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Music Terminal, although with the same improvisation-based process, proves to be more polished, thoughtful, and mature, touching upon results that are visionary. An irrepressible expressive will free from constraints in conjunction with an innate originality and a strong personality, for an anti-self-indulgent album with neither head nor tail.
Music Terminal, although with the same improvisation-based process, proves to be more polished, thoughtful, and mature, touching upon results that are visionary.
An irrepressible expressive will free from constraints in conjunction with an innate originality and a strong personality, for an anti-self-indulgent album with neither head nor tail.
Music Terminal by Francesco "G" is a mature and visionary avant-garde album that refines his previous work with introspective and extrospective tones. It combines free-folk, electronic, and psychedelic elements with clever post-production effects, such as reversed recordings, to create a unique hypnotic atmosphere. Though sometimes raw and unpolished, the album grows in appeal with each listen, showcasing a bold artistic personality and original musical expression. Discover Francesco "G"’s Music Terminal – a daring, hypnotic blend of folk, electronics, and psychedelia that rewards repeated listens.
An anthem for the love 'underdogs,' as our blonde and thoroughly Roman President would say. We did everything possible. Except putting a broom in our ass to sweep the room. So be it.
An anthem for the love 'underdogs,' as our blonde and thoroughly Roman President would say.
We did everything possible. Except putting a broom in our ass to sweep the room. So be it.
This review celebrates 'Servi della gleba' as Elio e le Storie Tese’s most iconic and beloved anthem. The song humorously and poignantly captures the trials of unrequited love and emotional servitude. Praised for its genuine Italian character and timeless message, the review highlights its cultural impact since 1992. The author shares personal reflections that deepen the song's emotional resonance. Discover the humor and heart of 'Servi della gleba'—listen now and explore the legend of Elio e le Storie Tese!
With the Elios, you always joke in a really serious way. This record is a masterpiece. There will not be more albums like this.
With the Elios, you always joke in a really serious way.
This record is a masterpiece. There will not be more albums like this.
This review commemorates the 30th anniversary of Elio e le Storie Tese’s album "Italyan, rum casusu çıktı," praising its enduring humor and innovative sound. The reviewer highlights the album's unique collaborations, brilliant musicality, and cultural relevance. Key tracks and performances are discussed in detail, emphasizing the band’s clever and serious approach to comedy. The album is hailed as an irreplaceable masterpiece in Italian music history. Dive into the genius and humor of Elio e le Storie Tese’s classic—listen now and experience a timeless Italian musical masterpiece!
Rondo da Sosa, a trap artist of the drill style who blew up recently more due to the unintentional comedy of his character than his talent. "What makes me better than those people? The fact that I’m aware of how ridiculous I was in that situation?"
Rondo da Sosa, a trap artist of the drill style who blew up recently more due to the unintentional comedy of his character than his talent.
"What makes me better than those people? The fact that I’m aware of how ridiculous I was in that situation?"
This review recounts a first-time visit to the renowned Liv nightclub, centered around Rondo da Sosa’s live performance. The reviewer reflects on the awkward and varied atmosphere, including poor sound, a dull DJ set initially, and a mixed crowd. While the artist’s talent is questioned, the night’s energy and unexpected enjoyment shine through. The experience ends with a thoughtful contemplation of personal identity and social nightlife dynamics. Discover the raw and candid experience of Rondo da Sosa live at Liv – dive into the review and feel the nightlife energy!
The rector enjoys being a rock chick and plays with a song that plays upside down, over the passage of minutes. The ideal 'will' of every artist who talks about death as an exit from life’s stage.
The rector enjoys being a rock chick and plays with a song that plays upside down, over the passage of minutes.
The ideal 'will' of every artist who talks about death as an exit from life’s stage.
Donatella Rettore's 'Caduta Massi' is a rock album marked by aggressive voice and a deliberate electronic style. Some tracks bring emotional depth and rhythmic interest, especially 'Se morirò' and 'Calus,' yet others feel clichéd or superficial. The album contains bold themes like adolescence and death but is uneven overall in quality. The reviewer appreciates Rettore's rock persona but criticizes some poorly executed songs. Listen to Donatella Rettore’s 'Caduta Massi' to discover a bold and eclectic rock experience, then decide if this spirited album speaks to you!
The album flows very well, the versions are very clean with lyrics that do not forget to remind us of the glorious past. Ultimately, 'Quando i baci erano fiocchi' is an album I dreamed differently, maybe because I’m an incurable nostalgic.
