizo. Discover the bizarre humor of Mandibules—watch Quentin Dupieux's cult film now!
The devil... tears away every pretense and mask from humans’ faces, rendering them thus naked and transparent. When seen clearly, the Master in the book and his author outside are masks as well.
The devil... tears away every pretense and mask from humans’ faces, rendering them thus naked and transparent.
When seen clearly, the Master in the book and his author outside are masks as well.
This review dissects Bulgakov’s iconic novel Master and Margarita, highlighting its themes of the devil’s arrival in 1930s Moscow and the interplay of reality and fiction. It explores the symbolic use of masks and deception to unveil societal hypocrisies under Stalin’s regime. The novel’s complex narrative layers and rich characters embody a cynical yet profound satire on Soviet life, art, and power. The review appreciates Bulgakov’s masterful intertwining of the mystical and the political. Discover the enigmatic world of Master and Margarita—read, reflect, and uncover the masks behind Soviet Moscow’s shadows.
The gangster-like rhythm allows the mystification of action to subliminally lubricate the immense scope of the information presented. The war is ONLY psychic; the adversary who kicks our butt from morning till night is inside us, and we think we are him, and we even love him!
The gangster-like rhythm allows the mystification of action to subliminally lubricate the immense scope of the information presented.
The war is ONLY psychic; the adversary who kicks our butt from morning till night is inside us, and we think we are him, and we even love him!
This review presents Guy Ritchie's Revolver as a deeply spiritual and symbolic film that transcends conventional gangster movie expectations. It highlights the psychic struggle between ego and self-liberation and explores themes of faith, redemption, and the invisible forces affecting everyday life. The film’s deliberate pacing and imagery invite the viewer to reflect and awaken. The review challenges superficial criticisms and praises the movie’s complexity and esoteric depth. Dive into this thought-provoking review and uncover the hidden spiritual depths of Guy Ritchie's Revolver. Watch with new eyes and reflect on the psychic battle within.
The violent nature of the Friulian presents itself here in all its nakedness, fueled by the lies of everything that surrounds him. The rituals of sperm, piss, blood, and shit are continuous even in their psychic manifestations.
The violent nature of the Friulian presents itself here in all its nakedness, fueled by the lies of everything that surrounds him.
The rituals of sperm, piss, blood, and shit are continuous even in their psychic manifestations.
The review explores Pasolini's film Salò as a ruthless condemnation of societal lies, corruption, and human degradation. It notes the complete rejection of hope and previous ideals by Pasolini, highlighting the brutal and symbolic use of violence. The film is viewed as a prophetic vision of modern dystopia, underscored by disturbing imagery and themes. The reviewer praises Pasolini's uncompromising artistic statement, despite the film's disturbing content. Dive into this intense review and explore Pasolini’s chilling masterpiece Salò—prepare for a cinematic experience unlike any other.
"Nun se stamo a raccontà fregnacce" — cinema not as representation but as unfiltered truth. "The film then (de)rails in wild lands where the 'good news' is a demographic stray delirium accompanied by the music of an Ennio Morricone in great shape."
"Nun se stamo a raccontà fregnacce" — cinema not as representation but as unfiltered truth.
"The film then (de)rails in wild lands where the 'good news' is a demographic stray delirium accompanied by the music of an Ennio Morricone in great shape."
Sergio Citti's I Magi Randagi offers a fierce and unfiltered look at life in Rome's outskirts, blending satire, existentialism, and social critique. The film rejects conventional aesthetics in favor of raw truth, evoking the spirit of Pier Paolo Pasolini. With a memorable Morricone score, it challenges audiences with its brutal honesty and dark humor. Citti's cinema is a vital, disruptive voice that defies the mainstream and delivers a powerful, timeless message. Discover Sergio Citti’s raw vision of Rome—watch I Magi Randagi and experience a bold, unforgettable cinematic journey.
The desert speaks to you. The desert calls you. The desert does not forgive. Could the mirage be the light closest to the truth?
The desert speaks to you. The desert calls you. The desert does not forgive.
Could the mirage be the light closest to the truth?
This review reflects on Werner Herzog’s film Fata Morgana as a hypnotic and immersive exploration of the desert’s harshness and surreal beauty. The reviewer shares a personal desert experience, drawing parallels with Herzog’s portrayal of mirages and existential questioning. The film’s visuals and sounds create a dissolving sense of time and reality, engaging viewers in a raw and reflective journey. Dive into Herzog’s Fata Morgana and experience the mesmerizing desert illusions and profound reflections on reality.
The atmosphere of the film is rotten, cold; it does not manage to flow into anything hopeful precisely because of the overly indulgent presence of sadistic sequences that occupy 90% of the film. The film is a splatter fest on a visual level: blood gushes in rivers, flesh literally torn from the body, broken bones, gouged eyes, and a depth akin to pornographic material from this point of view.
The atmosphere of the film is rotten, cold; it does not manage to flow into anything hopeful precisely because of the overly indulgent presence of sadistic sequences that occupy 90% of the film.
The film is a splatter fest on a visual level: blood gushes in rivers, flesh literally torn from the body, broken bones, gouged eyes, and a depth akin to pornographic material from this point of view.
Mel Gibson's The Passion of the Christ is a highly controversial film known for its graphic violence. Despite strong performances and authentic settings, its excessive brutality overshadows the story. The film struggles with pacing and emotional depth, leaving viewers feeling unsettled rather than inspired. Key moments and casting choices received mixed reactions, making it a divisive cult classic. Explore this intense and controversial portrayal of The Passion, and decide if its bold style and performances speak to you.
