Daniele Luchetti signs an intense drama that promises bondage and does not deliver, supported by the caliber of the actors, natural lights, elegant photography.

 To be together, you must speak little. The indispensable.

LACCI by Daniele Luchetti is an intense drama portraying a bourgeois family's unraveling amidst love, betrayal, and emotional strain. The film shifts between the 1980s and a dystopian future, enriched with rich symbolism like instant Polaroids and powerful metaphors. Supported by strong performances from its cast, including Alba Krombacher and Lo Cascio, the movie presents an elegant, nuanced exploration of family roles and love's complexities. The review praises its natural lighting, cinematography, and potential as a masterpiece. Discover the emotional depth of LACCI – watch the gripping family drama today!

 Songs with cute synths, autotune ad cazzium, and really useless lyrics, voice and character with the charisma of a tombstone.

 Vodka Tonic was fashionable 5 years ago, not even that hit the mark.

The review criticizes Enne's Vodkatonic as an overhyped Italian indie album lacking charisma and meaningful lyrics. It notes the heavy use of autotune and synths without substance. The reviewer places this release unfavorably against previous generations of Italian indie artists, calling it a forgettable and uninspired effort. Explore the realities behind the hype—read the full review and decide if Enne's Vodkatonic is for you.

 "Enrico Papi, that crazy cokehead who hosted Sarabanda!"

 "HIM, IN HIS 50s, ALL HAPPY SURROUNDED BY YOUNG WOMEN, YOU AT 25, LOOK LIKE HIS GRANDPA."

This review of Enrico Papi's single MOOseca humorously reflects on the oddity of his comeback and its place in Italian pop culture. Using irony and nostalgia, it explores internet memes and social commentary around aging celebrities embracing modern trends. The reviewer mixes sharp wit with social satire, ultimately expressing amused disbelief rather than outright criticism. It's a cult, awkward moment in 2017's music scene. Discover the quirky side of Italian pop by watching Enrico Papi's MOOseca and read this witty review!

 True artists neither copy nor steal, but recycle.

 Enrique calls his seven ghostwriters and gives all the directives for drafting the text.

This review humorously praises Enrique Iglesias for his 'operation recycling' approach to music, emphasizing his reuse of chord progressions and recurring themes. It traces his past hits and their similarities while highlighting his collaboration style and quick production turnaround. The review frames this creative recycling as both a crafty and somewhat playful process. Listen to Enrique Iglesias' 'Subeme la Radio' and discover the art of musical recycling in Latin pop!

 Metallica, you were heroes, but you’re also a bunch of damn fools who don’t know when to stop.

 James Hetfield confirms himself as a competent rhythm guitarist but especially as an important vocalist who withstands well the passage of time.

This review offers a nuanced critique of Metallica's Hardwired… To Self Destruct, praising Kirk Hammett's guitar work and James Hetfield's vocals while criticizing repetitive drumming and drawn-out tracks. The album shows flashes of the band's classic thrash metal roots but suffers from filler songs and overlong compositions. Covers and live tracks are noted, with mixed results. Overall, it marks a decent comeback year for Metallica without fully reclaiming past glory. Discover the highs and lows of Metallica's latest thrash metal effort – read the full review and decide if this album rocks your world!

 For over 30 years, Slayer... have been the best at what they do. And so they only do that.

 It’s missing the emotion. Mine.

This review reflects a deep personal connection to Slayer since childhood, acknowledging the band's professional consistency but noting a lack of emotional spark in Repentless. Despite lineup changes, especially after Jeff Hanneman's passing, the album maintains Slayer's trademark aggression but sometimes feels repetitive. The drumming by Paul Bostaph shines, and the production is heavier and more modern than their older works. Ultimately, the album is competent, but the reviewer misses the raw emotion that Slayer once delivered. Discover Slayer’s Repentless — listen closely and decide if their legacy still roars as loud as ever.

 This Caribou album is hemorrhoidal shit, and it hurts.

 Don’t listen to this album, let me suffer, but don’t do it, the retchings coined by the mint could come out with small smelly patches.

This review expresses strong disappointment with Caribou’s Our Love album, criticizing its synthetic production and perceived lack of depth. The author uses sarcasm and cultural references to highlight discontent, ultimately advising readers not to listen to the album. Despite the critique, some playful and vivid imagery is used throughout. The reviewer prefers other albums, notably Ariel Pink’s latest. Read this brutally honest review before diving into Caribou’s Our Love album.

 If the ancient philosophers could have access to this record, they would have known for sure that they had rightly intuited the further, celestial, otherworldly, meta-mathematical meaning of sound.