The album flows very well, the versions are very clean with lyrics that do not forget to remind us of the glorious past.
Ultimately, 'Quando i baci erano fiocchi' is an album I dreamed differently, maybe because I’m an incurable nostalgic.
This review reflects on Windopen's album 'Quando i baci erano fiocchi' in the context of the birth of Italian punk rock. While the album revisits lost recordings with cleaner production, it lacks some rawness and grit of the original era. Its mix of passionate lyrics with polished sound creates a contrast between past and present, offering enjoyable songs but not the full nostalgic experience expected. Explore Windopen's unique blend of vintage Italian punk spirit with a modern twist—listen and discover the roots of Italian rock today!
Ok Human has a bit of that awkwardness. And that’s a good thing. It’s just a good little album, and I think I’ve written too much.
Ok Human has a bit of that awkwardness. And that’s a good thing.
It’s just a good little album, and I think I’ve written too much.
Weezer's fifteenth album, OK Human, is a surprisingly pleasant and well-crafted pop-rock collection with tasteful orchestral backing. The album maintains the band's trademark awkward charm without falling into meme territory. Though not groundbreaking, it is compact, polished, and enjoyable, standing out compared to some of their previous recent works. A solid addition to Weezer's discography. Listen to Weezer's OK Human for a charming mix of orchestral pop-rock and classic awkwardness.
If not even the parodies of italo-trap are funny anymore, it means the genre is at self-parody; Famoso is the happy ending of a Trainspotting 3 starring Gionata Boschetti from Cinisello Balsamo who at thirty ties his shoes tight to escape the cops.
If not even the parodies of italo-trap are funny anymore, it means the genre is at self-parody;
Famoso is the happy ending of a Trainspotting 3 starring Gionata Boschetti from Cinisello Balsamo who at thirty ties his shoes tight to escape the cops.
The review critically analyzes Sfera Ebbasta's album Famoso, highlighting the self-parodic tendencies of Italian trap music. It contrasts this with past avant-garde works and critiques the commercialization behind the fame. Despite the album's flaws, Sfera Ebbasta is seen as a reflection of urban realities and the generational challenges in public housing. The reviewer underscores the album's raw storytelling and social commentary. Explore the deeper reality behind Sfera Ebbasta's Famoso and the complex world of Italian trap—listen and reflect.
"The song starts with a killer dissonant guitar riff... and then everything changes to a super cheerful funk-rock-fusion." "There is a certain childish energy that makes this song very captivating, especially in the way these musicians don’t take themselves seriously at all."
"The song starts with a killer dissonant guitar riff... and then everything changes to a super cheerful funk-rock-fusion."
"There is a certain childish energy that makes this song very captivating, especially in the way these musicians don’t take themselves seriously at all."
DOACOCK's 'It's A Pleasing Day' surprises with its shift from a harsh guitar intro to a cheerful funk-rock-fusion, reflecting the band's playful spirit. Despite quirky English lyrics and an unclear genre, the track captivates with its carefree, party-ready energy. The video amplifies the fun, showcasing the band's ironic and joyful nature. This rare Japanese band from 2012 delivers a refreshing musical nugget that puts listeners in a good mood. Listen to DOACOCK’s 'It’s A Pleasing Day' and experience a funky, fun ride that lifts your spirits!
Bugo is not a genius but not an idiot either; yes, he’s a bit dazed, but that’s the charm of his being bewildered. The title is both idiotic and brilliant, and the rest of the album is no less: lyrics and music slathered with delusions that sometimes verge on total dementia.
Bugo is not a genius but not an idiot either; yes, he’s a bit dazed, but that’s the charm of his being bewildered.
The title is both idiotic and brilliant, and the rest of the album is no less: lyrics and music slathered with delusions that sometimes verge on total dementia.
The review explores Bugo's album Dal lofai al cisei as a raw and sometimes chaotic but charming blend of rock, blues, and trip-hop. The reviewer highlights standout tracks like "Portacenere," "La mia fiamma," and "Casalingo," praising the artist's quirky lyrics and eclectic sound. While noting a few filler tracks, the overall experience is recommended for listeners who appreciate musical openness and fun. Dive into Bugo’s Dal lofai al cisei for a wild ride through quirky rock and blues—discover the madness and charm today!