The film is a continuous dialogue, where everything is explained as if Blatty himself were reading his own novel to the viewer. The true strength of the film likely remains its performance, with a brilliant portrayal of Gemini Killer by Jason Miller and Brad Dourif.
The film is a continuous dialogue, where everything is explained as if Blatty himself were reading his own novel to the viewer.
The true strength of the film likely remains its performance, with a brilliant portrayal of Gemini Killer by Jason Miller and Brad Dourif.
The Exorcist III, directed by William Peter Blatty, revisits the original's dark supernatural themes but struggles with slow pacing and an unsatisfying ending. Despite these flaws, the film benefits from strong performances, especially by George C. Scott and Brad Dourif, and some genuinely frightening scenes. Though it falls short of the original's impact, it offers enough intrigue for dedicated horror fans. Dive into our detailed review and decide if The Exorcist III is the cult horror sequel you want to watch tonight!
The final scene is striking where Roy, before exhausting, eternalizes himself demonstrating the highest feeling that a human being can have: compassion. The pursuit of humanity by the replicants turns out to be more humane than our condition.
The final scene is striking where Roy, before exhausting, eternalizes himself demonstrating the highest feeling that a human being can have: compassion.
The pursuit of humanity by the replicants turns out to be more humane than our condition.
This poetic review of Ridley Scott's Blade Runner explores deep philosophical questions about what it means to be human. It reflects on the replicants' struggle for identity, free will, and emotion, highlighting Rutger Hauer's iconic role and the haunting soundtrack. The review also critiques societal control and the illusion of choice, presenting the film as a mirror to our existential dilemmas. Dive into this profound analysis and rediscover Blade Runner's timeless questions about humanity and identity.
It is with fair probability the best DeProgram Radiophonified* in the entire known Galaxy. The physical presence in the studio... imparts to the program an augustness, a breadth, a poeticity and portentousness that are difficult to match in nature.
It is with fair probability the best DeProgram Radiophonified* in the entire known Galaxy.
The physical presence in the studio... imparts to the program an augustness, a breadth, a poeticity and portentousness that are difficult to match in nature.
The reviewer expresses enthusiastic and heartfelt appreciation for DeBBaser’s radiophonic program, highlighting its poetic depth and richness. The collaboration with RadioTandem and presence of the core creators adds a unique character that stands out galaxy-wide. Despite minor genre-specific absences, the show’s linguistic and cultural layers enrich the listening experience. The review ends on a playful and anticipatory note for future meetings and broadcasts. Tune in and discover the rich and poetic world of DeBBaser’s unique radiophonic program now!
A useless if not harmful movie. A load of nonsense. Lazy and precious minimalism, more than elegant.
A useless if not harmful movie. A load of nonsense.
Lazy and precious minimalism, more than elegant.
This review critiques Denis Villeneuve's Arrival as a visually polished but conceptually flawed sci-fi film. While it explores intriguing ideas like alien language and time paradoxes, the reviewer finds the execution lazy and minimalism unengaging. Political undertones and narrative inconsistencies further detract from the movie. Overall, the film is deemed a disappointing and confusing effort. Discover the hidden flaws in Arrival and explore a fresh perspective on this sci-fi thriller—read the full review now!
A skillful balance of comedy, depth, non sense, brilliance, vision, spirituality, intelligence, poetry, and moments of true comedy. A film that is IMPOSSIBLE to forget.
A skillful balance of comedy, depth, non sense, brilliance, vision, spirituality, intelligence, poetry, and moments of true comedy.
A film that is IMPOSSIBLE to forget.
Dio Esiste e Vive a Bruxelles is praised as a gem of modern cinema, blending comedy, spirituality, and surreal poetry. The film offers multiple layers, challenging traditional views of God with brutal secularism. It’s a rare and unforgettable experience for film lovers open to innovative storytelling. Despite limited screenings due to its controversial themes, it stands out as a masterpiece of creativity and emotional impact. Watch Dio Esiste e Vive a Bruxelles and experience a breathtaking, unforgettable film journey today!
"We must go back, without any fear, to the origin of everything! To the land! The land of the fathers!" "A language can smell of Irpinia: dialectical, onomatopoeic, ancient. A language can become body, matter."
"We must go back, without any fear, to the origin of everything! To the land! The land of the fathers!"
"A language can smell of Irpinia: dialectical, onomatopoeic, ancient. A language can become body, matter."
The review explores Vinicio Capossela's Il paese dei coppoloni as a poetic journey into forgotten lands and identities. It delves into the tension between modernity and tradition, myth and reality, and the search for a lost sense of belonging. The evocative language and vivid place names evoke a fading world rich with spirit and matter. Ultimately, the work invites reflection on loss, regeneration, and the quest for deeper understanding. Dive into Capossela's evocative world—listen, read, and rediscover lost identities and ancient myths today!
We might think of God as a very fast guitarist who, by playing his enormous divine guitar, generated these waves and thus created the universe. We, poor human beings, search for the truth like a drunk searching for his lost keys at night in the park: he only looks under a lamppost, neglecting everything else inevitably found in the dark.
We might think of God as a very fast guitarist who, by playing his enormous divine guitar, generated these waves and thus created the universe.
We, poor human beings, search for the truth like a drunk searching for his lost keys at night in the park: he only looks under a lamppost, neglecting everything else inevitably found in the dark.
The review reflects on deep existential and eschatological questions, connecting them with scientific discoveries such as quantum mechanics and string theory. It presents an imaginative interpretation of the universe's creation, likening God to a divine guitarist. The review expresses hope that science will eventually shed light on these mysteries. Discover the fascinating blend of science and philosophy—dive into the mysteries of our universe with string theory insights!
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