 Do not dare to belittle the work of Lea Cummings, because to paulstretch anything we are all more or less capable: to make such well-crafted and pleasing mixes, to perform the concepts, to implement them in the art world, this no.

This review dives deep into Kylie Minoise’s cover of Napalm Death's You Suffer, praising its conceptual boldness and complex sound design. The piece transforms a brief grindcore track into an epic, ambient, and mathematically inspired soundscape. The work is positioned as an advanced, postmodern exploration that bridges art and music experimentation while respecting the original's structure and silences. The reviewer highlights the skill and artistic vision behind this reinterpretation, distinguishing it from simple stretching techniques. Explore Kylie Minoise's transformative You Suffer cover and experience a unique blend of experimental and ambient sound art today!

 Listen to it today, ten years later, and find yourselves aging beautifully in comparison, you adults.

 Play it for your kids to give them a past to dispel with an embarrassed smirk and without any nostalgia.

Killradio's 2004 album Raised on Whipped Cream captures the rebellious spirit and political angst of its time, marked by raw bass and screaming vocals. The review reflects nostalgic emotions tied to youth culture and punk shows a decade later. While acknowledging some naïve political frustration, it recognizes the album’s energy and authenticity. It serves as a time capsule of early 2000s punk and youth-driven anti-establishment sentiment. Dive into Killradio’s raw punk energy and rediscover Raised on Whipped Cream — a fierce, memorable soundtrack of youthful rebellion.

 It’s not that serious; it’s far stupider.

 Prick is essentially an album without a reason to be listened to; indeed, it’s hard to even find a real reason for its existence.

Melvins' 1994 album Prick is an intentionally chaotic and senseless collection of sound experiments released under a pseudonym to bypass label restrictions. Despite being hard to listen to or categorize, it contains moments of raw creativity. It stands as a peculiar artifact of the grunge era with a cult following, mainly appealing to completists and fans of noise music. The album’s oddity and context make it more fascinating than enjoyable. Dive into Melvins' wild and bizarre album Prick—embrace the chaos and discover a cult classic like no other!

 "Scott Walker did it again."

 "Bish Bosch is nothing but a sonic collage, an album deliberately and intrinsically discontinuous, but which, paradoxically, finds its raison d'être in its irreverent fragmentation."

Scott Walker's Bish Bosch is a daring continuation of his experimental journey that began with Tilt and The Drift. This album delivers a fragmented, dark, and intense sonic collage rich in black humor and unsettling themes. It challenges listeners with its dissonance, intricate instrumentation, and evocative vocals. The work demands full attention but rewards with profound emotional and artistic impact. Bish Bosch stands as a fitting and impressive conclusion to Walker's avant-garde trilogy. Dive into Scott Walker's Bish Bosch and explore one of the most challenging and captivating avant-garde albums ever created.

 "Kittens Pooping Out Rainbows And Razorblades" is a true anthem for cat lovers, blending sound violence with tenderness.

 The album sets the eardrums on fire, caressing your nape with one hand while digging into your intestines with the other.

Hello Kitty Suicide Club's album ^_^ offers a bold fusion of post-rave grindcore with acid and electronic jazz elements. Featuring eclectic themes from politics to childlike playfulness, the album balances raw intensity with moments of tenderness. Each track delivers spontaneous and cathartic bursts of emotion, propelled by manic, euphoric vocals. This original and energetic work is both challenging and addictive. Explore the wild and eclectic world of Hello Kitty Suicide Club—listen now and experience their explosive sound!

 Musically, they are machines of war, skilled at intertwining dense jazz and grind soundscapes, all enclosed in a term they love, avant-core.

 Little masters of sonic devastation, proudly made in Italy.

Psychofagist demonstrates mastery in extreme metal with their unique avant-core style blending jazz and grindcore. Their self-produced 7" vinyl 'Unique.Negligible.Forms' offers fast, violent, and intricate tracks. The band's dedication to a DIY approach and rich talent shines through in this limited release. Fans of challenging, inaccessible music will appreciate this powerful sonic experience. Dive into Psychofagist's avant-core assault and experience cutting-edge extreme metal today!

 Cristina Scabbia really makes a thong explode with a white liquid that I won’t even describe.

 Above all, about the angelic throat of Cri, her stage presence, and the sensuality unleashed live (stuff that makes even a polished Anneke seem like Loredana Bertè dressed as a clown).

This vibrant review expresses a deep admiration for Lacuna Coil's Dark Adrenaline, particularly highlighting Cristina Scabbia's captivating voice and sensual stage presence. The reviewer laments the lack of local recognition for the band while praising the album's strong songs and production. The cover of R.E.M.'s 'Losing My Religion' is noted as breathtaking, and the review blends humor with sincere passion for the band’s gothic metal identity. Discover the power and passion of Lacuna Coil's Dark Adrenaline—listen now and experience Cristina Scabbia's unforgettable voice!