Padre Abarth is a major power-steering to the nu-Absurd Metal! Effective even against motorists’ curses. It’s only rock’n’roll but, if it were a rare steak, we’d love it just the same.
Padre Abarth is a major power-steering to the nu-Absurd Metal! Effective even against motorists’ curses.
It’s only rock’n’roll but, if it were a rare steak, we’d love it just the same.
Padre Abarth by Trombe di Falloppio is an imaginative and powerful album blending heavy metal, hard rock, and folk influences with rich mythological references. The reviewer praises its intellectual depth, artistic maturity, and humorous lyrical themes. The album stands out for its originality and mythic storytelling, offering a unique Absurd Metal experience. Production challenges were overcome smoothly, resulting in a robust and memorable work. Dive into the myth and power of Padre Abarth—listen now and explore a new frontier of Absurd Metal!
"Here, then, is a crazy album, synonymous with refined intelligence, Parco of nonsense, in fact, and Regio of soul." "More and more charismatic leader. And this album of his perhaps should have been titled 'Captain Findus doesn’t say shit to anyone anymore.' But you can’t have everything in life. Only white and good cod."
"Here, then, is a crazy album, synonymous with refined intelligence, Parco of nonsense, in fact, and Regio of soul."
"More and more charismatic leader. And this album of his perhaps should have been titled 'Captain Findus doesn’t say shit to anyone anymore.' But you can’t have everything in life. Only white and good cod."
The review celebrates Trombe di Falloppio's 2003 album 'Togliti il tappo (Guate la nata)' as a clever, energetic fusion of hard rock and punk. It highlights the quirky band members, their humorous and witty lyrics, and musical influences from Black Sabbath, Ramones, and AC/DC. The album is praised for its bold style and unique Italian rock identity, marking it as a standout work in their discography. The reviewer encourages listening and appreciating the album's passionate, sometimes chaotic charm. Dive into Trombe di Falloppio’s wild hard rock punk fusion—listen to 'Togliti il tappo' and experience Italy’s boldest underground sound!
We are the missing link between Cochi e Renato and Guns’n’Roses. Comedic rock is passé: we’re the third way of rock, the way of the silly.
We are the missing link between Cochi e Renato and Guns’n’Roses.
Comedic rock is passé: we’re the third way of rock, the way of the silly.
This review explores Gene Gnocchi and the Getton Boys’ 1992 album, a unique comedic rock project blending influences from Skiantos and Elio e le Storie Tese. Created quickly and with raw energy, the album features 24 short, catchy tracks rich with 90s Italian pop culture references. The project highlights Gene Gnocchi’s musical passion and comedic style, offering an entertaining and nostalgic listening experience. Despite being rare and collectible, the album remains a fascinating piece of Italy’s rock history. Dive into this rare comedic rock gem from 1992—listen to Gene Gnocchi and the Getton Boys for a nostalgic, fun musical trip!
These Trombe have imagination to spare! And class too, the thrash riffs in "Vomithunder" shred spectacularly, and who hasn’t vomited after a binge? Stories of Italian life lived in a crazy and irreverent hard ’n’ heavy cocktail that brings good humor while maintaining the metallic DNA.
These Trombe have imagination to spare! And class too, the thrash riffs in "Vomithunder" shred spectacularly, and who hasn’t vomited after a binge?
Stories of Italian life lived in a crazy and irreverent hard ’n’ heavy cocktail that brings good humor while maintaining the metallic DNA.
This review celebrates Trombe di Falloppio's album 'Santi Numi!' as an imaginative thrash metal record infused with humor and Italian life stories. The intense riffs, good humor, and nostalgic storytelling create a unique listening experience. Produced by Elio e le Storie Tese, the album shines with metallic passion and irreverence. It’s especially favored by fans who appreciate metal with personality and a touch of comic flair. Dive into the thrash metal madness of 'Santi Numi!' and experience Italian metal like never before.
If this isn’t genius, it’s pretty close. I highly recommend not letting it slip away.
If this isn’t genius, it’s pretty close.
I highly recommend not letting it slip away.
This review celebrates Enrico Riccardi, an underrated Italian songwriter whose album Parapapà compiles timeless hits like 'Io mi fermo qui' and 'Ma che Bontà.' The reviewer highlights the album's uniqueness and urges listeners not to miss this overlooked gem, emphasizing Riccardi's deserved recognition. With catchy and quirky lyrics, Parapapà stands out as a brilliant rediscovered work in Italian music. Listen to Enrico Riccardi's Parapapà now and uncover a forgotten Italian classic!
