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❝ This "Begin To Hope" is, in short, an excellent work, engaged and uncommitted just enough, aimed at those who miss the eccentricity of the pre-motherhood Tori Amos and those who are tired of having only Fiona Apple as the sole heroine of female singer-songwriters.
❝ And then there's this fresh voice, full-bodied, sullen yet playful, fluttering, at times terribly confidential as if it seemed to address You directly.
❝ The show, even amidst your tears, your heart-wrenching cries, will go on, until that girl lifts her hands from her instrument.
❝ Regina always manages to sound unmistakably herself, always poised between optimism and darkness, lightness and commitment (which becomes sharp social critique in “The Trapper and the Furrier”).
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