 The album sounds innovative, brilliant and crazy at the same time!

 For followers of noise and the most extreme experimentalism, I warmly recommend an eavesdrop on 'Norwegianism'.

MoHa!'s 'Norwegianism' offers a brilliant and chaotic blend of avant-grind, noise, jazz-core, and no-wave. Led by Anders Hana and Morten J. Olsen, the album delivers fast, vibrant bursts of innovative sound. Though challenging for conventional listeners, fans of extreme experimental music will find it rewarding. The album is a standout release on Rune Grammofon. Dive into the wild, innovative world of MoHa!'s Norwegianism and experience noise music like never before!

 "The band has created its longest album and best amalgamated work, with uncommon attention to detail and arrangements."

 "Twisted, deviated, cold but with a heart of gold as we already know them, Dillinger has finally managed to make a record substantial enough."

Option Paralysis marks a mature and dynamic chapter for The Dillinger Escape Plan. The album balances their aggressive mathcore roots with refined songwriting and melodic experimentation. While some risk of track homogenization exists, the album delivers engaging and unpredictable compositions. The record pays homage to their past while pushing boundaries, making it a compelling listen for fans and newcomers alike. Discover The Dillinger Escape Plan's Option Paralysis—experience chaotic brilliance and refined mathcore mastery now!

 They devour all the progressive, the neo-prog, the quasi-prog, the prog-whatever you want, unite it with sick jazz, jazzcore contortions, this jazzshit, and flavor it all with quite a bit of heaviness.

 Often misunderstood as show-offs and taken very seriously, I instead find Shining a gem, a small guide on how to mock oneself and have great fun while doing it.

Shining's Blackjazz is a masterful blend of progressive rock, jazzcore, and metal, featuring expert musicianship and high-quality production by Sean Beavan. The album mockingly embraces its complexity while delivering intense and chaotic soundscapes. Highlights include the heavy grooves of 'Healter Skelter' and a wild cover of King Crimson's '21st Century Schizoid Man.' Far from pretentious, the band balances fun and technical skill in a unique, cyberpunk-inspired style. Dive into Shining's Blackjazz and experience a wild, genre-bending journey through jazzcore and prog-metal chaos!

 Two machine musicians. Two tracks of twenty minutes of spontaneous compositions.

 It is the birth of an evolved type of rock that intelligently revisits the avant-garde experience and puts it at the service of future electronics.

No Pussyfooting marks the groundbreaking collaboration between Robert Fripp and Brian Eno, offering two expansive tracks of spontaneous electronic compositions. Recorded in a single afternoon, the album became a seminal work in electronic and ambient music, showcasing innovative sound manipulation and avant-garde influences. The fusion of Fripp's inventive guitar work with Eno's synthesizer manipulations set new standards for future generations of sound experimenters. This record is a fundamental milestone that reshaped the direction of electronic and progressive rock. Explore the pioneering sounds of No Pussyfooting and experience the roots of modern electronic rock!

 This CD is a real godsend for us fans of the most relentless and combative gore grind.

 The singing is similar to a riddled gargle that erupts violence from all its micropores.

The review praises Tumour's 'Anatropic Nephrolithotomy' as a brutal and uncompromising gore grind album. It highlights the intense technical effort behind the solo project of Rogier Kuzee. The album's ferocious drum machine programming and relentless riffs create a punishing yet rewarding listening experience. Despite the absence of lyrics, the CD is considered essential for fans of extreme grindcore. The reviewer enthusiastically recommends seeking out this cult classic. Dive into the brutal world of Tumour and experience gore grind at its fiercest—listen to 'Anatropic Nephrolithotomy' now!

 A walking carcass that mocks every song-form ever conceived, notably beating it to resize its soul with disarming ease, never proposed before.

 Finally, someone has understood something about this damned and sadistic line that Darwin defined as 'Evolution', and these individuals demonstrate an absolutely contradictory yet transparent and regurgitating nature.

The review praises Aids Wolf's 2008 album Cities Of Glass for capturing the dark, chaotic essence of the no-wave movement. The album is seen as a bold and unsettling exploration of modernity, pushing musical boundaries with raw, harsh sounds and intense social commentary. It reflects a rebellious, conspiratorial spirit that challenges mainstream norms. Overall, the album is regarded as a powerful revival and evolution of no-wave. Dive into Aids Wolf’s Cities Of Glass and experience the raw revival of no-wave chaos today!