"Everything is carefully blended into a mixture that explodes in the listener's face with the force of the shockwave of irony." "Irony and mockery seem to be the new path to revitalize a genre that has become quite atrophied and stagnant."
"Everything is carefully blended into a mixture that explodes in the listener's face with the force of the shockwave of irony."
"Irony and mockery seem to be the new path to revitalize a genre that has become quite atrophied and stagnant."
Nanowar's Stairway to Valhalla fuses powerful neoclassical and power metal elements with sharp irony and humor. Featuring guest vocals from Fabio Lione, the album cleverly mocks metal clichés and pays homage to legends like Manowar and Blind Guardian. The band delivers memorable choruses and a fresh, playful approach that breathes new life into a genre often seen as stagnant. Listen to Nanowar's Stairway to Valhalla and experience epic metal with a hilarious twist!
"It's the first concert with more people on stage than in the audience," Mr. Elio joked before the show. The concert’s finale was a crescendo of emotions...drawing the final curtain amidst tears and palpable emotion to the career of one of the most delightful and ingenious groups ever to appear on the Italian scene.
"It's the first concert with more people on stage than in the audience," Mr. Elio joked before the show.
The concert’s finale was a crescendo of emotions...drawing the final curtain amidst tears and palpable emotion to the career of one of the most delightful and ingenious groups ever to appear on the Italian scene.
Elio e le Storie Tese possibly ended their remarkable 38-year career with a heartfelt farewell concert at Barolo's Collisioni Festival 2018. The show featured numerous special guests, memorable performances, and emotional tributes, highlighting the band's creativity and legacy. Despite some humor and playful moments, the event carried a semi-tragic, festive tone. The review praises the band's ingenuity and the concert's emotional impact. Discover the legendary final show of Elio e le Storie Tese—relive the moments and celebrate a unique Italian band’s legacy today!
F. Falloppio isn’t here. I am his house elf... You will have to speak with me because my master is resting. Can I say it? I’m not sure if I’m allowed; don’t tell him though, alright? The title is “BLUESPALLOSO”.
F. Falloppio isn’t here. I am his house elf... You will have to speak with me because my master is resting.
Can I say it? I’m not sure if I’m allowed; don’t tell him though, alright? The title is “BLUESPALLOSO”.
This interview with Flavio Grosso, aka Falloppio, founder of the comedic rock band Trombe di Falloppio, reveals a mix of humor and depth through the voice of his 'house elf.' It highlights his music journey from rock/metal to blues, touches on his novel and the Turin music scene, and captures the playful yet complex dynamics of artistic identity. The review offers an engaging, unconventional take on Flavio's creative life and transformation. Dive into this unique interview with Flavio Grosso and experience the colorful journey from irreverent rock to heartfelt blues.
The album is like that: it soars from the seductive melodies of 'Someone For Everyone' to the angry odd times of 'Kill Floor'. Overall, their debut album was really good and had great ideas and influences.
The album is like that: it soars from the seductive melodies of 'Someone For Everyone' to the angry odd times of 'Kill Floor'.
Overall, their debut album was really good and had great ideas and influences.
Galactic Cowboys' 1991 debut album mixes Beatlesque melodies with thrash and doom metal influences, creating an eclectic and energetic record. While initial impressions may be offputting due to quirky animal sounds, the songwriting and diverse styles shine through. The album suffers slightly from lengthy songs but showcases strong ideas and musicianship. It's a record worth rediscovering, especially for fans of King's X and progressive metal. Explore Galactic Cowboys' adventurous debut—listen now and discover a unique blend of metal and melody!
There is genuine genius in the words. Words are played as well as, or even better than, the instruments.
There is genuine genius in the words.
Words are played as well as, or even better than, the instruments.
This review explores the groundbreaking qualities of Elio e le Storie Tese’s debut album 'Elio samaga hukapan kariyana turu.' It highlights the album's courageous tackling of difficult themes, sophisticated wordplay, and exceptional lyrical artistry. The review praises the album’s blend of dark humor and musical creativity, positioning it as one of the greatest works in Italian music. Despite some less engaging spoken tracks, the album’s depth and innovation fully compensate. Dive into the groundbreaking artistry of Elio samaga hukapan kariyana turu—listen now and discover a masterpiece of Italian musical and lyrical innovation!
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